⚡️⚡️⚡️💦 the sounds you make my woo are ⚡️⚡️⚡️

More on this 480th weekly Disquiet Junto project – Ongsay Aftcray (The Assignment: Record a piece of music by employing Pig Latin as a technique) – at:

https://disquiet.com/0480/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0480-ongsay-aftcray/42680

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Tom Scott, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/fBWPwN

https://creativecommons.org/licenses/by-nc-sa/2.0/

Adowshay (disquiet0480)

Springform - disquiet0483

Disquiet Junto Project 0484: A Movable Heart. The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location.

I liked the assignment, because I just did a full album with only wind chimes in different compoundings. I transferred the recording (thanks to Chris!) to a portable speaker and took a stroll of around 5000 steps to a place in Munich, from which I hoped it could give some meditative ambience plus some natural reverb. Both wrong. Arriving at the underpass (Munich, Giesinger Berg), I already noticed that a place sounds different in the imagination than when you are at it (and whenever I crossed this underpass, I thought about recording something there). The bottom line is that there was more generic urban noises then expected and the natural reverb was quite unnatural, compared to VSTs ;-). Anyway, the recording used a Zoom H4n and I think it gives a pretty good impression of Chris' wind chimes in this place. The playback started not at the beginning, I don't know why, therefore the recording either, but it's a full loop.

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More on this 484th weekly Disquiet Junto project — A Movable Heart (The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location) — at: https://disquiet.com/0484/

More on Chris Kallmyer at: chriskallmyer.com.

Major thanks to Alex Hawthorn for support: alexhawthorn.com

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0484-a-movable-heart/

Two Hearts At Giesing Underpass Munich [disquiet0484]

My submission for
Disquiet Junto Project 0485: Strange Weather
The Assignment: Remix the pure sounds of Chris Kallmyer’s traveling wind chimes to your own musical purposes.
Chris Kallmyer’s traveling wind chimes.

Last Years Grass(disquiet0485)

Strange Weather - disquiet0485

I originally created this tune over 30 years ago. Here it is again, shorter and probably more in tune than those happy days ;)

More on this 488th weekly Disquiet Junto project – Reverse Delay (Assignment: Do something you’ve been putting off) – at: https://disquiet.com/0488/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0488-reverse-delay/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Conrad Bakker, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/tLfcL

https://creativecommons.org/licenses/by-nc-sa/2.0/

Ice Cave (disquiet0488)

Disquiet Junto Project 0467: Toolbox Show & Tell. The Assignment: Share a tip for making music that you learned during the pandemic.

80% of my music started on a cheap android DAW app called "Caustic". The sound is not perfect, but I like the workflow. Anyway, since 1 year or so I try to switch to Ableton Live. Because of the lockdown I had a lot of time to flatten the learning curve with this DAW.

My tip is about "Follow Action", to bee seen in the Clip Editor. Follow Action allows a clip to trigger other clips by probability, in the screen example of the track cover there is "play again" with prob 1, "play any other" with prob 2. The clip is one of of many clips which only contains some note on a scale or a chord.

Normally I somehow reject pure generative music, although I place a lot of value on chance in my own. It always seemed dishonorable to me to let a software (that I didn't write myself) generate music and claim this music to be "mine".

However, with "Follow Action" I have the possibility to achieve an (in my opinion) honorable mix of probabilities and composition.

In this case, there are different tracks with different signatures and different Gongs in A minor. I even added "empty" clips to get some "silence" into it. The probabilty for the different tracks differs, one could for example use one track to establish sequencial clip triggers, to include motives that are bigger than inside a bar.

(And please consider "honorable" a way to big word here…)

More on this 467th weekly Disquiet Junto project, Toolbox Show & Tell (The Assignment: Share a tip for making music that you learned during the pandemic), at:

https://disquiet.com/0467/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell/

Generative Gongs [disquiet0467]

This track was created for the Naviar Haiku group.
363 week Haiku.

https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2020/12/16/naviarhaiku363-only-a-chirping-insect/

OneAmbient4 - Dreaming... So Bright Was The Moon (Naviarhaiku 363)

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9

https://creativecommons.org/licenses/by-nc-sa/2.0/

left ashore

halF stereO [disquiet0472] - 85 bpm

More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Houston Doppler Sketch [disquiet0476]

Old cassette recordings of guitar, glockenspiel, and viola sliced and diced by the awesome Shortcircuit plugin. Instruments performed by Simon Neufeld and Judith Klassen. Computer programmed by Simon.

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More on this 478th weekly Disquiet Junto project – Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) – at:
https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:
https://cba.fro.at/series/kopfkino 

More on the Disquiet Junto at:
https://disquiet.com/junto/

Tape Collage by The Land [disquiet0478]

Back in the flesh 
like it's out of fashion to dress 
only direction that I ever kept's "pass to the left"

Springform - disquiet0483

crim

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