Name: Spectral Display - It Takes A Muscle To Fall In Love (Crucial Three Edit) by Cruyff in aki2019
Duration: 6 min 30 s
Description: Re-up of our edit of Spectral Displays criminally ignored syth-pop classic .

hay un link para download por favor?! esto es increible

aki2019

Re-up of our edit of Spectral Displays criminally ignored syth-pop classic .

Spectral Display - It Takes A Muscle To Fall In Love (Crucial Three Edit)

Not Your Thing

Songlines - "a captivating blend of jazz and Latin rhythms”

FarOut Magazine - “A beautiful menagerie of sounds and influences, awash with distinctive Latin funk and the spirit of 1950s NYC big band jazz. These songs are backed up by a roster of London’s most skilled and passionate jazz musicians, to create something utterly timeless and innately funky."

Patrick Forge - "Unashamedly retro, but done so well, High calibre rhythms and playing, some hot jams!”

Paul Bradshaw (Straight No Chaser) - "The delivers that 70's NYC bario vibe perfectly.... Kickin'!!!”

Francois K - "All great cuts, very well put together”

Announcing the debut album from one of London’s most electrifying acts, New Regency Orchestra. An 18-piece Afro-Cuban big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London’s best Latin and jazz musicians. Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s René Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.

NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and Church of Sound, Lex Blondin. Through a long-held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauzá. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene’s development.

Although dance-focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism. A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.

Enlisting the expertise of some of the capital’s finest talent, Lex and co-captain Andy Wood, of Como No fame, put together a world-class line-up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.

The album itself is a hand-picked selection of timeless Afro-Cuban jazz classics, reimagined with NRO’s unbridled energy. It contains ten incredible instrumental tracks including 'Pregon' with its anthemic horn stabs and the addictive head nod bounce of 'Mambo Rama', alongside two scorching vocal numbers in 'Papa Boco' and 'Labasta Llego'. Coupling a heavyweight rhythm section with a wall of horns, they provide a fresh spin on songs from Tito Puente and Chico O'Farrill, René Hernandez through to Rafael Labasta.

“Some of the tunes like Tito Puente’s ‘Mambo Rama’ and ‘Scarlet Mambo’ might sound like they went to a gym as extra drums and bass synth were added to them whilst the tune ‘Sahib & Tito’ is a mix of Tito’s ‘Mambo Buda’ and Sahib Shihab’s ‘Nus’. Our intention is to be both respectful to the innovators and inventors of this incredible music and to pay our dues, but also to add something special from London where the city’s new jazz scene connects with its Latin American musicians and the musical influences around us.”

This pure collective joy, shared experience and music you can’t help but move to.

New Regency Orchestra - Fiesta Time

Ilija Rudman Pres. Cock Porn - Theme - taken from Ilija Rudman's 2nd studio Album - True Colours , set to release 02.02.2015 via Is It Balearic Recordings U.K.

2 x 12 Gatefold


D2. Ilija Rudman Pres. Cock Porn - Theme

safe service

Dramatic Storm

Martin Brown Jr. – Cocolochón [EP]
Nacido en una bañera cromada de tequila azul, Martin Brown Jr. no vino al mundo: se sampleó a sí mismo desde otra dimensión, durante una jam session intergaláctica entre Miles Davis y una licuadora rota. Hijo ilegítimo de un groove y un mango maduro, su música no suena: se manifiesta como humedad tropical sobre pieles desnudas en movimiento.

Su primer EP, Cocolochón, no tiene género ni patria. Es una fruta desconocida que te explota en la boca, un beat que huele a protector solar con feromonas. Mezcla scat jazz con house elegante, susurros en dialectos extintos y percusiones que parecen haber sido grabadas en una cáscara de coco flotando en el espacio.

“Este disco no lo hice yo. Lo soñé durante una fiebre de maracuyá con fiebre”, confiesa Martin Brown Jr. mientras acaricia una planta carnívora que dice ser su manager.

Los tracks no tienen nombre, solo onomatopeyas:

“Pa-dap Boom (ft. una sombra que canta)”

“Cocolochón (Main Fruit Mix)”

“Sweat Tropikal 2000”

“Outro pa la Tía”

Cada tema viene con instrucciones para bailar:

Quitar el juicio.

Mojarse los tobillos.

Decir "Cocolochón" en voz alta al sol.

El EP está masterizado en 432 Hz y bendecido por una anciana que habla con loros. No se vende: se encuentra en las fiestas que terminan en abrazos sinceros y gente descalza comiendo sandía.

Cocolochón no es música. Es un estilo de vida con sabor a ananá y decisión.

Feel sweep

Boffadem

New direction, New sound, New beginnings.
Starting with a remix of Niklas Paschburg's fantastic track 'Tuur mang Welten'

Niklas Paschburg - Tuur mang Welten (ZVOOV Remix)

The multi-faceted producer, DJ, and vocalist John Graham, under his moniker, Quivver, is making his debut on the Anjunadeep label for Exploration series.

Follow Quivver:
https://soundcloud.com/quivver_john_graham
https://www.facebook.com/Quivver/
https://www.instagram.com/quivver/
https://twitter.com/quivver




Follow Dancing Astronaut:
www.dancingastronaut.com
@dancingastronaut
bit.ly/DAplaylists
www.facebook.com/dancingastronaut
www.twitter.com/dancingastro
www.youtube.com/user/dancingastronaut/

Anjunadeep Explorations 11 (Hosini, Quivver, Simon Doty, Ocula, Limara, Arina Mur, Luigi Sambuy) [Anjunadeep]

Premiere: Quivver - Long Time

Preorder the album here: http://smarturl.it/WolframAmadeus

Wolfram - What Is It Like (feat. Pamela Anderson)

Niklas Paschburg - Tur Mang Welten (Herhangi/Edit)

World Spirituality Classics 1: The Ecstatic Music of Alice Coltrane

Keshava Murahara

Buy / Stream: https://LateNightTales.lnk.to/departure

Seeking a respite from the noise and clamour of New York City, Eric Phillips and some friends moved for a time out to a remote area on the Olympic peninsula. With no fixed plan in mind, this period of adventure and discovery spent in the beautiful Pacific Northwest gradually seeped into an organically evolving musical vision for Kennebec.

In many ways, ‘Departure’ catalogues this time of his move out west. Eventually moving to Portland to find work as a teacher, film composer, and mentorship under Mark Orton (Nebraska, Tin Hat.) Kennebec’s producing of ‘Departure’ began in Spring 2017. It took two long years of patient, daily labour to complete the album, during which time influences such as Studio Ghibli soundtrack composer Joe Hisaishi, cult hip hop artist Nujabes as well as Australia’s Taylor Crawford and Tycho’s ambient electronica began to permeate the soundworld. On February 14th 2020, Night Time Stories, sister label of acclaimed Late Night Tales, will release his much anticipated debut album and Kennebec will become part of an internationally respected roster including Khraungbin, Leifur James and Ash Walker.

He scored parts for classical guitar, ngoni, kalimba, bass, piano and Rhodes all of which he plays himself on ‘Departure’. Phillips began writing violin and viola parts for friend and collaborator Mirabai Peart (Joanna Newsom, Alela Diane, Ryan Francesconi), whose balkan inflections and beautiful tone became a defining sound of the record — and eventually tied the album together. All tracks on the album were mixed by Phillips.

On ‘Departure’, organic beats and soaring string lines envelope the listener with a dreamful kind of optimism. New single ‘Seasons Change’ is a silky myriad of sounds, textures and techniques that melt against a backdrop of subtle electronics, while ‘Kalahari’ glistens with curiosity and adventure as magnetic strings meet with a mosaic of horns. Elsewhere, the melancholic and wistful moods of ‘Wellspring’ provide a moment of reflection before the warm, fuzzy, feel good grooves of ‘Quest’, embellished by flutes and sax, venture into more overt atmospherics and fluid modulations.

“Recording ‘Departure’ was an amazing learning experience for me as a producer, composer and musician. It was a concentrated period of time in my life that was fully dedicated to focusing in on my craft. To me, the songs sound like journal entries — they bring me back to those specific times and places, but I also write music in an active, intentional way to try and summon the better parts of myself day to day to come to life and fruition. I have to be doing something new and experimenting to be inspired musically and I also wanted the music to be evocative of that sense of discovery in an almost physical sense — a sense of journey, motion and exploration of new spaces. The passing of time, setting out,” says Phillips.

He adds, “I wanted to make something bold and ambitious that sounded fresh and different. I think I took a big swing with this album, and, while I feel it’s impossible to fully nail the vision and intention, I’m really proud of it and the sense of idealism, even if naive at times. Hopefully it’s just fun to listen to someone take a big swing like that.”

In addition to the Kennebec project, Phillips has enjoyed working on and composing the music for numerous feature films, shorts, national parks films, documentaries (including 2017’s National Geographic ‘From the Ashes’), advertisements and video games. Films Phillip’s has worked on have screened and are set to screen at the Toronto, Napa Valley and Big Sky film festivals as well as National Geographic and more.

Kennebec - Kalahari

Stream 'Still There' : https://caramel.fanlink.to/stillthere

Caramel is a recently formed psych-pop duo from opposite sides of the earth. Lithuania’s Domas and South Africa’s Stephan met in London while studying the same course and quickly realised that they shared similar interests and musical tastes.
Summer 2019, Lithuania, Stephan and Dom start recording tunes in village cabins, apartment living rooms and old bath houses in and around the city.

'Still There' is an otherworldly ballad, incredibly calm yet groovy guided by layers of heavenly vocals.

(つ ♥ ͜ʖ ♥)つ Stream

Caramel - Still There

Some musical stuff I did in the cold and mysterious planes of the austere North with an ever changing cast of other musical miscreants and turntable botherers with ideas above their stations.

neither fate nor free will. fate and free will. Music!

Spectral Display - It Takes A Muscle To Fall In Love (Crucial Three Edit)

Cruyff

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perfect lovers

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