Youthful Spite

My Painting

Communication

Make Me Wonder

Jenny Nilssons One Woman Orchestra.
Livelooping på Sweet Home, Beer Ditch i Malmö.

Over A Tiny Thing (Live @ Sweet Home)

Song: Magic
By: Siberian Spring
Photo: Martin Hållö Spencer

Alice Samoilova - vocals, keyboard
Janet Feenstra - vocals, guitar
Erika Heander - vocals, bass
Anders Nordgren - drums, percussion (substituting for Camilla Jonasson)

Magic (Demo)

Der Heyser Bulgar Live (4 Nov 2017 Stallet, Stockholm)

dark, experimental, lyrical, complex vocal harmonies.
music video:
http://www.youtube.com/watch?v=3jqjtlOP5KA


My devils

With her album The Onion's Core, the Malmö-based saxophonist Ida Karlsson has done some soul-searching, finding inspiration from her background and childhood in Haraker, Sweden.

more info at: www.myomusica.com

In a stressful time when every individual is the smith of her own fortune and artists are expected to be versatile in all arenas, Ida's song composing reveals a dismissal of excess and a return to her familial roots.
 
Ida's composing has resulted in eight rather distinctive jazz pieces. In one piece, traces of gospel hymns can be found; another harks back to traditional Swedish folk; while still other pieces maintain a more subtle complexity. "Baking" is a blues piece inspired by Swedish folk music and Jimmy Giuffre. "Popish" is a five-stroke play off of pop music and jazz harmonies.

IDKA JAZZ - 01 The  Onions Core

WORK IN PROGRESS
demo of SVEDJEBRUK for forthcoming album DEKORUM

SVEDJEBRUK

SWEDISH EXPERIMENTAL POP

”What do you get if you mix Kate Bush with circus-cabaret music and free jazz? The Malmö band Cure-a-Phobia is a possible answer to that question”
– Ralph Bretzer, Skånska dagbladet

BAND MEMBERS
Jenny Nilsson: Lead vocals and Glockenspiel
Fanny Gunnarsson: Piano, vocals and accordion
Elina Nygren: Viola and musical saw
Anne Marte Eggen: Bass guitar

Cure-a-Phobia consists of musicians with different musical backgrounds ranging from jazz to folk to musicals and classical music, but with a mutual love of experimentation and improvisation. Their encounter with one another in music is unique. All four individuals form the band, the music’s distinctive sound and its direction. Together they produce a unique sound with a touch of jazz, pop and what one may call cabaret, with their very own signature.
The music, composed by Jenny Nilsson and arranged by Cure-a-Phobia, follows no written rules or patterns. It is seldom fixed to a specific key or time signature but is still rhythmic and somehow logical. The lyrics are touching, funny, or questioning and invite personal interpretations.

BACKGROUND
Cure-a-Phobia was initially formed as an experiment in overcoming fears. Stage fright, performance anxiety and inferiority were primary targets.  They wanted to expose themselves to their fears by throwing themselves into the unknown, such as playing an instrument they couldn’t master and laying their bare souls to the audience. The result was love! Cure-a-Phobia has since then developed into the small lump of glowing, music and desire as they are today.

Cure-a-Phobia have released two albums – “Water” (2012) and “What’s kind about Mankind” (2014). In spring 2012, they produced the music and dance show “Under the boat” in collaboration with two contemporary dancers. This spring (2015) they will tour Sweden and Germany, and in September they will join the Artist in Residency program in Kunming, China.

Communication

cure-a-phobia

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