Shove The Windmill

As The Warlords March Across Yr Back Pt 3

CB88-01, Shit Happens

Rice and Beans

TakeMe2theOtherSide

08 Why  MAST V2

Introducing DJ Electriclife by Crunchbird

party on Wayne

trump for prison

15 Y/O runaway kid detroit,MI 1975

Driving Thru Montana

Krav Maga Clown

H20 penetrating trooth

crazy planet

stupid cop show

party on Garth

J Crunchbird - Guitar and Vox
E. Boli - (Ed)  - Guitar and hatred
Chris Greenhaw - Drums
Big E                   BAss

Darkness Falls

J Crunchbird guitar and vox
E Boli           guitar and hatred
Chris Greenhaw  drums
Big E - Bass

Hurst on the Floor

J Crunchbird - Guitar, Vocals and Lead Sarcasm
E Boli           - Guitar and Extra Hatred
Chris Greenhaw - Drums and has a day job
Big E                 - Bass Guitar and is still living at his moms house.

Typical Irony

GrungaHolica

Jerk

Covid City Mutants

Jaime Crunchbird writes psychedelic/poetic- metal- punk rock for a 3-piece w/influences from rock, art, and literature as wide-ranging as the , John Coltrane, Throbbing Gristle and patti smith. Jaime became Crunchbird, the artist n 1984 and began playing shows as Crunchbird  in Seattle at that time.
Shit Happens EP
In 1988, Crunch approached longtime friend Lonnie King(Dehumanizers, ASH, IMIJ ) to play lead guitar Captain Skillit Weasel (aka Scott Gear) to play bass, and Batcave Sean (Sean Anderson) on Drums- they agreed, and CB 2.0 was born. The sound became harder but more musical, bits of funk, blues feedback, and hardcore punk with poetry improvisations live. This line up allowed Crunch to concentrate more on the storytelling of his songwriting and live shows had a party atmosphere. This version of the band was active until 1992. 
Reject EP
In 1994, Crunchbird released a solo acoustic album with session players Geoff Lane on bass and Erik Dannevig on drums called "Reject" – released on cassette only copies are rare and sought out by crunchbird enthusiasts. The sound is thoughtful w/ sparse arrangements. A sort of Noise Americana sound with the poetry of the lyrics still occupying the front and center space. 
Angelspit band, Grungaholica (album)
The Angelspit period marked a desire by Crunch to strip the music down and get back to a three-piece format and a noisier industrial influenced brand of punk rock. It was an ad in the Rocket that brought Crunch to bassist Scott Graham and drummer Jason Phillips. Their sound became edgier and nosier. As Angelspit, they recorded a 12 song demo (unreleased) and released a 3-song vinyl EP (collectible) on Seattle's Vagrant Records. Producer Erik 4-A was able to capture the unbridled energy and live chaos of the music.  Also, during this time they composed and recorded the theme song to the Seattle political talk and music show "Deface the Nation." 
Tales of the Ultra-Renaissance
In 1998, after the dissolution of Angelspit, Jaime was introduced to session drummer and producer Simon Grant by Gordon Griffiths (Beluga, The Hard Rocks) and they bonded over a shared passion for ‘difficult' music. Hence, the Ultra-Renaissance period commenced. With bassist Tannar Brewer on board, they began a return to the Noise-Americana sound of the Reject period, and the backbone for the new album was conceived. "Tales of the Ultra-Renaissance” is a collection of dark, morbid songs about the futility and hope of believing in your dreams in a bleak society. At once alien and familiar, modern and traditional, the album takes you on a journey through the savage heart of the American dream. “Tales” features guest performances by Jack Endino (on drums) and bassist John Baker Saunders (Mad Season, The Walkabouts). Although there was no tour to support the album, bootleg copies have been traded among friends and fans of Crunchbird, and it has been circulated digitally for limited periods over the last few years.
Other adventures and misadventures
 In 2014, Jaime was interviewed by author Nick Soulsby for the book "How I Found my Friends: A Oral History of Nirvana.” The book is written from point of view of the bands that shared stages with them. As a companion piece, Soul Jazz Records of London included the song " Woodstock Unvisited" for the "No Seattle" compilation album. After the release of "No Seattle," Crunch began receiving requests from longtime fans and friends to play live.  Crunch feels honored and grateful for this new interest and has assembled a new iteration of the band. They are gearing up for activity in the Pacific Northwest, and beyond. In celebration of the re-release of the entire catalog on PIG records, a tour for the summer/fall of 2020 is being planned.

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