I took an excerpt from an old tape of me playing the violin years ago and slowed it way down. It wasn't worth much as violin music. The sound makes me think of the coast at night, very foggy, with the sound of a distant foghorn, I'm guessing really as I have never heard a foghorn.

Fogsound

Age 39, looking over from my hotel window,
Blue dots and red dots skating away in the park.
I used to be there twenty years ago,
Huffing over a mug hot chocolate drink.

Age 39, looking over from my hotel wind,
Wondering if one should jump off or go to sleep.
People tell you up is better than down,
But they never tell you which is up and which is down.

Age 39, looking over from my hotel wind,
95 pound bundle but it's trouble when there's nowhere to leave.
People say stardust and golddust are it,
But they never tell you it chokes you just as sawdust do.

Age 39, feeling pretty suicidal,
The weight gets heavier when youve bled thirty years.
Show me your blood, john, and I'll show you mine,
They say it's running even when you're asleep.

No trace of resentment, no trace of regrets,
One bloods thinner but both look red and fresh.
If I ever die, please go to my daughter
And tell her that she used to haunt me in my dreams.
(that's saying a lot for a neurotic like me.)

Age 39, looking over from my hotel window,
Trying to tackle away with heart of clay.
The weight gets lighter when there's nowhere to turn,
God's little dandruff floating in the air.

Age 39, looking over the world,
Age 39, floating over the world,
Age 39,...mm-mm...floating along.

YOKO ONO/Plastic Ono Band with Elephant's Memory - Looking Over From My Hotel Window

from the album 'Yoko Ono/Plastic Ono Band'

Vocals: Yoko Ono
Guitar: John Lennon
Bass: Klaus Voormann
Drums: Ringo Starr

Yoko Ono/Plastic Ono Band is the avant-garde debut album by Yoko Ono, which came after recording three experimental releases with John Lennon and a live album as a member of the Plastic Ono Band. With the exception of one track (recorded with Ornette Coleman), the entire album emerged from one raw and cacophonous freeform session when, improvising throughout, Ono develops and pushes to extremes her characteristic trademark, a strained vocal style derived from Japanese hetai, a vocal technique used in Kabuki performances.

It was recorded simultaneously with her husband's John Lennon/Plastic Ono Band at Ascot Sound Studios and Abbey Road Studios using the same musicians and production team.

Initially on Apple Records, through EMI, Yoko Ono/Plastic Ono Band was released to considerable critical disdain in 1970, at a time when Ono was being widely blamed for the break-up of The Beatles. Notable exceptions were the estimations of Billboard who called it 'visionary' and critic Lester Bangs who supported it in Rolling Stone. More recently, the album has been credited (like those of The Velvet Underground) with having an influence, particularly on musicians, grossly disproportionate to its sales and visibility. Critic David Browne of Entertainment Weekly, has credited the album with "launching a hundred or more female alternative rockers, like Kate Pierson of the B-52s to current thrashers like L7 and Courtney Love of Hole."

Yoko Ono Plastic Ono Band - Why

20 March 1969: John & Yoko get married and begin their lifelong campaign for Peace in 'Amsterdam'.
Yoko: “Let’s go back to the future, you know. That’s why we’re here. We want to talk mainly to the young people all over the world, because those are the people who are going to be the next generation. They’re going to be the next world, you know, and we just want to say we are with them. We’re not preaching or anything like that. We want to be with them and we’re with them.”


John Lennon & Yoko Ono: ‘Amsterdam’ from ‘Wedding Album’

John: What we're really doing is sending out a message to the world, mainly to the youth, especially the youth or anybody really that's interested in protesting for peace, or protesting against any forms of violence and we say everybody's getting a bit heavy or bit intellectual about it. Everybody's talking about peace, but nobody's doing anything about it, except for a few people, and the things like the Grosvenor Square marches in London. The end product of it was just newspaper stories about riots and fighting. And we did the bed event in Amsterdam and the Bag Piece in Vienna just to give people an idea, that there's many ways of protest and this is one of them. And anybody could grow their hair for peace or give up a week of their holiday for peace or sit in a bag for peace, protest against peace anyway, but peacefully. Because we think that peace is only got by peaceful methods and that to fight the establishment with their own weapons is no good, because they always win and they'd been winning for thousands of years. They know how to play the game 'violence' and it's easier for them when they can recognise you and shoot you. They don't know how to handle humour, and peaceful humour. And that's our message really.

Q: What do you think was the biggest success in history, about 300 years?

John: Haven't a clue.
Yoko: Well, maybe it's still yet to happen, you see. That's why we're trying to do it. In other words, by very, very peaceful methods to bring peace, you know, instead of peace through violence, that's what we're trying to do. And if we succeed in that, that's the biggest happening yet in the last 300 years, because it's never been done and nobody has really tried it, you see. And that's what we're trying to do.

Q: What would you do in case of a war?
John: How do you mean?

Q: What would you do immediately if you would wake up in the morning, read the newspapers and they would tell you England is in war with France?

John: I'd die of fright.

Yoko: I don't think that should happen. You talk as if something's going to happen outside of us. We are all in this you see. We are all in the same society and in the same world and everything that happens to us is our responsibility, you know. Like any violence going in the world is just a symbol of all the violent atmosphere that is in the world, you see. And when the Nazis persecuted the Jewish people that wasn't only Hitler who did it, or Germany who did it, but just a symbol of everybody in the world who had the feeling for the persecution of Jews, you see? So we share everything, so that's not gonna happen. If there's war suddenly, that's our fault, you know.

Q: So what do you think about the behaviour of Austrian and Germans during the second world war? Don't you think that they're a little bit more responsible than the others?

John: No, not particularly.

Yoko: No, not particularly. No. The whole world, if the whole world was really aware of it and if the journalists and the communication media of those days were really aware of their responsibility as well and reported everything correct, you know, well, which is almost impossible, I'm sure, but as much as possible and if the whole world was aware of their responsibility, it could have been stopped, I'm sure.

John: Well, we know that Britain and a few other counties waited quite a long time before they made any decision about what to do. I'm not quite sure of the facts, you know, but after Czechoslovakia and things like that, they could've stopped it earlier, but they waited until it's on the doorstep, you know, until it involves their money, or their territory.

Q: There's a special type of petition that is vetoed by special contents ..

John: No. I don't think so because...

Q: Hitler could have been voted by the French, for instance.

John: Every nation will have a prototype. I think I was out talking to one of the Austrian TV guys. I was saying "Can you name me one European country which hasn't sort of raped the world?" and he said Austria actually was the only one that didn't attack anybody else. They were always on the defensive. I don't know whether that's true.

Q: But they were silent at the wrong moment...

John: Okay, that's bad, I agree that silence is bad. But I mean there isn't one European country that hasn't had it's Hitler, one way or the other, including Britain, in what they did to India and South Africa, you know.

Yoko: So let's so back to the future, you know. So that's why we're here. We want to talk mainly to the young people all over the world, because those are the people who are going to be the next generation. They're going to be the next world, you know, and we just want to say we are with them. We're not preaching or anything like that. We want to be with them and we're with them and in our way, we're just announcing that we're open to all invitations or suggestions or anything to work for the world peace, you see, and we're doing it now, in our own way, which we think is the best for us and also the young people have to realise that this is just as bad as before the second world war or right in the middle of it, you know, that everything, all the violence that is happening in the world now are our responsibility and if we don't really realise it and immediately start something, action, you know, it's going to be bad, you know. And it will be exactly like you said. One morning, we find in the newspaper, find that the whole world is going to disappear, you know.

Q: I agree with you, but don't you see, I mean, it's a fact that by through your behaviour, I think it's okay, but for a lot of people, through your behaviour, to get suspicious. They don't think that this can be correct, people sitting under a tablecloth protesting against wars. They don't think...

Yoko: Okay, before they criticise us, you know, and if they want to criticise us, OK, go ahead, and they should do it in their own way, but do something, you know.

Q: So everybody should throw out his part of Hitler out of his soul, then?

John: Yes, yes, we all have it in us. In a way, we're saying "we want peace" and we're staying in bed for peace, but I'm as violent as the next man, and I'm sure yoke is just as violent just as well. We're violent people, you know. I prefer myself when I'm non-violent. I prefer me friends when they're non-violent. It just makes for easier living and if we have to have violence, let's channel it. You know, I don't know how, you know. There's other people can work out how to channel it, or give them somewhere to play and kill each other or something. But I don't want to be involved in their violence. I prefer to live in peace, you know.

Yoko: All you need is courage, you know. You can just go out in the street now and take off all your clothes and just say "Peace!" you know and you'll be in the news you see. Just courage and if everybody gets courage and of course they would, because they would think all right maybe this is a little bit embarrassing thing to do, but look at John and Yoko they're doing worse, so I can do it, you know. That's all we're trying to do, you see.

Q: So you're putting courage, also, into the world?

John: We hope so.

Yoko: I hope so.

John: Okay.
(sound collage: Seagulls &amp; musical tones)

John: Stay in bed!

John: Look there's a fly flitting around. Just makes you laugh.

Yoko: What time is it?

John: What's the time? Is it that late?

Yoko: What?

John: 9:30. Er.. Good morning. I was saying about Bagism, you see, you get in this bag and you jump out the window. Next thing you know, you got a policeman on your head. You want tea?

Yoko: You know what I want, John?

John: What, what, what, what. Oh, give us a chance! You want one before I do. Yes, I haven't even got round to that. Could I have room service, please. Do you want toast?

Yoko: Just tea. Which do you want, coffee or tea?

John: Tea.

Yoko: Tea.

John: Two tea's please. Yeah, 902. And some toast. Yeah, brown toast. Good morning. Yeah, yeah. I know and some toast. Brown toast. Yeah. Thank you. Bye, bye. Alright.
(scene change)

John: Hello, dog. It's beautiful, isn't it? No, no, no. It'll just they take a lot of looking after. Well think about you, Amsterdam. He's a lovely dog, huh.

Yoko: Yes, it's lovely.

John: Thank you very much.

Visitor: Here you are.

John: Thank you. You gonna take him off me now'!

Visitor: Yes, if you don't mind. Thank you very much.

John: I thought you were giving.. they just did a plug then...

Visitor: Bye, bye. Bye, bye. No, no.

John: I sort of was under that impression. She gave us the dog and then went away. Very nice.
(scene change)

Yoko: That's rather sort of really swinging though. Don't you think so?

John: The thought of the long haired Beatle in the 19th century sanctuary.
(scene change)

John: (reading a letter) "Please stop this nonsense. Go home. We don't like people like you. Go to a doctor to be normal." You get this? Go to a doctor to be normal. We're seeing a psychiatrist today, so maybe he'll fix us up then. Bloody marvellous. We don't get through on some level, as you notice. Was that the marijuana. Beautiful, beautiful. Keep smoking. Let's open it up. Nothing illegal beautiful, beautiful. Hey, those kids are as hard as the real press.

Yoko: Yes, amazing.

John: Amazing. They're just as tough as the real press. Very sexy. It's a boy, it's a boy.

Q: Why are you staying in bed for 7 days?
John: Ah, because...

Q: Well, first of all, let me say congratulations on your marriage and that in Dutch is 'Gefiliciteerd met je getrouw'.

John: Oh, dank u wel, oh, chocolat!

Q: How about explaining this mission you are on at this moment!

John: Well, you start...

Yoko: Well, because we thought of this idea about staying in bed for 7 days for protest against violence in the world.

Q: Did you think of its geographical situation as being the centre of Europe?

John: No, I didn't realise, is it? Oh, fantastic! It was magic then, you see, cause the way...

Q: Well, they call it 'The centre of Europe'. It's an advertising campaign for an airline.

John: Okay, well give us a free ticket and we'll be all right.

Various: Stand up! Bend over towards us. Stand up on your knees, maybe. Turn and on your knees. As soon as we can... but we need you here

John: So, anyway a policeman came in and an elephant jumped on me head, so I said what's going on and he said cabbages and the next moment I was on film. Yeah?

Q: Love, Peace and Bed! Not forgetting jam of course. Okay, guess now it's over?

Q: Are you cold?

John: No, no, no!

Q: Ciggies. Yeah, music, you know, if you go back to the days of a, of a, let's see, where do we start now, we start with, er... 'Do you love me?"

John: Not, not particularly. How about that? (singing) Good bye Amsterdam, goodbye.

Yoko: Stay in bed for Bed Peace. For peace of the world, stay in bed. Grow your hair.

John: Grow your hair. Okay, good night. Now it's time to say good night, good night, sleep tight. Now the sun puts out his light. Thanks very much.

Yoko: What a beautiful day it was though. Very tiring, though. It's so churning like crazy, you know.

John: You can say that sort of hot?

Yoko: Grow your hair.

John: Bed Peace.

Yoko: Hair Peace.

John: Hair Peace, Bed Peace. Oh, yeah.

John Lennon & Yoko Ono: ‘Amsterdam’ from ‘Wedding Album’

I like creating sound & graphics art. I like singing John Lennon & Beatles songs. I like playing conventional as well as nonconventional instruments and playing with audio editors on my PC

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