Strain

The Collapse

Model Citizen

Pildoras Tapes present their next release La Formula by Anti Yo, he is well known for his live performances with hardware in underground parties in Argentina. La Formula EP is composed of 5 hard hitting bombs full of Industrial/EBM machinery with filthy vocals, syncopated rhythms and chainsaw bass-lines. The perfect sounds for an Industrial rave. Anti yo in the medical field refers to a form of cerebral degeneration as Demian music can cause real damage to its listeners. Anti yo also means, against myself, a clear statement against all and against all the forms of control. The liberation of the mind and soul.

With remix from Meshes, TDD, Panorama Lineal, Happy707 y Arppa.


Artist: Anti-Yo
Title:  La Formula
Label: Pildoras Tapes
CAT: PIT015
Format: Cassette & Digital
Release Date:  November 22, 2021
Buy/Preorder: pildorastapes.bandcamp.com

| PREMIERE | Anti-Yo - Bombs Keep Hitting (Meshes Remix) | [Pildoras Tapes]

New version of the first Floating Ashes song, Not There.

The original song can be heard on the Side-Line Magazine compilation, Post-Punk Genesis.

This new version will be available on all the usual streaming platforms with two more tracks that were only released on physical edition compilations: "I See You" and "Hex".

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• Bandcamp: https://floatingashes.bandcamp.com
• Facebook: https://www.facebook.com/fl0atingashes
• Instagram: https://www.instagram.com/fl0atingashes

Floating Ashes - Not There (Midnight Version)

premiere of "Sigil (Unconscious Rework)" by Babes Of Enola Grey 
taken from the album "Anfang Vom Ende (Remixed)", released soon on Crave Tapes 

Album Details:
https://novafuture.blog/2022/07/03/babes-of-enola-grey-anfang-vom-ende-remixed-crave-tapes/

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Artist: Babes Of Enola Grey | @babesofenolagrey_official
Remixer: Unconscious | @unconscious
Label:  Crave Tapes | @crave-tapes

Info & Buy

Babes Of Enola Grey - Sigil (Unconscious Rework) [CRAVE005 | Premiere]

Sonidos Subterraneos is pleased to premiere a new Mverto Futura gem on Mexican based label 'Kyma Komplex'.

Javier Celis a.k.a Mverto Futura is a young Guatemalan producer and multi-instrumentalist, who present us the new release of the label, entitled "Denoche Esmejor", a mini album where the journey of this young but great project is reflected, eight exquisite tracks raises the proposal that he has developed to this days, drawing a line between Indie Dance, Nu-Disco and Dark Disco has managed to create a unique sound.

Distorted voices, touches of post-modern acid and Latin electro is a bit of the mix that Mverto Futura has prepared for us, with influences from genres such as Techno, House, & EBM, he creates rich organic bass lines, slick guitar riffs, hypnotic atmospheres, and pretty solid grooves that make this mini album a fine selection for any time of the night.

Artist: Mverto Futura
Title: Denoche Esmejor
Label: Kyma Komplex
Format: Digital
Catalogue: KYMKMPLX007
Release Date: 12 October, 2022 
Buy: https://kymakomplex.bandcamp.com/album/denoche-esmejor

| Premiere | Mverto Futura - Le Vendi Mi Alma A Un Perro | [Kyma Komplex]

SHELTER

Cage

From the 'To the Core' EP
http://zanias.bandcamp.com/releases

Zanias - Follow The Body

Icky Blossoms

Sex to the Devil

Reworking of an excellent tune by 80's act The Flowerpot Men. 

This is 100% unofficial.

The Flowerpot Men - Jo's So Mean (Randolph & Mortimer remix)

A Man With No Face

A re-interpretation/remix of "re:"

Written, Produced & Performed x FEE LION
Mix, Master, Additional Vox recording & Additional production x John Hiler
Original Vox from "re:" recorded by Jeremiah Meece

Album photo produced x Katey Meyer
Photographed x Lenny Gilmore
Wearing Alex Ulichny
Creative Direction & Styling x FEE LION

Re:(Visit)

Die Selektion - Deine Stimme Ist Der Ursprung Jeglicher Gewalt Remixed 12" [a+w XLIV] 
w/ remixes and reinterpretations by Ancient Methods, Konstantin Sibold, Tommy Four Seven and Xarah Dion 
limited edition of 500 copies, black vinyl 
www.aufnahmeundwiedergabe.de/dieselektionremixed

Die Selektion - Unter Die Haut (Xarah Dion Re - Interpretation)

02/14/2019

Worship

Gloomy Lights

Crucifixion

YNG AGN - Brook Line & Christine Remix

MUSIC VIDEO: https://youtu.be/twpLyDgvPk4

Be in the way 
It's electric shock
Remember the time 
You knew it would work
You've been a dirty little liar
It's mine now.
You live a dirty little life
You will never be mine now

I won 
This game
You called
Drying up
I saw the same
It broke him
That man

You lose in me
You're running away

When you touch me
I feel like I'm dying now
When you touch me 
It's like the world disappears now

It's like overload of life 
And that's the way that I like it
It's like the fire in me 
Get's you over the wire

I let you dream for years,
You dream about your dream
But what about me
What about my dreams

I won 
This game
You called
Drying up
I saw the same
It broke him
That man

You lose in me

___________________

Amiture is a New York City musician and filmmaker. Having grown up in the American South, his story begins in the heavy, humid air of Virginia and finds itself now in the vaporized bodily aether of the New York dance floor. This perspective is conveyed in his music with a certain darkness, narrative patience, and indeterminacy. Images of love, loss, and desire puncture the danceable rhythms and lend an emotional consistency that carries the listener through his debut record, The Beach.

Amiture is pleased in conjuring a sonic world that can appear veiled—and even playfully illegible. His character is that of a narrator condemned to give form to a series of events that may bear no meaning in their association, but all of which are packed tight with emotion, interest, and memory. He keeps his own dignity by taunting the listener, but only a little bit. The Beach pursues this meandering expressivity with grace.

In his prior musical work, Amiture used his given name, Jack Whitescarver. Under this name, he spent about two years touring the music that would become The Beach along with his older catalog of sparse, experimental, and sometimes humorous music. The songs that make up Amiture’s debut took their form in front of live audiences that placed what-would-become-Amiture’s music in the worlds of acts like Pelada, Kedr Livansky, and Minimal Violence.

Listening to the music & lyrics of The Beach is like using a fading flashlight to illuminate a cave—where one is unsure of whether they are on their way out or if they are just getting deeper. This journey, however, is reprised and explored with club beats, pop melodies, and a production fidelity that couples creative ambition and spatial darkness in ways not unlike the baroque pop masterpieces of late 1960s Scott Walker. The Beach can be a pop album or it can be a broody meditation—this choice is up to the listener.

The music of Amiture also have a filmic quality to them, one that adds a VHS sheen to the diaristic aura of this body of songs. The tracks “Touch,” “The Beach,” and “Let’s Talk" display this characteristic best. On “The Beach,” Amiture sings, “And I’m staring out that window out at the sea—There I see the rare reflection of you and me—The dog is racing down from the other side of the hill.” It is in the simultaneity of feeling and image that Amiture’s music feels born of a cinematic instinct—nothing is explained but everything is on display.

Amiture’s sound exists in the vast in-betweens of Kate Bush and Suicide, or Throbbing Gristle and Prince. It nods to contemporary club, dance, & sound music while paying homage to melody and lyricism. The Beach, however, is not an attempt at staking a flag in some unknown sonic universe, either. The textures, lyrics, and imagery are indeed referential, but they aim to be so in such a way that deepens the listener’s aesthetic & emotional understanding of said references. This is an album that unearths the roots systems of meaning of seemingly familiar plant life—but these revealed limbs may leave more questions than they give answers. The Beach is a reminder that even universal feelings can appear more alien than familiar under close inspection.

xMr

🖤xRyS🖤