“I was obsessed with comedy writing as a kid,” said Nicholas Stoller. “I remember watching Saturday Night Live and not wanting to be the actors, but wanting to write the sketches. I don’t even know how I knew that was a job.”

As a screenwriter, Stoller has credits for Fun with Dick and Jane, Yes Man, Get Him to the Greek, The Muppets, Sex Tape, The Carmichael Show, Night School and Bros, many of which he also Directed, including Neighbors and Forgetting Sarah Marshall. 

“I’m excited Bros is going to be theatrically released, but a weird thing happened a few years ago where [studios] were like, ‘Comedies don’t work in theaters.’ Which is not true. Judd [Apatow] always says, ‘If The Hangover came out this weekend, it would make a billion dollars.’”

For whatever reason, studios just stopped making as many theatrical comedies. They’ve instead gone to television, limited series, and leaned in to action comedies for a broader, global appeal. “I love going to see comedy in the movie theater. You get to have that experience with an audience, laughing and reacting.”

“People say it’s a business first, but it’s not run like a business. If anyone thought about it like a business, there’s a huge hole in the comedy department.”

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If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

Ep367 - Nicholas Stoller, Screenwriter ‘Bros,’ ‘Sex Tape,’ & ‘Yes Man’

“I was ill-equipped to do anything else,” jokes Amy Sherman-Paladino. “It was survival of the fittest maybe. My father was a comic. My mother was a dancer. It was basically, pick something in show business because that’s all you got.”

“We both infuriate inspiring screenwriters because we’re not the people who wrote a ton of spec. We sort of fell into,” says Daniel Paladino. “Amy was a dancer. I was a musician. I got a job as a writer’s assistant because typing in the 80s was a rare commodity because everyone wrote long-hand.”

Turning these handwritten documents into typed screenplays taught Daniel the business. “I think I can do this,” he told himself. “Then, maybe the 10,000 hours of watching TV before that as a child just sort of created a natural flare for it — all the time I wasted in my youth.”

Amy got a job writing for the series Roseanne, where she worked 4 years and wrote 13 episodes. A few years later, there was an opportunity to write a “comedic hour long” where she pitched several ideas. The one she spent the most time on and even optioned IP for led to crickets, but when asked if she had anything else, she replied, “Just this one with a mother-daughter where they’re more like friends than mother-daughter.” This was Gilmore Girls.

“Amy had written 2-3 pilots based on mother-daughter relationships that were different than Gilmore Girls. I remember when she pitched it, thinking this should be the last mother-child pilot you write, and it was ultimately,” jokes Daniel. 

Gilmore Girls ran for 154 episodes on the WB and there’s a 4-part mini series on Netflix called Gilmore Girls: A Year in the Life. While Gilmore Girls was on, Daniel ran Season 2 of Family Guy. In 2017, going even more personal, the screenwriters delivered The Marvelous Mrs. Maisel, about a comedian in the 50s who follows her calling once her husband leaves her. 

Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we’re giving away 100,000 copies this year. It’s based on over 400 interviews here at Creative Principles. 

If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

Ep498 - Amy Sherman-Paladino & Daniel Paladino on ‘Gilmore Girls’ & ‘The Marvelous Mrs. Maisel’

In ‘Day of the Dead: Bloodline,’ “A small group of military personnel and survivalists dwell in an underground bunker as they seek to find a cure in a world overrun by zombies.” In this interview, Director Hector Hernandez Vicens discusses the masters of suspense, his love for George Romero, what makes a film truly scary, and the importance of character.

Ep 27 - Hector Hernandez Vicens, Director ‘Day Of The Dead Bloodline’

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Welcome to Creative Principles, I'm your host Brock Swinson. Here I'll be speaking with writers, directors, actors, musicians and more. We'll discuss the habits, routines, and methods of a creative life.

Ep498 - Amy Sherman-Paladino & Daniel Paladino on ‘Gilmore Girls’ & ‘The Marvelous Mrs. Maisel’

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