Dispatch Recordings Official Playlist - 2

Binary
@binaryneuro
www.facebook.com/Binaryneuro

Axon Records
www.facebook.com/Axonrecords

Beatport + Spotify:// 17.10.22
Full Release:// 31.10.22

For AXR015, we welcome Dutch duo Binary back to Axon Records with a three track EP.

Opening the release, we have the EPs namesake, ‘About You’. Starting with an atmospheric drop, a bed of pads and melodic stabs give way to building toms and percussion, which break into a techy dance floor roller. With strong low-end elements and snappy drums, it’s a strong start from Binary.

‘Plexus’ is the second track on this release. This futuristic, techy and punchy track is quick to launch. Featuring plucky leads, rolling drums and pulsating basslines, it is guaranteed to rumble sound systems across the globe.

To close, Binary provide us with ‘Frequent’. Containing a modulated plucky bass line and driving top line melodies, this energetic dancefloor track is a powerful ending to this incredible EP.

Once again, Binary prove that they are at the forefront of modern Drum & Bass, and we are honoured to have them within the Axon Records community.

Connect, Create, Evolve.

About You EP

Binary - About You(Out Now)

Infernal / Limbus

Limbus

Synthesis LP

Take The Drop

*R-Flyer*
Soundcloud: https://soundcloud.com/r-flyer
Facebook: https://www.facebook.com/djrflyer
Instagram: https://www.instagram.com/djrflyer

<a href='https://theartistunion.com/tracks/f49947'>Download for free on The Artist Union</a>

FREE DOWNLOAD

R-Flyer - Bass Train [RPRD008] [FREE DOWNLOAD]

Event Horizon

Malsum & Luisoko - Event Horizon

Bad Faith EP

The Moment

Bloodlust

Shalebridge Cradle

Bad Faith

The 101 - EP

Looking Back

Smiling On My Happiness

Bad Taste Recordings

• WebSite → http://www.badtasterecordings.com/ 
• SoundCloud → https://soundcloud.com/bad-taste-recordings
• Spotify → https://open.spotify.com/collection/playlists
• FaceBook → https://www.facebook.com/badtasterecordings/
• YouTube → https://www.youtube.com/user/badtasterecordings 
• Instagram → https://www.instagram.com/bad_taste_recordings/
• MixCloud → https://www.mixcloud.com/BadTasteRecordings/

Grotesque EP

King Kong

Humanon & Acjnn & Sidelines - King Kong

Beatport Exc:
https://www.beatport.com/release/bannockburn/2674588

Although the name Burr Oak is one which has only just started to become acquainted with the drum & bass genre, the faces behind the outfit have already made their mark over its last formative years. A new venture between The Clamps and Opsen (known for making up one part of the Signs project) their first release through the Trendkill platform sent shockwaves throughout the wider dance music scene. ‘Time Has Come’ and ‘Originate’ were selected by label owner and pivotal figure Prolix, setting a standard for the pair which they’ve followed with their forthcoming single. 

Burr Oak shown that they’re no strangers to high production standards and an enviable work rate. Just over a month from their first release, they have continued their expansion across the world of drum & bass through brand new tracks ‘Bannockburn’ and ‘Struggle’. These are two tracks which signify just how electric the pairing has proven to be, something which has translated into their music. The first of the two is ‘Bannockburn’, with an introduction alluding to just how explosive the drop is building up to become. You’re catapulted through a zipline of shaking subs and slamming drumbeats, with a bassline that drives straight through the tracks core. Both producers show their experience in the way they masterfully manipulate sounds and the result is chaotic, yet still streamlined in its composition. 

The second part of the forthcoming Trendkill single is ‘Struggle’, just as cutthroat as its forerunner, although its hooks cut deeper and deeper between every drum relay. ‘Struggle’ yet again demonstrates that Burr Oak aren’t afraid to go for the jugular and they do this with the utmost precision, something which shines through their expert craftmanship. Stabbing synths slice their way through the mix and before long you’re totally enveloped by the carnage. It’s another monumental step in the evolution of Burr Oak – something which Trendkill are nurturing, as they have done countless times with artists who are now dominating global stages.

Follow Burr Oak:
https://soundcloud.com/burroakmusic
https://www.facebook.com/burroakmusic/
https://www.instagram.com/burroakmusic/

Follow Trendkill Records:
https://soundcloud.com/trendkillrecords
https://www.facebook.com/TrendkillRecords/
https://www.instagram.com/trendkillrecords/

Bannockburn

Burr Oak - Struggle [Trendkill Records] OUT AUGUST 8

Disprove & Merikan - Block Patrol [C2DMP3046]

Despite hailing from opposite sides of the world
and each having defined careers as solo artists,
South Korea’s Xeomi and Germany’s Kaiza have a
remarkably likeminded approach to producing
drum and bass. Initially known to fans for their
respective contributions to Wobble Warriors and
T3K Recordings, the scrupulous pair have recently cemented a reputation as a formidable duo, concocting a
versatile shared discography spanning brutal neurofunk, intricate techstep and even chugging halftime
creations. Since first joining forces in 2018, the pair quickly noticed their synergy and have formed a de facto
production duo, releasing prolifically on Bad Taste, Red Light, Kosenprod and Citrus Recordings among other
labels. Their next offering, the four-track Cypher EP, marks their second outing via ProtoCode following
2019’s Mito EP, and serves as their ninth collaborative project to date.
First up on the project, the club mix of “Xero” calls upon the vocal talents of decorated New Zealand lyricist
Camo MC, who lays down rave-ready lyrics about his junglist credentials atop a bed of crunchy, distorted
basslines and unorthodox snares. Taking the gas mark up a notch on the hectic and intense “Godlike”, the
duo team up with relative newcomer and Jersey, UK native Xylym to create a brutal neurofunk stepper
dominated by juddering, oscillating basslines and ricocheting breaks.
“Talk To Me” taps the production capabilities of Italian DJ Crimson, whose vast and impressive back
catalogue includes releases on Shogun Audio, Bad Taste and Guidance Music as well as Kaiza’s T3K
Recordings. The result of this intriguing three-way collaboration is a dancefloor-friendly roller, deftly fusing
catchy vocal samples with melodic plucked basslines and darker growls. Closing the EP on a high is a full
vocal mix of “Xero”, enabling fans to enjoy an alternative version of the track featuring Camo spitting
additional lyrics over the track’s contorted drops. It’s an A&R master stroke, concluding this ambitious
international EP by ensuring that fans of one of Oceania’s finest drum and bass labels are treated to a full
display of the Canterbury MC’s barring abilities. Xeomi, Kaiza and ProtoCode have quite literally gone to the
ends of the Earth to put this project together, and the results of these global link-ups speak for themselves.

Cypher

Xeomi & Kaiza, Xylym - Godlike

Xeomi & Kaiza deliver the super heavy stuff! Forthcoming soon via Shell Shock Recordings.

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Like & Follow!

► https://soundcloud.com/xeomi // https://www.facebook.com/zehomi ◄ 

► https://soundcloud.com/instinkt-dnb // https://www.facebook.com/badboykaiza ◄

► https://soundcloud.com/shellshockrecordings // https://www.facebook.com/shellshockrecordings ◄

► https://soundcloud.com/districtbassmusic // www.facebook.com/districtbassmusic // https://www.instagram.com/districtbass // www.youtube.com/districtbass // https://districtbass.bigcartel.com ◄

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All rights belong to the artists and the label.

Autorun EP

Autorun

Xeomi & Kaiza - Autorun

After a background in traditional piano training and progression onto the electronic organ during childhood, I got my first 16-bit computer aged 13 in the form of the Commodore Amiga 500.
Somebody gave me copies of Soundtracker software and the ST range of sample disks, and along with my best friend, we began making our own tunes. Then along came MED Sound Studio and we started really getting to grips with producing using just the Amiga and simple keyboards.

As our output grew and the next few years unfurled, so we created first Q-P-I Music (Quadrosonix Productions Inc), 'Headlong Recordings', and finally 'Unborn Records', all basically label names for our growing output of experimental, late 80's/early 90's rave-influenced tunes. I became CJ Shadow, making hardcore, techno and jungle style tracks, while CJ Trinity made remixes of more commercial sounding tunes like that of The Prodigy and laid-back house/techno stuff, and developed a more general electronica-like, ambient, trance-style sound.

By the time we left school in 1992, aged 16, we had produced well over twenty C90 cassette albums of material. The next year or so saw investment in our kit as we upgraded to Amiga 1200 computers, better synths, and for the first time the introduction of simple mixers and decent monitor speakers. The quantity of our output certainly reduced, but the quality significantly increased.

Though our paths in life diverged significantly at aged 17, we continued to produce an evolving sound, improving and honing our individual styles and incorporating our personal influences as jobs and money allowed investment in better software and hardware. By the time the internet was a thing and even before ADSL (broadband) I was releasing the best of our music on unsigned music websites like MP3.com. Uploading several hours of music on a dial-up connection, now that was fun :)

By the turn of the millenium we had our own website, unbornrecords.net, and ran it as our label and home online to promote our music. CJ Trinity's material was by now very much in the house/trance and dance remix genres, whilst mine was definitively a breakbeat-driven, jungle and drum&amp;bass sound, reflecting the scene I was busy raving in every weekend, and immersed in fanatically. We sold a few CD albums, got quite a lot of downloads and generally enjoyed what we did, but life got in the way of it ever becoming more than a hobby.

Though our music continued to increase in quality and get some serious attention from a few people in the right places, sadly by 2005 we both had so much going on in our separate lives and so little time for music production that the website fizzled out, and along with the demise of several of the unsigned artist sites we had our material on, our music basically fell off the edge of a cliff. CJ Trinity's unfinished but astonishingly good final album, 'Atmospheric Hi Trip', really showed how far and complete his particular dance sound had come. My last CJ Shadow album, entitled 'Kitchen For No Reason', was completed that year and actually reflects how complete and professional my DnB-based sound was becoming. Even today, everyone who hears it seems to agree that it truly is a crying shame that I never continued making music.

Since 2005 I remain infatuated with the Drum & Bass scene, keeping up with the massive online output and trends, going out whenever possible to the dances and just loving everything I'm hearing and seeing. Recent months have seen me going through the old hard drives, listening to our old music, and a dawning realisation that I cannot allow this part of my life to die. And having now stumbled on a folder of projects and work from 2005 that basically constitutes what would have been my next album, I have decided to plug myself back into production.

2025 sees the 20th anniversary of the release of Kitchen For No Reason. I can confirm that a new LP is on its way, produced under my new Ignomius Darka moniker.

https://ignomius.com

Shalebridge Cradle

Cruk

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