techno

My new Drumcode EP is out! Get your full quality copy here: bit.ly/DC126

These listening files are only low-resolution and not for playing out. Believe me, the full quality versions sound even much better :-)

Bart Skils - My Part Of Town [Drumcode] [Lo_Res]

Adam Beyer’s new EP titled ‘Teach Me’ is an accomplished piece of work that highlights Beyer's year thus far. 'Teach Me' starts with some eerie chords before the distinctive vocal kick in and the track drops into a rumbling techno track. ‘Darlek’ uses rhythmic beeps and huge synth stab to create a funky rhythm before the atmospheric pads create a beautiful setting for this incredible techno track. ‘Stop Talking’ is a deeper offering from Beyer using weird and unusual noises to create and interesting piece of work that is helped along by the throbbing bass underlying in the track. ‘Spaceman’ uses a rhythmic vocal, percussion and sub bass to turn this track into a funky techno piece.

Adam Beyer - Teach Me - Drumcode - DC132

Our new EP with Harvey McKay is out now! :)
classic.beatport.com/release/power-chords-ep/1620236

Jay Lumen + Harvey McKay - Two (Original Mix) Low Quality Preview

iTunes: apple.co/1sxJiu1
Spotify: spoti.fi/1Tp07hC

ANNA's Momentum EP is out October 19 on Yoshitoshi.

Follow ANNA:
https://soundcloud.com/dj_anna
https://www.facebook.com/djannabr
https://twitter.com/djannamiranda

Beatport

ANNA - Dis n Dat (Out Now)

The Drumcode A-Sides compilation is quickly becoming an important fixture within the techno world as a go to compilation for the hottest tracks. Mixing both highly experienced and new artists helps to bring a new dimension to the compilation that makes it such a special array of tracks. All tracks individual, their unique characters bring an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special.

Nicole Moudaber - Own - Drumcode - DC152

Harvey McKay - Wrong Turn - Gero Jansen Remix

We Are The Brave front man Alan Fitzpatrick provides the labels next release with a typically incendiary two-tracker. Delving deep into his record collection for inspiration, the result is a brace of distinct, ear-catching cuts that tip a hat to by-gone times in rave culture and have returned big reactions from contemporary crowds all summer. 

The aptly titled “They All Called ‘Em Garys” combines droning hardcore hoovers and power piano with Fitzpatrick’s trademark heavy tech funk. While “Rhino” adopts a slung-back groove of resounding bass and tense pads overlaid with a knockout melody that bubbles away before unleashing its full chord progression through an unashamedly epic breakdown.

They All Called ‘Em Garys

BUY NOW

Alan Fitzpatrick - They All Called' Em Garys

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Adam Beyer & Enrico Sangiuliano - Preset Heaven - Drumcode - DC178

Spektre - Nasqueron - Drumcode - DC178

Drumcode favourite Harvey McKay returns to the label with a darker new sound.

The Glaswegian has been a regular contributor over the years, highlighted by the memorable ‘The Illusion of Control’ EP in 2014 and his newer work with brother Ryan under the Alias moniker. Earlier this year Drumcode released the duo’s ‘Pentatonic’ EP and featured a mix on Adam Beyer’s radio, which included ‘Black Dolphin’, kickstarting the hype on the track.

Named after the infamous Russian prison, the title track is dark, tough, deeply textured brooding affair, with a menacing touch than runs through its core. McKay then brings in a huge synth line and changes up the dynamic of the track, giving it a powerful and driving feel. ‘Retox’ is a dark and twisted heavy-hitting cut, driven by aggressive drums and bassline, while a hypnotic synth line sustains a sense of tension throughout the six-minute track. Concluding the package is ‘Cover Up’, a fantastic stripped back exploration into dark atmospheric techno territory that’s tailor made for the winter warehouse raving season.

Harvey McKay - Black Dolphin - Drumcode - DC182

Robert Hood's career is full of highlights, but even after more than three decades in the game, he continues to reliably turn out compelling, impeccably produced tunes. His 'Paradygm Shift' releases over the past few years have easily been on par with some of Hood's best material, and on February 5, the Detroit techno don will be bringing the series to a close with a third and final EP for Dekmantel. Ahead of the record's arrival, we debuted the hard-charging "Red Machine" on Red Bull Radio's First Floor, our weekly look at what's new in electronic music.

@roberthood
@dkmntl
http://redbullradio.com/shows/first-floor-shawn-reynaldo
http://redbullmusicacademy.com

Paradigm Shift - Vol 3 (DKMNTL055)

Robert Hood "Red Machine" [First Floor Premiere]

FIND YOUR FULL QUALITY COPY HERE: http://bit.ly/snakecharmer_EP

My collab with Reinier Zonneveld is now with a smashing remix from Pig& Dan...

Bart Skils & Reinier Zonneveld - Snakecharmer (incl. Pig&Dan Remix)

BUY ON BEATPORT

Bart Skils & Reinier Zonneveld - Snakecharmer [Original Mix]

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Follow Us @ 
SC:@technocloud2000
Follow Jay Lumen:https://soundcloud.com/jay-lumen-official

Jay Lumen - Asteroid

INFO & INTERVIEW: http://www.himselfher.com/2018/08/21/prem-kdraw026/
BUY: https://bit.ly/2LkAAh9

FOLLOW THE ARTIST/LABEL:
https://soundcloud.com/kaiserdisco
https://soundcloud.com/kd_raw_music

FOLLOW HIM SELF HER:
https://www.himselfher.com
https://www.facebook.com/himselfher
https://www.soundcloud.com/himselfher
https://www.mixcloud.com/himselfher
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https://www.youtube.com/himselfhermusic

Form / Figure EP

INFO & INTERVIEW

HSH_PREMIERE & INTERVIEW: Kaiserdisco - Form (Original Mix) [KD Raw]

Out now on Beatport
https://www.beatport.com/release/burning-angels-ep/2369151

ELV105 1. Eric Sneo - Burning Angels

Percussionix EP

Percussionix (Mix 1)

Amnesiac

Umek - Amnesiac

<p>In the same vein as her recently launched MOOD imprint, Believe is suited to a number of atmospheres and settings. Across the nine original productions and one collaboration with label boss Adam Beyer, Nicole has crafted a sonically diverse long-player of sounds which draw on the plethora of styles electronic music has to offer. From her accustomed techno to twisted house and everything in-between, the stylistic variety on offer means cuts Believe will easily feature in more intimate settings and big-room venues alike. Believe features a host of tracks aimed squarely at the clubs. From the moody Movin On, the bass-heavy Do Your Thing, to the industrial techno grooves on Come And Lay and the hypnotic chanting vocal on Get On It, the techno-aficionados will not be disappointed with what is sublime set of cuts that will no doubt destroy any dance-floor. </p>

<p>In contrast however, there are more intimate moments to be found. For example the rhythmically entrancing yet uplifting Fly With You, to Liberum Spirita with its mazy ethereal breakdown, and the synth-heavy percussive builder Lumière Tamisée. Nicoles further flexes her production muscle with the stripped back dub-flavours of Big Love With No Apology, and a robotic groove-laden funk on the standout Can I Get Some. Believe delivers a consummate body of work with which Nicoles considerable abilities in the studio are clear for all to hear. A wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. Furthermore, it lives up to the high-standards of previous Drumcode long-players and is an engrossing and impressive debut; and one that offers a smooth segue into the next chapter of an already exciting career.</p>

techno

cristian peña