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A Gangsta’s Pain

Wockesha

Come Over Here

Come Over Here (feat. Pixie Cola)

Globes

M.O.D

Big Room Hard Dance Music | Instrumental DJ | CCBY

Serpent - Big Room Hard Dance Instrumental DJ

Pulse of the Void

Favourite Worst Nightmare

Riverdale: Season 1 (Original Television Soundtrack)

Candy Girl (Sugar Sugar) [feat. Ashleigh Murray, Asha Bromfield, Hayley Law & Madelaine Petsch]

BUY/STREAM: http://bassboy.lnk.to/lalala
WATCH VIDEO: https://youtu.be/8jR2YEoqx90
BUY HERO T-SHIRT: http://bassboy.co.uk

WATCH VIDEO

La La La (ft. Clarity)

Buy / Stream now on Maraki Records

iTunes → https://itunes.apple.com/gb/album/junction-ep/1438407212
Spotify → https://open.spotify.com/album/30nBlz4NNIvHh1Fi8sWhVE?si=s9x4HWCOSqqJF5kx3nK91A

Maraki Facebook →www.facebook.com/MarakiRecords/
Maraki Twitter→twitter.com/MarakiRecords
Maraki Soundcloud → @marakirecords

My Nu Leng & Holy Goof - Gully ft.Takura

Official Crucast Clothes www.crucast.com/shop

REESE - Save Me

The platform of 3000 was founded with the original intention of supplying a platform for underground bass music to flourish, be the through glistening label projects or artist led initiatives. We have therefore followed the progress of the rapidly rising Low End Records imprint since their formation and are therefore super excited to see just how far they have come as a label project.

They now boast a pretty hefty catalogue for their first nine releases, holding original creations and remixes in the bag from the likes of Luke Randall, Spectrum, MPH and Hoda, the first four names that jump out you for their notable emergence across 2019. The label was originally founded by Birmingham based producer: Wayv D, who has done extremely well to create such a notable and recognisable brand in such a short space of time.

It just so happens also that this latest drop from them see's their label founder return to business as he gears up for two original creations, showcasing that he isn't just the brains behind the label operation, but also a creditable producer alongside.


These two tracks boast quite unique traits as bassline originals, the first of which takes the name of 'Sanguine'. If you were to define this one quickly, you would call it a classic bassline anthem, a track build for the big rooms and festival stages, working from an originally drumless drop into a high energy 4x4 roller, driven by exciting bass synths and colourful instrumentation.

@wavy_d

Tsuki - Fear

CRUCAST

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