Reposts

Reality Sinks prod. Seven

Dictator Dreams is a spoken-word fever dream wrapped in LoFi textures and clouded beats – a slow-burning manifesto where fantasy, satire, and raw political undercurrents collide.

Built around hypnotic repetition, warped maps, and a surreal sense of power-play, the track blends the intimate pacing of LoFi Hip-Hop with the atmospheric haze of Cloud Rap and the directness of alternative spoken flow.

It’s a sound both playful and disturbing – evoking the ease with which borders can be redrawn, histories rewritten, and nations renamed.

Between absurdity and critique, Dictator Dreams reminds us that you shouldn’t rename maps, blackmail allies, roll out red carpets for dictators out of personal greed, turn armies against your own people or support attacks against the own alliance...

Flags at half-mast for a far-right buddy, but not a word about the 11-year-old boy shot in the back during a prank... 🤔

Both is bad but I would have clearly preferred the child! It seems to be easier to spread some more hate and blame plotical enemies than to do blame own fans or voters...^^

Genre: Political Cloud Rap, LoFi Experimental Hip-Hop, Conscious Rap

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Dictator Dreams

BAD (prod. BARCHIO)

Lost Focus [OhThatsNasty & Rayan Pal]

Lean Tummy (feat. Rock$tarHuncho)

Hëad$hot (feat. Rock$tarHuncho)

DVilln13 x GhostKiid- 222

lin - power (prod. qwentcrazy)

Yeah you’re a pretty thing, and I kinda wanna you too be mine but I can’t lie I like my peace of minnnndd

Sorry if you got hurt (rough draft)

#ClappinSh1AllSummer {prod. almighty aczavier} - CTM Dizz x Scotty Pierre

American Author (feat. Rock$tarHuncho)

Second Place

I think this is the one where I used a classic soul progression. The packaging at the start that imitates a DJ scratch rhythm came when I accidentally touched a mi goreng pack of noodles around the mic and it fit so I used that. The stop start is influenced by ‘I Try’ by Macy Grey. Then a trademark 4 layers of cello for the chorus. It’s 4 layers cos that’s how I get the cellos to have enough power that I want. First time doing a vocal ’staccato’ sort of chorus like ‘Work Song’ by Hozier which is my fave Hozier song cos’ maybe I’ve overplayed ‘Take Me to Church.’ At the end a brief bit of funk. I remember trying something more complex but the classic James Brown sort of funky riff worked better so I used that.  The second verse is influenced by the production of ‘Hold On’ by Bishop Briggs with the claps. Then, a neopolitan chord for the bridge.  The last chorus has the 2nd chord flattened like ‘Imperfect For you’.  Also a harmonic minor scale being played by the synth lead which reminded me a bit of Just Like You Imagined by NIN. So we’re not lyrically referencing 300 anymore but musically referencing it. The horns are a new addition which I did just based on … what I thought might sound good. The verses/bridge are new but the chorus is from last year. Oh yeah I did reference FNM's Ricochet for the bridge. King for a Day is Spiderman's fave FNM record. Should just hired as a consultant when their biographies are due. Correcting people like, "nah it was a sunny day when that event happened." Yes, the weather is important. Details are important.

Speaking of mi goreng which I discovered in my 1 year of boarding school in Australia. “I do hope my overpriced education doesn’t offend you.” I remember looking at it and thinking it was strange that it had no broth. Then, tasting it and going “ this is amazing.” It’s wonderful how an Indonesian noodle brand has gained popularity in Australia. Other than that, I do miss the meat pies and Shapes (they are a good snack). It was also at boarding school that I discovered Meri lewa which was played once a week by the PNG boys.

Give Me Release

Reminisce

So Fresh Ft. Echo

Jumba

Tenerte

TENERTE

CTM Triiibe🧌👹

Corporate in a Thuggin Manner🕴️🧑‍🚀

/Korporate Thuggin LLC❤️‍🔥/TW🌍

CTMxZoMB!LanD

Ig: @evg.rbacwrld

LL MBM🌎

https://youtu.be/SxxU-N4FTpg?si=pwABmcqCO8dEtq5m

VANITY is an American Artist from Summerville, South Carolina with a wide variety of sounds to offer. From catchy choruses to confident hard verses mixed with subtle influences from Rock, EDM, and Pop VANITY brings a new perspective to rap and hip-hop.

#ClappinSh1AllSummer {prod. almighty aczavier} - CTM Dizz x Scotty Pierre

CTM Dizz [@evg.rbacwrld]

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