Continuum

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All Wrong

Tom Bourgeois : Sax & bass clarinet
Alex Koo : Piano
Lennart Heyndels : Double-bass
Théo Lanau : Drums

06.Jeff Epique

Germany (Version B)


Artist Name
Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
UPC
199800551932
Release Date
Sep. 29, 2025
Primary Genre
Electronic
Secondary Genre
Electronic
Primary Subgenre
Dance
Secondary Subgenre
Experimental
Mood/Style
Mood: Funny
Album Language
English
Artist Location
Canada


Something

losing myself

All W.E Are is a country-rock anthem built on love, unity, and forever. Written as the follow-up to What W.E Got, this track celebrates the life and bond shared between two souls, turning everyday moments into a love story carved in stone. With ringing acoustic guitars, soaring electric riffs, and harmonies that feel like vows set to music, it’s both intimate and anthemic — a song meant for wedding aisles, late-night drives, and anyone who believes in a love that lasts. This isn’t just a song, it’s a promise — a soundtrack to the journey of “we.

All W.E are

A cinematic ballad of heartbreak and realization — “The Last One to Know” captures the ache of missed signs and the shattering moment of being left behind. With raw vulnerability and poetic imagery, it paints the story of love lost in silence, truth hidden in plain sight, and the devastating clarity that comes too late.

Last One to Know

A heartfelt yet upbeat country ballad with a warm southern drawl, acoustic strumming driving the rhythm, steady kick drum for a toe-tapping groove, and layers of pedal steel and subtle banjo licks adding that country twang. The verses are tender and honest, painting pictures of love as an anchor through hard times, while the chorus lifts with catchy singalong energy that feels like a sunset drive down backroads with the windows rolled down. Vocals carry a mix of grit and vulnerability, blending smooth storytelling with raw emotion. The melody is bright but still soulful, making it perfect for a wedding dance, a summer night by the fire, or blasting through truck speakers on a long drive. This song embodies devotion, laughter through tears, and the comfort of finally finding home in someone’s arms. A timeless country ballad with a modern edge that balances tenderness and radio-ready energy.

You are my always

Captivity is not about heartbreak — it’s a chilling descent into real psychological imprisonment. Identity is stripped away, reality rewritten, and freedom itself begins to feel dangerous.

Drawing on captivity trauma theory, Stockholm Syndrome, and behavioral conditioning, Exzenya transforms her voice and production into a cinematic portrait of control and isolation. The track opens with a haunting reinterpretation of the folk refrain “Down in the valley…” delivered in a rare, resonant low vocal, paired with hollow wind that feels like a broken transmission through an old radio. From there, the song builds into a dark, minor-key arrangement where vocals climb into plaintive highs, mirroring the push and pull of despair and yearning.

Captivity isn’t just a song — it’s a haunting story set to music. Opening with the ghostly echo of “Down in the valley” and a chilling wind, Exzenya pulls listeners into a dark world of isolation and control. Her deep, resonant lows and emotional highs make every line feel like a cry from the inside of a locked room. Cinematic, eerie, and unforgettable — this is storytelling that feels like a film score trapped inside a pop song.

FFO: Billie Eilish, Halsey, Aurora, Lorde
Tone: Dark, haunting, emotional, surrendering

Captivity

The way you make me fall ( résilience mix )

This is a stripped-down acoustic ballad built on finger-picked guitar, warm analog textures, and subtle ambient layers. The track opens softly with a delicate, nervous energy—mirroring that quiet tension of the first day back—before gradually building with understated percussion (rim taps, light kick, brushed snare) and gentle steel or slide guitar accents. Vocals are raw and breathy, carrying emotion without being overproduced, letting imperfections speak for the nerves behind the words. The vibe is reflective and steady, around 70 BPM in a minor key (Am or Dm), staying honest and vulnerable. It’s a song for those who overthink everything but still show up. A relatable blend of anxiety, courage, and quiet hope, this track resonates with anyone who’s ever returned to routine while battling the jitters beneath the surface.

First Day Back (Got the Jitters)

Growing up in the 90's, my love for music started with 90's Rap, Hip Hop, and EDM. As I got older my taste in music expanded and now, I enjoy listening to all kinds of music.  I especially enjoy sharing my passion for music with others.

Germany (Version B)

DJ C-Rod

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