5 Steps (Hidden Orchestra Remix) - Clarinet Factory

Erik Satie - Gymnopédie n°1 (Laurent Mazière Remix)

Blending sultry vocal melodies and electronic textures, with dub and understated hip hop beats, Si*Sé’s music weaves an emotional tapestry of eclectic soul for the post-digital era.

Buscaré

22 year old Greek producer Moderator teams up again with Cult Classic Records to bring you his latest release 'The World Within' featuring Witness, Nieve and Jeanette Robertson.

DOWNLOAD: https://cultclassicrecords.bandcamp.com/album/the-world-within

Moderator - The World Within - 01 Blind You To My Spell (ft. Jeanette Robertson & Witness)

#oldschoolhiphop
#HipHopHeads
#HipHopCulture
#RapMusic
#HipHopNation
#MusicToMyEars
#HipHopForever
#TheCultur
#HipHopAddict
#RapFan
#HipHopLover
#BoomBap
#BoomBapBeats

Ingrate

Title track to the forthcoming Hush Hush release from Spanish electronic composer Nühn.

Nühn - The Fighter
01. Today
02. Brittle
03. The Fighter
04. That Lost Life
05. More Fast Than The Wind, The Time
06. LCC

Release date: August 21st 2015

https://soundcloud.com/nuhn
https://www.facebook.com/nuhn.artist
https://nuhn.bandcamp.com



Name-your-price DL

Nühn - The Fighter

'Sunset In the Deep End' is the  new album from @Yppah, out February 07, 2020 on @FutureArchiveRecordings.

2xLP | CD | DIGITAL --> ffm.to/sunsetinthedeepend
_____________________________________________________________

Future Archive Recordings is excited to bring this long anticipated follow up to 2015’s Tiny Pause. Having just returned home after a successful European tour with fellow Future Archive Recordings’ artists Blockhead and Arms and Sleepers, Joe Corrales Jr – aka Yppah – is straight back to it with the brand-new single Shot Into The Sun and the announcement of a brand new album Sunset in the Deep End. Yppah’s ever growing penchant for fusing alternative, shoegaze and indie guitar textures to crisp hip-hop beats has seen his work used in high profile TV syncs such as CSI and House as well as video games such as Alone In The Dark.

Shot Into The Sun is another example of this, utilizing shimmering dream pop guitar lines a-la The XX or Interpol with the dub-roll rhythms of classic 90s groups like Massive Attack and Portishead. It is perfect cinematic territory, with emotive bass-pad providing deep, far stretching beds for all the delay and reverb on those high frequencies to carry you away into a dream.

Recording so many instruments live and on his own, Yppah manages to connect with his listeners more than his peers; there’s a real sense of conversation; he’s in the room with you, not detached, like so many sample-based producers. This is organic, deep and personal late-night music from a master of the craft.

This is a vital point in Yppah’s career and narrative. Making the move from Ninja Tune and Counter Records to the new imprint Future Archive Recordings comes at a pivotal point in his private life. With relationships ending and new beginnings abound, he took four years with over 60 sketches and demos before picking the final ten cuts that would form the new album – a signifier that Yppah’s path is wide open and possibilities are all around him. A new creative energy seems to have infected the record, connecting to the world of Future Archive Recordings and the tight-knit artist community they have fostered. With other key Ninja Tune alumni Blockhead – as well as the label-founding members Arms and Sleepers, Sun Glitters, Little People, and CNJR – Yppah now has a stable to let loose from once again. With North American and European tours in support of the new record, 2020 is set to be his biggest year yet.
_____________________________________________________________

INQUIRIES: hello@futurearchiverecordings.com
_____________________________________________________________

Sunset In The Deep End

Autumn Phase

BUY ALBUM

Yppah - Autumn Phase (feat. Ali Coyle)

May 20th on Apollo Records. 

they burned them and screamed
"come down with us, come down with us…"

i've never felt love, 'cause of the state of us
know me until i go
know me until i'm done
i've never felt love, i found them down there

these pictures of me as a boy
they burned them, and screamed
"come down with us, come down with us"

i've never felt love, 'cause of the state of us
come down with us, come down with us
know me until i go
come down with us, come down with us

Pre-order Book of Hours now -
https://itunes.apple.com/gb/album/book-of-hours/id616131809
http://www.roughtrade.com/albums/71091

Written, recorded and produced at home with friends.
Mastered by Matt Colton at Alchemy Mastering, London.
Artwork and Design : http://letskiosk.com

http://cloudboat.co.uk
http://facebook.com/cloudboat
http://twitter.com/cloud_boat

http://facebook.com/apollorecs

Sam & Tom x

Youthern

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Where We Were

Greg Haines - Habenero

Thomas Prime & Bob42jh - Cult Classic Records

Moderator - The World Within - 01 Blind You To My Spell (ft. Jeanette Robertson & Witness)

Cult Classic Records

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