The tempo is 1uite different to the original and still nice... different. thanks

Selections from and music which inspired the Engines of Domination orchestral sound.

Political power -- armed central authority, with states and war -- is it part of human nature? Is it necessary for human communities? Or is it a tool that ruling elites use to live at the expense of communities? A tool that does violence to human nature and the world?

Engines of Domination offers a theory of political power as a tool for making tools of human beings -- an engine that converts human energy into authority and privilege for the rulers. Invented in the Bronze Age, brilliantly refined for six thousand years, today the engine has caused a human emergency that threatens to destroy our world.

This documentary makes a powerful argument that there is only one way to save the future. Armed central authority must be abolished, giving way to a world of peaceful voluntary communities -- in other words, an argument for anarchism.

From the creators of Unveiled and Lifted comes a visual adaptation of Mark Corske's book Engines of Domination.

Produced by Mark Corske, Justin Jezewski and Cari-Lee Miller
Edited by Justin Jezewski

FULL FILM: https://www.youtube.com/watch?v=JWq5YnH6n6c

Engines of Domination

she goes walking at night

Soundtrack of the 1993 film The Piano, composed by Michael Nyman.

Live video: https://www.youtube.com/watch?ny8-EtKWiKE

This theme is reprised several times, called The Heart Asks Pleasure First/The Promise/The Sacrifice. It is based on a traditional Scottish tune titled "Gloomy Winter's Noo Awa".

The instrument is a Clavia Nord Stage 2, using a sampled Yamaha C7 grand piano, and one single note of sampled strings.

Note: replaced with a better take on June 3, 2014

Video

Michael Nyman - Theme from The Piano

I created my first open collab. Since I've enjoyed working on Dirk's music, I asked him if he would be interested in working on my open collab. He created this lovely track as a gift to me. Thank you so much. I'm very touched.

Piano: @dirk-maassen-official & @ascoltadi
Violin & Viola: me

Thank you for creating this beautiful piece. Hope you all enjoy.

New Beginnings Collab - Dirk Maassen & Kayll Frappier

Hi dears, 

Here it is my latest collaboration with Jazzdefector/ Sebastian Buccheri, a lovely ambient composer and guitar player.
Hope you'll enjoy our Blurred Accuracy :)

love, 
n

https://soundcloud.com/jazzdefector

Lyrics:

What if tomorrow dies and there would be no hope?
Will I say goodbye? or smiling I'll say hello?
Would you hold my hands? would they be free?
Would i have roses on my forehead? wrinkles by all those years

Blurred Accuracy - Jazzdefector & Noemi Bolojan (collaboration)

Butterfly Fantasy - Variation for Violin and Piano was composed by IRMINSUL and performed by him on piano with Victoria Kaye on violin. Originally the IV movement of Irminsul's first String Quartet, it was premiered by LA Symphony's first section violinist Nelya Kovalev in 2021.

Butterfly Fantasy - Piano Variation

Struggle for pleasure (Lotta per il piacere) 
Compositore: Wim Mertens 
Piano: Cristian Carissimi
Enjoy it!

Struggle for pleasure - Cristian Carissimi feat. Wim Mertens

A track i wrote this morning - hope you enjoy listening :)

Photo by Cyra Morgan.

Wednesday

Op. 4 No. 4

Music by Italian composer Ludovico Einaudi

07 Oltremare-R0X4

Reward on Moozar : http://reward-my-music.com/26619 Kning Disk proudly presents: Greg Haines - Moments Eluding (Solo Piano Series Vol. 3). Release in august 2012.

Produced by Peter Broderick. Recorded December 15, 2010 at Tabalet Estudis (Alboraia, Valencia). Session organized and assisted by Raúl Pastor Medall. Engineered by Juan Carlos Tomás Castillo. Mixed by Greg Haines & Peter Broderick. Mastered by Nils Frahm.

Cover photograph by Peter Broderick. Session photographs by Raúl Pastor Medall. Design by Mattias Nilsson.

CD/DL/Vinyl (Limited Edition of 333 copies).

Greg Haines - The Spin

Through sound, emotion seeks new dimensions, not as an escape from reality but rather in a search for the image of a new reality. Music that creates emotion, is like a wind that purifies, rendering visible all the obstacles and divisions. It is rather like a piercing arrow that alerts the parts of our mind we do not normally go to, in our daily lives. It opens up unknown and obscure landscapes, like a ray of light that filtering into a dark room, banishes the darkness and leaves nothing to hinder vision. 
”Canone degli Spazi” is about the sound that journeys in all directions, the sound that travels through endless space - through the outer world and the inner space - through the unconscious and the senses. 
When I play with precision and with specific intent, the emotion that rises inside of me is the mirror of the one that arises in the person who is listening - it provokes a sense of union and communion with those sharing the same moment. Music becomes a vehicle of an objective feeling, which is almost the same for most people. Similarly, if I am not One with the sound and my intention is not clear, the same notes played carelessly are empty - they lose their power and their intensity. The level of clarity of my expression depends on what I can make arise inside of me. When that happens, the inner nature of the melodies that are being played spreads out into space, into the air, into the earth and out to the whole atmosphere. A real spell takes place between the performer and his public, creating a magical aura of deep harmony and sharing. This is the wonder of a sound that has come from a long time ago, through myths and mythology, and returns us to the essence of Music, that most supreme of Arts. 
I composed “Canone degli Spazi” around essential elements - the harmony of the triads, the melodic repetition and the cycles that follow the orbits of the planets and the structure of harmonics - the very same fundamental rules that Pythagoras followed to make the laws of the Universe coincide. Sound can help us to realize that our inner space is as vast as our outer space and that in reality there is no difference between them. Sound travels through walls - the walls of the mind too – transcending both time and space. 

Canone degli spazi - Michael

The title track from my debut self-released in 2012. The track is a biographical piece about the small pockets of time and space in which we (wife & I) had to pursue our creative dreams.  Also with the small moments of hope, progression and fulfilment in this, often writing or composing in the corner of a bedroom in the small hours. Now we have children this has become even smaller and yet we find we do more writing than ever before.  

In These Narrow Spaces

In These Narrow Spaces (Part I & II)

http://www.flutteryrecords.com/flttry039.html

October

Equilibrium

Photo by Sasha Naselenko: http://flickriver.com/photos/naselenko

Her Favorite Place

Another track I originally composed for the fantastic artist Gavin O'Donnell's drawing "Azura" that I have re-mastered and edited. 

It's a long track, but it's split into 3 unique sections that tie together. The thought process was to follow the growth and emotions of the woman in the drawing. 

Find the original drawing video here on Gavin's YouTube: http://www.youtube.com/watch?v=M88K0m8eYLE

Azura (re-mastered & edited)

Artist, Musician, Filmmaker
Music released on Skam Records 
(Alder & Elius) Ersatz Audio, Contact and Consumers Research & Development
https://www.instagram.com/recklessaesthetics/
http://justinjezewski.wixsite.com/recklessaesthetics

Struggle for pleasure - Cristian Carissimi feat. Wim Mertens

criskingsound

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