Name: Appropriating The Means Of Production Preview by Crystal Geometry in Acid Techno Archive_part2
Duration: 2 min 8 s
Description: Preview

Archive for my acid techno playlist. Visit my website for more Spotify playlists.

Acid Techno Archive_part2

Fake Truths

Dig the Bottom (Original Mix)

AAAA - Acid Poser

DJ H-Force remix 1716

made for a friend @ouzo_chan

It uses Watamote Outro

and the vox "Look Up In The Sky, It Makes You Feel So High"

It is pretty euphoric I feel <3

cya Zifferoni out

zuoo ist krass

Appropriating The Means Of Production Preview

Playground

Teo Techno

Farce

The Light At The End Of The Tunnel EP

Nepal (Original Mix)

Tommy Four Seven’s „Veer“ glorifies techno with a brutal shock of energy and wisely-built industrial soundscapes.

Album Review 👉  https://secretthirteen.org/tommy-four-seven-veer-47/
Pre-order 👉 https://47x47.bandcamp.com/album/veer

Veer

Tommy Four Seven - The Virus - 47

Cat-No: F//018
Zanias - Extinction

Co-founder and label custodian Zanias makes her debut on Fleisch with a journey through climate catastrophe. Composed in Berlin and mixed in Queensland with the smell of bushfire smoke in the air, she addresses the primary anxiety of our time with four tracks designed to draw the body into movement and the mind into action. Body music elements are wrought with mournful melodies and studded with samples recorded from the fast-disappearing natural world, while her voice guides the way through the darkness.

Tracklist:

A1 - Extinction
A2 - Carbon
B1 - Endling
B2 - (There Is No) Mothership

All tracks written and produced by Alison Lewis at Fleisch HQ, Berlin
‘Endling’ co-written with Alex Akers at Blak Studios, Perth
Photography by Dovile Shurpo and Alison Lewis
Mastered by Alain Paul

A2 - Zanias - Carbon

Cat-No: F//016
Reka X Imperial Black Unit - Todo Avaricia

‘Todo Avaricia’ by Reka and the duo Imperial Black Unit is the result of an immediate and natural connection forged between the three artists, through a jam session that swiftly and intuitively yielded three tracks of stylistically diverse yet demonstrably cohesive sounds. Featuring the sampled voices of Che Cuevara, Pablo Neruda and original vocals by Reka herself, the EP plays the role of an urgent call to action against political and environmental injustice, conveyed via the musical substrate of new beat, industrial and EBM, fused into a landscape of techno and undeniably constructed for the dancefloor. The EP is rounded off with a heavy-hitting remix of the title track by the prolific Umwelt, in his signature dramatic style. 

Tracklist:

A1 – Arrasadora Utopia
A2 – Tropas de le Muerte
B1  – Todo Avaricia
B2 – Todo Avaricia (Umwelt Remix)

All tracks written and produced by Reka and Imperial Black Unit
Mastered by Alain Paul
Artwork by Silica

A2 - Reka X Imperial Black Unit -  Tropas De La Muerte

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.


Artwork: northor | Layout: Yusuf Etiman

Scanning Backwards

Buy Album

Phase Fatale | Binding by Oath

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Phase Fatale | Mass Deception

To celebrate the label’s 1st anniversary, Maison Close returns with a massive v/a compilation. Comprised of label residents, rising Parisian stars and newcomers, the imprint has been one of our favorites as of late and has showcased standout material from across the techno spectrum. Out on March 13th, the label’s second compilation gathers 15 hard hitting tracks from favorites Dahlia, Crystal Geometry, Lacchesi, Alessandro Nero and more. Today we are pleased to premiere Mind|Matter - “Day Of Pain” and NTBR - “No Signal”. Both tracks give us a perfect taste of the compilation - from Mind|Matter’s body tinged floor mover to NTBR’s blistering destroyers, these are all weapons ready for immediate use. 

Out March 13th. Read more and get yours at: www.thebrvtalist.com/maisoncloseva002/

@maisoncloserecords

MIND | MATTER  - Days Of Pain (Maison Close)

Salve

Salve (Imperial Black Unit Remix)

IG: follow_juju

Hey Guys!

Amateur DJ from Hannover - Germany 

I may upload some mixes in the future but for now only curated playlists of my fav music

Dark warehouse rave roots, modular engineered music, industrial mind,
minimal social game.
In my repost section are most of my complete tracks already released on : SONIC GROOVE, HANDS, SACRED COURT, TRIPALIUM, X-IMG, AREA Z, ORACULO RECORDS, RND. RECORDS, NU BODY... 
Booking information : alex@greyarea.agency

Appropriating The Means Of Production Preview

Crystal Geometry

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