sound design for video installation Knitt

Knitt

You can  watch  with  Graphic notation from here : http://www.csismn.com/SYN-Phon

Graphic notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet 
Ölveti Mátyás: Cello 
Candas Sisman: Electronics and Objects 

Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th. 

www.csismn.com
www.budapestartfactory.com
www.barabaslorinc.com
www.accordquartet.hu

Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication. 

Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically. 

Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast. 

Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel. 

Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression 
rightfully to the impulses in line of creating a new language.

SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself. 
The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.

SYN-Phon

http://www.csismn.com/F-L-U-X

Sound Design for  FLUX

FLUX_Sound Design.WAV

For more information: http://www.csismn.com/Sonicfield-01

14th International Architecture Exhibition, la Biennale di Venezia
Sonicfield-01, 2014
Site-specific Sound installation
8 Piece Directional Speaker, 12 Piece Near-Field Speaker 
07:00 min. Loop

‘’There are different feelings or senses that help us feel the space. One of the important issues for me in creating the conception of my work that is the relationship between sound and space with different scales (macro-micro). I will record sound from different places but I will not use them as they are. I will try to find out the characteristic structure of sound in these places… try to apply almost a microscopic view to extract the fundamental elements of their structures, and then I will try to create a simulation, a new sound based on the abstraction of the structure… The irregular and versatile structure of sounds that come from a variety of sound sources with different temporalities is another important aspect. In this way, unexpected relationships and structures of sound appear… It is like observing a natural phenomenon, you experience a whole formed of the combination of different possibilites which emerge beyond your control, and you become part of it. At that point, you set your concerns, or your conceptual thinking habits aside, become part of the whole and the flow, and experience the moment…” 
—Candaş Şişman
Excerpt from Places of Memory (Istanbul: İKSV, 2014)

Design and Concept: Candaş Şişman
Sound Design: Candaş Şişman, Giray Gürkal, Alp Çoksoyluer
Sound Engineer: Alp Çoksoyluer, Giray Gürkal
Curator: Murat Tabanlıoğlu
Coordinator: Pelin Derviş
Commisioned by: IKSV
Photo by Candas Sisman, Busra Tunc, Italo Rondinella, Andrea Avezzu
Thanks to: Busra Tunc, Safak Erkayhan

SONICFIELD_1_İSTANBUL(Sound installation for Venice  Architecture Biennale 2014)

Sound Design for Audiovisual installation CYCL
http://csismn.com/CYCL

CYCL
2014
Audiovisual Installation
Custom Screen, Fan, Animation And Sound
200X200X80 cm

Design and Concept: Candaş Şişman
Visual and Sound: Candaş Şişman
Commisioned by: Maison des arts de Créteil
Thanks to: Charles Carcopino, Kerimcan Güleryüz, PG Art gallery
Photos by: Maison des arts de Créteil

CYCL is a word that points to CYCLE. It refers to the starting and ending points of the processes we are dealing with and it correlates this with a natural phenomenon; CYCLONE. Also it points out the cycles that revealed by the similarities between MACRO and MICRO scales in the universe.

This project creates a sensorial simulation of circularity: a system that always works, stops and restarts. It cannonades the audience with information and perception for a short time and cuts off abruptly. It confronts the audience with NOTHING through this contrast and represents an experience based on MOMENT and NULLITY and only aimed at feelings, while we are eluding the chaos of complexity and information in the world that we live socially.

About the General structure of the project, Circularly hung, intertwined fragments will begin rotating along with the fan which is positioned at the centre of the screen, as the animation reflected upon it begins playing. Simultaneously, the synchronised sound design is activated as well. Through the use of fans, the sense of touch ¬¬providing an air current within in the area. 

CYCL

Mizika kopus

Santurzluk

Candaş Şişman(1985, İzmir) studied fine arts in İzmir Anadolu High School for Fine Arts and graduated from the Animations Department of Eskişehir Anadolu University in 2009. He spent his one year of college receiving multimedia design training in Holland (2006-2007) With Deniz Kader, in 2011, he founded “NOHlab”, a project which generates collective projects in arts and design.

Candaş Şişman aims to manipulate our notion of time, space and motion by his work, using digital and mechanical technologies. Taking the sciences of nature and universe as his reference point, the artist combines physical forms with images that are produced digitally. Thus a bridge becomes visible, between the physical world and the digital world. The works of Şişman stand on a complex base, but the forms are simple, allowing the audience to engage in intellectual interaction with the artwork; in which “process” is the structural element of utmost importance. 

Candaş Şişman has received several awards since 2007, among which are an Honorary Mention from Prix ARS Electronica Computer Animation/Film/VFX and Best Prize in Sound Design from Roma Viedram Video Festival. He has participated in many exhibition and festival, such as Venice Architecture Biennale, TED X, ARS Electronica, Todaysart Festival and FILE Festival. Candaş Şişman recently realized Sonicfield-01 Sound Installation in Venice Architecture Biennale and ‘FLUX’ audiovisual installation among İlhan Koman Hulda festival in İstanbul. The artist is living and working in İstanbul, represented by PG Art gallery in Turkey.

candas sisman

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