Neuro Funk 2019

Following the highly anticipated "The Big Bang VIP", Aaronic is stepping up to his new remix for https://soundcloud.com/nextorder-certified out now for free on @SoNotBerlin Records.

Facebook: https://www.facebook.com/AaronicOfficial
Soundcloud: http://soundcloud.com/aaronic-official
Twitter: https://twitter.com/AaronicOfficial
Youtube: http://www.youtube.com/user/AaronicOfficial

Free Download

Next Order - Highmalaya (Aaronic Remix)

Artist // Hypoxia
Release // Anova EP
Label // Eatbrain
Release Date // Beatport 06-07-2015, Vinyl TBA
HYPOXIA //
Facebook - www.facebook.com/hypoxiadnb
Soundcloud - @hypoxiadnb
EATBRAIN //
Website - eatbrain.net/
Soundcloud - @eatbrain
Facebook - www.facebook.com/Eatbra1n

EATBRAIN gain another slick addition to the collective, with the latest release landing from relatively fresh Antwerp-based duo,
HYPOXIA (Titan Records // DnB Arena). Members Athys and Syntopia craft a brand of Tech and Neuro DnB with a bleak
aesthetic influenced by the more sinister areas of Psychology. The ‘ANOVA’ EP takes its name from the Analysis Of Variance
statistical method, with the change here being the sinister journey into an internal void during the inception of its components.

‘PROFANITY’ is where the EP strikes hardest, with its haunting filtered vocal pads providing a stark intro that picks up into a raveparanoia
inducing kinetic build-up. The drop comes with an otherworldly screech and the exclamation of ‘Oh My God, What The
Fuck?!’ – which is almost certainly set to be echoed in the minds of the dance crew as they get down to this beast.


Anova EP

Hypoxia - Profanity (Eatbrain017)

Out now:

Itunes : https://itunes.apple.com/album/hyperpeed-ep/id1022596286
Beatport: https://pro.beatport.com/release/hyperspeed-ep/1570720

Order vinyl: https://www.ramrecords.com/shop/vinyl/ramm194

Quasar [OUT NOW]

Upload of the last track taken from the Blitz EP by Mefjus - Chaos Theory :D

Buy Digital: 

Neosignal Store: http://bit.ly/1mebUpt
Beatport: http://btprt.dj/1IJsZ4y
iMusic: http://apple.co/1Vj9ou5
Spotify: http://bit.ly/1OlFjEm

Vinyl: Limited 2 X 12 Vinyl Package

http://www.deejay.de/NSGNLEP005_-_Mefjus_-_Blitz_Ep_-_2x12inch__206098
http://www.juno.co.uk/products/mefjus-blitz/593999-01/
http://www.redeyerecords.co.uk/vinyl/69255-nsgnlep005-mefjus-blitz-ep
http://www.easternblocrecords.com/index.php/drum-n-bassjungle/tech/mejfus-blitz-ep-pre-order.html
http://www.intenserecords.co.uk/view.php?TitleId=25265
http://www.h-a-b.org/

and more, please check your favourite record store!


Official Merchandise:

Neosignal store: http://bit.ly/1ddzNSt

- Neosignal -
Like ► www.facebook.com/neosignalnsgnl
Follow ► twitter.com/neosignal_
Visit ► neosignal.de/
Instagram ► www.instagram.com/neosignal_

Blitz EP

Chaos Theory

Mefjus - Chaos Theory [Neosignal Recordings] - out now!

Unbelievable

Buy / Stream

Maxim - Baddest Breed (InsideInfo Remix v1) - Master -

Follow Space Journey
Soundcloud - https://soundcloud.com/spacejourneyofficial 
Facebook - https://www.facebook.com/SPACEJOURNEYOFFICIAL/
Twitter - https://twitter.com/diodednb
Instagram - https://www.instagram.com/spacejourneyofficial/

Santoku are well known for bringing the most upfront talent for their various artist compilation LPs and this next release from the imprint will be no different. Featuring eight producers who frequent the label, including Space Journey, Mean Teeth, dLo, VLTRN, Hijack MC, Sniper FX, Equivalent, Hajimari and Dimensional Dryft, the titled ‘Atarashi Chi' LP brings these exciting newcomers into the mix. Aptly named ‘New Blood' in Japanese, ‘Atarashi Chi' stays true to Santoku's roots, pedestalling the underground, technical sounds which make the genre so revered across electronic music. Santoku are well known for their support of fresh music and this forthcoming release will further solidify that fact.

Introducing the LP is Space Journey with ‘Remote', moving out on a sonic, sample filled composition and distorted bass rattling in between its segments. Then comes dLo with ‘Crazy', rolling forward on clattering drums and percussion that underpins the mix and adds to its weighty impact. The renowned newcomers Mean Teeth are next, with the climatic, string-lead ‘Shards', crashing into life and dragging you directly into its cascading drops. VLTRN then throw their belting slammer ‘Apocalypse' at your aural senses, featuring the grimy vocals of Hijak MC.

Space Journey returns for ‘Iron Armour', a track that alludes to its heaviness in its title. dLo too offers up another fresh cut, with ‘Automated Soul' taking you through different heights with its flying beat patterns and carefully layered synths. Presenting ‘Let's Go' is Sniper FX, a standout record from an artist who's slowly been pushing their sound recently into every corner of the scene. Then Equivalent follows with ‘You', a subterranean, nastily aggressive tech number that features the melody of female vocal crescendos. Hajimari brings out a totally different vibe with ‘Analgesic' utilising note arpeggios to form a liquid roller that juxtaposes against its spikes of LFO.

And lastly, Dimensional Dryft finishes the LP with ‘Wednesday Night'. Acting as the perfect way to bring together an album which proves how imperative Santoku is for the underbelly of drum & bass, the imprint and artists have shown just how lucrative the burgeoning drum & bass scene really is. And they're platforming the best of it.

Atarashi Chi LP

Iron Armor

Space Journey - Iron Armor (Out Now!)

Intercept EP out now!
Free download -  http://boostframe.com/boosts/2183/mizo-intercept-ep/

Dragon Slayer

Evolutions, Vol. 4

Disprove & Merikan - Circle Of Confusion

Mayel & Enoby - Keep Looking

Forthcoming on Evolutions, Vol. 5

Release date: September 29th.

Mr. Frenkie - Bass Symptom (Clip)

For five years, Santoku has remained a pinnacle within the world of US drum & bass. They’ve delivered various packages of fresh sonic transatlantic, helping to push the genre on not just American soil, but also across the full global market. And this year marks their 5th anniversary, with three releases to celebrate half a decade committed to giving platforms to both newcomers and more refined talent throughout the 174bpm sound spectrum.

Their next LP will be the first stepping stone towards this five-year commemoration, with its namesake hinting at the full albums content. ‘Jutsu’ continues the theme of Santoku, translated from Japanese into ‘technique’ – alluding to the fact that the entire album is comprised of remixes. Included on the LP are previously released tracks which have become a definitive part of the Santoku discography, as well as four brand new reworks from the likes of Gridlok, Myselor, A-Cray and Logam.

Gridlok needs little introduction, and neither does his groove-ridden retake on Mayhem and label head Logam’s ‘All I Do’. It sets a standard for the rest to follow, including the cutting percussion of Amoss’ remix of Mayhem & Logam’s ‘Centuria’ and the punching bass of A-Cray’s ‘Leviathan’ switch up. The mesmerising tribalism of Quadrant & Iris brought into Logam’s ‘Hypnotic’ acts as a release stand out, alongside Nickbee tackling Mayhem & Logam’s ‘Infinity’ with his longstanding, high quality production engineering. Then comes Eatbrain head honcho Jade’s remix of Logam & Mayhem’s ‘Ourboros’, paying homage to its forbearer but also implementing the chaotic atmospherics and crushing mechanics which makes Jade so infamous. Emerging icon Des McMahon’s track ‘The Hawk’ is given a treatment by Mean Teeth, adding another biting dimension to the original. Logam also adds his twist on McMahon’s style, bringing ‘Delirium’ into unfamiliar territories. And finally, Zero T has his minimalistic yet meticulously fashioned features brought into Hajimari’s ‘Analgesic’ and Myselor delivers Mayhem & Logam’s ‘Orion’ through his lens.

Together they encapsulate the five years Santoku has spent dedicating to their artist’s craftsmanship. And it’s a monumental release, one which sets them up to reach a decade of releases – especially whilst dropping music of this calibre.

Jutsu LP

Ouroboros (Jade Remix)

Mayhem & Logam - Ouroboros (Jade Remix)

▶ Download / Stream: http://smarturl.it/NSRSHydra

▶ Follow not sorry:
- Facebook: www.facebook.com/itsnotsorry
- Soundcloud: @itsnotsorry
- Twitter: www.twitter.com/itsnotsorry

▶ Follow Reid Speed:
- Facebook: www.facebook.com/djreidspeed
- SoundCloud: @reidspeed
- Twitter: twitter.com/reidspeed

▶ Follow Play Me Records: 
- Facebook: facebook.com/playmerecords
- Twitter: twitter.com/playmerecords
- Soundcloud: @playmerecords
- Instagram: instagram.com/playmerecords

Hydra

Spotify

not sorry & Reid Speed - Hydra

Follow Sequential
https://soundcloud.com/sequentialdnb
https://www.facebook.com/SequentialDNB/

Follow Santoku Records
@santoku-records
www.santokurecords.com
www.facebook.com/santoku.records
twitter.com/SANTOKURECORDS

Standing for five years of innovation, the ‘Go Nen’ LP from Santoku represents half a decade spent by its label head crafting its most innovative releases. And alongside another game changing compilation, Logam has offered up fourteen brand new records which will signify why they’ve become such a revered icon within drum & bass, from the UK to the US. The LP also stands as a defining moment within the label’s evolution, drawing from their roster o a hugely diverse list of artists to present the whole colour wheel which has enabled Santoku to garner such a widely acclaimed reputation.

Whether it’s the neuro-infused cuts of Mean Teeth, or the impenetrable production standard of Mayhem and figurehead Logam, their next ‘Go Nen’ sampler highlights a host of musicality which is displayed throughout. The best way for an album of this calibre to open is with the first collaboration between Logam & Mayhem ‘Centuria’, but it moves forward across a twisted skeleton. Amoss takes on ‘Centuria’ and brings it into a darker realm, nodding to the previous releases which have held Santoku in such high regard. Also featuring on the LP are brand new selections from the likes of Uttersounds, who offers up the pounding riddim ‘Size Up’. Sequential’s ‘Mass Transfer’ alludes to the contemporary digital era drum & bass has found itself developing in whilst Symplex & Camel jump on board for the understated yet melodic ‘Twilight’. Celebrated American newcomer ‘Des McMahon also makes an appearance with a switch up of ‘Dopamine’, presenting a carefully packaged VIP and Kodin adds his tearaway track ‘Valetudinarian’. Todd Buchler, Pish Posh & HammerZz add their sonic delivery ‘Fuego’, which plays to its namesake with hard-hitting drum patterns and crafted hooks. Then for the last exclusive, you’re introduced to Logam & Roger’s ‘Emrys’, the perfect manifestation of what Logam inherited with Santoku’s legacy.

This LP will sit pride of place within the label’s history and they continue to push the boundaries with every release. The ‘Go Nen’ compilation clearly shows that, creating a dynamic and versatile track listing which will further define the imprint’s worth within a colossal dance music market.

Go Nen LP (Exclusives)

Mass Transfer

Sequential - Mass Transfer

Follow Doctor P:
Facebook: bit.ly/DoctorPFacebook 
Instagram: bit.ly/DoctorPInsta 
Twitter: bit.ly/DoctorPTwitter 
Soundcloud: @doctorpcircus

Follow Circus Records:
Facebook: bit.ly/CircusFbook
Twitter: bit.ly/CircusTwitter
Instagram: bit.ly/CircusInstagram
Soundcloud: @circusrecords
Beatport: bit.ly/CircusBeatport

Doctor P - Yim Yam (Teddy Killerz remix)[OUT NOW]

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below. 

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Chopping Machines EP

Buy / Stream EP

Teddy Killerz - Drop It (Eatbrain068)

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below.

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Teddy Killerz - Afrika (Eatbrain068)

Skore - Septic (FREE DOWNLOAD)

Step In / North South East West Remixes

NORTH SOUTH EAST WEST feat. MATRIX & FUTUREBOUND (Tha New Team Remix)

//artist

@soundcloud.com/teddykillerz
facebook.com/teddykillerz1/

//label

facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date

Beatport Excl. 03.02.20 & Worldwide - 17.02.20

It was nighttime again. The girl hated nighttime, for its ability to warp even the most innocuous of shapes into sinister forms was the bane of her fragile psyche. As dusk fell and her family trundled off to sleep, she found herself drifting into the same familiar cycle of psychosis, wherein she would find not the rest and respite which others gained from sleep but rather a fight for survival against the forces of her mind. Knowing this, the girl sighed, and set to her vigil against the dark. It was always the same no matter what she did. She would stay up long into the morning’s early hours, under the blessing of electric light until the same useless body that catalyzed her anxious fears began to falter under the weight of passing time, demanding that she submit to the machinations of her own horrific mind. In turning off the lights, she would enter into a second phase, one perhaps most sinister of all, in which the objects of the house sprang to life in the umbral depths of night.

Herein moved shadows with impossible forms, at once standing out from and blending into the darkness that was their home. Try as she might, the girl could not make sense of them, and attempts to do so only seemed to multiply their numbers. They had never harmed her… yet, but she wondered if it was only her utmost devotion to watching their movements that kept them at bay. Worse yet was the fact that sleep would grab hold of her soon, making her vulnerable, easy prey. With lethargic frenzy she would attempt to maintain her watch, following their forms as her eyes closed further and further shut, sliding into the final phase of the night wherein she knew she maintained no control. She feared what awaited her there, the nightmares, the horrors, her worst anxieties on longest held fears brought into a facsimile of reality where she was but a helpless target of their terror. The terrors had not hurt her physically, it was true, but as the girl slipped hopelessly into unconsciousness, she wondered at the NEGATIVE THOUGHTS that she would soon face. Perhaps this had been the shadow’s intent all along. Perhaps, unwittingly, she had already become their prey.

TEDDY KILLERZ return to EATBRAIN for their first release of 2020 with the latest EP forged of their horror influenced neurofunk sound. The latest in a series of collaborations between EATBRAIN and TEDDY KILLERZ that stretches back to the label’s very beginnings, the trio once again take position at the fore of the EATBRAIN horde as they bring their all out psycho-sonic assault to EATBRAIN listeners worldwide.

Neuro Funk 2019

csabito_91