q? Mr c is that Andy 'c dnb not. Mr c ten k a nite 2hr set playing !err awesome man, dad ** 

nice just didn't get the jist didn't take me anywere? a journey didnt move! a least ur's a c that journey going places, dad. ***

This was one of the best nights of my life.  That house party after was so cool.  not sure how we got away with that.  Thanks dave for posting it.  

Jamback - Landslide FULL CLEAN (Unreleased)

DM me for the download link ;)

Fuego! – an explosion of rhythm, heat, and groove. The Track ignites the dancefloor with driving percussion, hypnotic energy, and spanish vocal shouts that set your soul on fire.
Feel the pulse, move with the rhythm, and let the flames take over.

Fuego!

This is my First EP "Back To The Basics" This EP im personally very proud off in my production journey. Ive used similar synth's In Both my tracks. Also Includes both Radio Edits too. So i hope you enjoy. Tracks were Mastered At Woodland Studio's by Iglesias 

:)

Bring the beat back (Extended Mix)

BANDCAMP: http://lucidflow.bandcamp.com/music

Free on iTunes: bit.ly/1sa1toM and www.lucidflow-records.com - More podcasts from Robert Babicz, Slam, Nadja Lind, Derrick May, Klartraum, Justin Berkovi, Sebastian Mullaert aka Minilogue, Terry Lee Brown Jr., Alexander Kowalski and many more...
Lucid Newsletter bit.ly/1KmZmWv
Youtube www.youtube.com/user/LucidflowBerlin
Style: #Deep Techno #Chillwave #DownTempo #Ambient #DJmix #DeepHouse #DeepTechHouse #TechHouse #Techno #Housemusic #ProgressiveHouse #Minimal #MinimalTechno #ChillOut #ChillHouse #ChillOutMusic #Downtempo #Electronic

LUCIDFLOW RADIO 149: FUNK'D VOID - LUCIDFLOW-RECORDS.COM

Sol Ortega's The Blue Club on his debut EP entitled the same is a tribute to Detroit Techno City. This moody track is sure to be a late night floor thriller.

Sol Ortega The Blue Club

Young UK Dj and producer Viers appears on Suara PodCats with an astonishing 60 minute set full of breakbeat Techno played on vinyls. Enjoy it!

[Suara PodCats 265] Viers (Studio Mix)

This live set was performed by Mr C in front of approx 2200 people on the 12th November 1994. I had heard Mr C play a few times before i booked him and although it wasn't the sound we were known for at the time, it was definitely the way Chinn and i were looking to go musically with the night. Cultural Vibes had been hammering party music for almost a year following our druggy/trippy 1st year under the net in the Warehouse. Consequently this night took everyone by surprise but for me and Chinn it felt like a welcome return to our underground roots. As you can clearly hear Mr C turned up and absolutely slammed the place, and i dont think i saw a funnier sight @ The Warehouse ever. Most people had turned up expecting Mr C the Shamen pop star and not a 2 hr lesson in Acid House. The whole building was totally fucked by the end with some very spun out people indeed. I knew exactly what to expect and i still lost the plot, levitating/falling backwards off the railings surrounding the Egg during L A Synthesis' Agraphobia (a tune he kindly left me with afterwards). For me Chinn and a lot of close friends this was the best set ever @ Cultural Vibes, and the after-party went on into Plymouth folklore. Sadly Vibes was all over before Mr C could return with friend and playing partner Murf (it's him on mic) for his second visit in Feb 05. Playing together @ their Subterrain night they went on to create a long running London classic @ Mr C's hugely successful club venture, The End. (any glitches are from the original tape and are not mistakes)



Cultural Vibes (live) - Mr C - Nov 12th 1994

Looney Choons Mr Whippy 96

FreqStream

COEE5: Class of 88 with Jack de Marseille FreqStream (Los Angeles)

refuge - 303 Dimensions 060 P1 (September 1st, 2020)

di.fm/shows/303-dimensions | di.fm/oldschoolacid

Track list:
i. Scott Rotton - Acid Souls (F-Act's "Back To The 90's" remix) [Bonzai Progressive]
ii. Beyun - The Rains Will Pass [Vault Wax]
iii. Scott Franka - Sweep / Tool [De Lichting]
iv. Michael Neyse - Run [Pure Bread Records]
v. Beyun - Face Your Mirror [Vault Wax]
vi. Dean Gustavsson - Gamma Radiation [Flatlife Records Digital]
vii. Choci & Geezer - We’re Gonna Do A Song (Jack Wax Oldschool Acid Trance Remix) [Flatlife Records]
viii. Alien Rain - Contact [Dame-Music]
ix. Beyun - Be Here Now [Vault Wax]
x. Low Tape - Don’t Leave Me [Furthur Electronix]
xi. Goundislava - Overflow [Brave Wave]
xii. Remute - Relive [Remute.Bandcamp.com]
xiii. Pierre’s Pfantasy Club - Dream Girl [Hot Mix 5 Records]
xiv. Metropolis - Metropolis (Analog) [Union City Recordings]
xv. Beyun - Lifted [Vault Wax]
xvi. Yuzo Koshiro - Mrs. Y [Brave Wave]

303 Dimensions

303 Dimensions 060 P1 (September 1st, 2020)

Tracklist 

1) Superdiscount - Grokster
2) Mix and Fairbanks - Red light runner
3) Etienne De crecy - Daydream
4) Shee - Jiriya
5) Ain The Machine - Make your house funk again 
6) Claude Von Stroke - I caught a vibe 
7) Boots and Kat's - Seratona
8) Terr - Energy Sync (club mix)
9) Gabe Gurnsey  - New Kind (Fall forward dub)
10) A Different Animal - And so the journey begins 
11) Shaded - Mad stacks 
12) Papa Marlin - Subways 
13) James Solace - Keep on 
14) Frenec - Yes Sir I can hardcore ( Michael Mayer remix)

Hidden Agenda Mixtape #109 - A Different Animal

Hi there, Due to the popularity of this page and the mixes all reaching there download limits so quickly we have moved the Cultural Vibes mix page to culturalvibes.co.uk. Its almost identical to this page and offers the same service but with no limits. There are lots of mixes up already and over 100 hrs to go so check it out now !

South West of England Club Promotion/Dj Collective CULTURAL VIBES came into being on Saturday 3rd October 1992 at the Quay Club in Plymouth Devon. Back then most of the S-West was Hardcore raving mad, with the speed of the music increasing in BPM almost by the week. The emerging Rave scene had found a true spiritual home down in the S-West of England and Plymouth seemed to “have it” particularly well with 2 huge world-class venues, The Academy & The Warehouse. However by mid 1992 the heady days of earlier Rave Promoters like Extreme, Wasp Factory & Alpha had been replaced by a much harder, faster and darker sound as S-West crews like Essence and later Revelation took the emerging Jungle/Hardcore sound to the masses with huge success. During the spring & summer of 92 Nottingham's renegade Free Party Collective DiY had made a big impression on local boy Dave Green. The full DiY crew played at a string of events in and around Exeter and Bath that summer culminating in the free party scenes finest hour, Castlemorton. The music the DiY  DJ’s played was still underground & trippy, but was slower, groovier and much more House Music orientated. Very similar to a born again moment Dave Green realised this was the future for him, and set about trying to get involved. After first dabbling in designing & producing Rave clothing he took the very first money from the clothing venture and headed off to the big Universe Rave on September 11th 1992. There the DiY team had their own separate tent for 12 hours and that night a very nervous & wasted Dave Green asked his favourite DJ, Simon DK if DiY would come to Plymouth and play for him. The answer was in the affirmative and 4 weeks later Cultural Vibes was born and a promising clothing venture was dead and buried.
 On the opening night @ the Quay Club 285 curious people crammed into a tiny forgotten little club on Plymouth's historic Old Quay and proceeded to tear the roof off. Timing was certainly one of the reasons for Cultural Vibes immediate success; it just seemed to be the right time for change. It also helped that the all-new British House explosion was just underway with labels like Guerrilla, Boys Own, Limbo and Cowboy all starting to release some top notch home grown records, gaining lots of valuable press. Add to this an incredibly healthy US House scene with labels such as Strictly Rhythm and Murk, and Italian labels like UMM and Creative plus a large measure of original House and Acid classics and the Vibes musical cocktail was complete. From the outset Cultural Vibes went off in a massive way. During the 8 crazy weeks @ the Quay club numbers went as high as 358 which was actually quite dangerous in a club licensed for 200. After all the great music it’s the intense heat that most people seem to remember. The free frozen fruit also sticks out along with the pretty young girls that shared it out at midnight. But it’s the photographs taken at the Quay Club that really show what an influential club it was.  Pictures from the nights show the dance-floor packed full of soon to be Dj's, Club Promoters, Musicians, Music Writers, Club Wear retailers, Record Shop owners, Video Game designers, Photographers, Film Directors, and future SW Scene leaders all wide eyed with broad their sweaty smiles. It really was a seminal time for everyone that went there. For sure something special and unique had happened in Plymouth, but no one could have predicted then, just how far it would all go!  (The original Quay Club Photo’s can be found @ “The Cultural Vibes Appreciation Society” page on Facebook)
During the Quay Club run Cultural Vibes was entertained by Dj Haze ( Joe Waterfield, played every week) and Dj’s Phil Jubb, Geoff Van Dyke, Ian Smith & Will & Johnnie from the Lazy House sound system, Mr Dee, Pad e & Barry from Happy Shopper, Scottie and Dan Rayner with the last tune @ the Quay played by Dave Green. Another full time resident for the run was Andrew Chinn who would remain the door picker/greeter/friendly face/man to know, forever. Eight weeks of absolute mayhem would sadly have to stop, as the numbers were way to big for the venue. Watching the ceiling drip sweat and condensation continuously onto the lighting system was scary as was the queue for the toilets.  Also a fractious relationship had developed with the Quay Club management over Cultural Vibes split of the door and this also helped spell the end of the Quay Club run. Once the decision was made there was only one place Dave Green wanted to take Cultural Vibes, and that was to his favorite club in the world, The Warehouse on Plymouth’s infamous Union St. 
Quite possibly one of the best club venues on Earth the Warehouse was a huge converted 1930's Art Deco cinema. (Once the largest cinema in the south of the UK) Pretty much a white elephant for years due to its immense size, it had been reborn as Rave venue in 1989 and for those that went there regularly it was truly hallowed ground. However due to a rising amount of drug related violence (then called taxing) the venue had seen better days as the masses that traveled from all over the S-West to Plymouth for the big raves had suddenly dwindled. By Dec 92 The Warehouse was completely up for grabs on Saturday's and thanks to some canny behind the scenes maneuvering with the help of Happy Shoppers Fleur and Plymouth dance legend Lee Reynolds Dave Green found himself about to run the club of his wildest dreams. One major hurdle remained though, how to put 300+ people in a venue that could hold 2500 and make it feel both comfortable and still look good. A great meeting of minds created the solution as Dave Green and Dan Thompson from Kaos Design trialed a few failures but came up with a total winner in the end. By stitching together a hoard of white army camouflage nets and utilising the 3ton-ceiling winch and later the underused Dj Egg/Booth they created the perfect indoors party venue. Finally just like their beloved free party scene, (which the Thatcher government had only just outlawed) Cultural Vibes had a giant legal tent of their own.  All they needed now was DiY.
The DiY crew really did put the icing on the Cultural Vibes cake as Jack, Pezz, Simon DK, Digs & Woosh, Emma and Pip made regular monthly missions to Plymouth throughout 93 to help create the Cultural Vibes ethos and sound. Unlimited help and support also came from Mark & Jess Darby who ran the highly influential Mighty Force Record Shop/Label in Exeter.  As well as supplying all the Resident Dj’s with their vinyl, Mark & Jess helped immensely with the early bookings, enabling Dave to find his feet as a fledgling promoter.  Phil Jubb was one of the staff at Mighty Force and the shop would go on to introduce Dave to a host of future Vibes Dj’s. One of these was Exeter resident, Mighty Force regular and future dance music superstar Tom Middleton.  As well as playing Tom designed a string of catchy Cultural Vibes flyers throughout 1993 and his quirky, humorous take on the flyer genre seemed to catch the zeitgeist. As the weekly numbers steadily grew, so the giant camouflage net was raised to yet another level, opening up more of the vast Warehouse venue up to the public. This continued regularly right up until the first Luv-Dup night when 750 people finally saw the whole venue opened up and Cultural Vibes shift into yet another gear. 
Resident Dj’s for 1993 @ The Warehouse were Dj Haze, Phil Jubb, Duncan Parks, and later Verdi (Dave Green) and Mr Dee. 
Guest Dj's that played throughout 1993 were: Jack, Pezz, Simon DK, Digs and Woosh, Pip, Emma, Shane and Jamie, Clinton, Choci, Ian lazy Smith, Will & Johnnie Lazy House, Mike Shawe, Mike C, Jon Dasilva, Nero, Andy Finnie, Danny Ayres, Mark & Adrian Luv-Dup, Froggy(RIP), Jay Baker, Tigger, Dj Rush, Richie Rundle, Tom Middleton, Mr Mullatto, Sonny, Steve Proctor, Phil Asher, Noel Watson, AJ, Charlie Hall, Hazel B, Geoff Van-Dyke, Gary Marson, Matt Perry, Bongo Pete Isaac, Roy The Roach, Judge Jules, Gordon Kaye, John Kelly, Lee Fisher, Pascals Bongo Massive(RIP), Girls on Top, Kelvin Andrews,  Justin Garrett, Andy Roberts, Patrick Smoove, Al McKenzie, Phil Gifford, Mc/Dj Ribbz, John Mcready, Chris and James, Ashley Beedle, and Iain McKenzie.
The Chillout Room - During the 2nd half of the year The Fruit Bowl played host to the newly formed Freestyle Collective (Bloodshot, Kooki, Pes) Bongo Pete Isaac, and Children Of Kaos Dj’s (Andy Compton, Ritchie Piggot, Dj Flex (Chris Hart) and Paul Honey)
to be continued ................




Cultural Vibes (live) - Mr C - Nov 12th 1994

CULTURAL VIBES

Recent comments

ObliqueRaven

DJ Milford Cubicle

Alphorz

mr vibe

Related tracks