do you have the instrumental version for this omg

fun tonight but it's the sad piano demo version

Applause

Lady Gaga - Intro+Bad Romance (Chromatica Ball) Düsseldorf

Replay by Lady Gaga (live) in Stockholm (Chromatica Ball)

Swine  - Live at Doritos #BoldStage

Mary Jane Holland - artRAVE Studio Version

MARY JANE HOLLAND imitation of ArtRave!
COVER BY: Brody Pitman (Twitter: @Brody_Pitman) thanks you handsome ;)

Lady Gaga Mary Jane Holland (artRave The ARTPOP Ball Studio Version)

Lady Gaga - Paint Interlude (Joanne World Tour) [Official Studio Version]

Paparazzi (VMAs) 2009 Uncensored

CREDITS

Space Renegade Intro by Little Monster Audio on Soundcloud:
https://soundcloud.com/littlemonsteraudio/03-space-renegade-studio-1

Frankenstein Instrumental:
https://www.youtube.com/watch?v=5yWH-1hQRY4

Gaga Singing Frankenstein by LittleMonsterAlejandro on Soundcloud:
https://soundcloud.com/littlemonster_alejandro/gaga-singing-frankenstained

The Shadow Of Mother Monster by FREE ß:
https://www.youtube.com/watch?v=gUHxlAYpZTY

Judas artRAVE Instrumental:
https://www.youtube.com/watch?v=qrzMA4tgwL8

Judas Instrumental:
https://www.youtube.com/watch?v=TjNqc9GMaVo

The Edge Of Glory Instrumental:
https://www.youtube.com/watch?v=ytFfOirG2aM

LADY GAGA - E N I G M A - ACT VII / Frankenstein, Judas, BTW, MTN, TEOG, The Cure / Fanmade

I mix combined & mashup, whatever, almost 2 years ago and yeah, that's my perfect extended version of Alejandro. (at the end I know I put a remix, can somebody tell me who did it? it's pretty cool)

About the song:  This is a track from Lady Gaga's EP, The Fame Monster. In this song Gaga fends off three Mexican lovers. Latin lovers often crop on records - other tracks featuring them include Madonna's "La Isla Bonita" and ABBA's "Fernando."
The video courts religious controversy in a Madonna-ish way by showing Gaga dressed in a red latex nun outfit eating a rosary. It also intermingles other Catholic imagery with provocative shots of a same-sex orgy. Not only Catholic groups objected - Katy Perry tweeted: "Using blasphemy as entertainment is as cheap as a comedian telling a fart joke."
Klein defended the use of religious imagery and symbolism in an email to MTV News: "The religious symbolism is not meant to denote anything negative, but represents the character's battle between the dark forces of this world and the spiritual salvation of the Soul," he wrote. "Thus at the end of the film, she chooses to be a nun, and the reason her mouth and eyes disappear is because she is withdrawing her senses from the world of evil and going inward towards prayer and contemplation." 
He added that the scene in which Gaga eats the rosary beads is meant to represent "the desire to take in the holy."
Every track on The Fame Monster represents a "fear" of some "monster." GaGa has said this song was influenced by her "fear of sex" monster.
The song's music video was directed by the photographer Steven Klein. Gaga discussed with The London Times May 22, 2010 it's concept. She explained it is about the "purity of my friendships with my gay friends, and how I've been unable to find that with a straight man in my life. It's a celebration and an admiration of gay love - it confesses my envy of the courage and bravery they require to be together. In the video I'm pining for the love of my gay friends - but they just don't want me."

"Alejandro" is a song written by Lady Gaga and RedOne in 2009, for The Fame Monster. The song was released as a digital download, along with "Dance in the Dark" as a promotional single on the United Kingdom's iTunes, as part of the count down for the album release. The song was released as the third international single. The song was a huge success commercially. It peaked at #5 on the Billboard Hot 100.

Background
The song was written while they were in Amsterdam and Ibiza during the summer of 2009 according to RedOne. The violin solo played at the beginning of the song is an adaptation of the main melody of the only famous work of Vittorio Monti: Csárdás (or Czardas). In fact, the song progression is not entirely unlike that of a traditional Csárdás, starting slowly at first and ending with a fast tempo. With this particular song, she stated "I'm saying goodbye to all my past boyfriends..". In an interview, Gaga said that each of her songs written for The Fame Monster were all influenced by a monster. The monsters all take place in each song; for example, "Alejandro" was influenced by her "Fear of Men Monster". She confirmed this monster in an interview On the Record with Fuse. In the song, 'Alejandro' represents Alexander McQueen, 'Fernando' represents Fernando Garibay, one of the producers she worked with on the album and for The Monster Ball Tour, and 'Roberto' represents Rob Fusari, an old producer and ex-boyfriend. The lyrics talk about Gaga defending herself against a "harem" of Latin men and has a number of ABBA allusions, including a reference to their 1976 song "Fernando", which Gaga cited as one of her influences.

"Alejandro" is a mid-tempo song with heavy europop and disco influences, is an apparent homage to ABBA and Ace of Base.

Mary Jane Holland - artRAVE Studio Version

CTFxC

Recent comments

HAUS of AFRODITA

Gabriel Younder

je detest la verite

GUY-

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