[LACR003] DJ PUNISHER - UNTITLED EP - A1

Summer Of Haze & Rodion Poddubsky - Fairy Coast (Original Mix) CUT

Minimal, textural drones — emotionally resonant yet contemplative — capture the fragile beauty of morning light and the quiet promise of renewal.

Produced and mixed by Sebby Kowal
Mastered by Dionis Afonichev (Dionisaf)
Cover picture and design by Dionis Afonichev

A Brand New Day

Sunshine City

[replaced the file with wav]
[bandcamp soon]

VALKYRIE

From the red folder, a collection of tracks recorded between 2019 & 2024, enjoy.

arbs

ARBS

happenslikethat

https://soundcloud.com/griigg for https://soundcloud.com/overmybodytw

www.retreatradio.net/koma0000

Listen 24/7 at www.retreatradio.net

Koma0000 #8 w/ Griigg (08/11/25)

kindred spirit

Vaarbrud

Beneath the forest floor, a whispering mist awakens - creeping along rivers, drifting over lakes, and settling into the darkened swamps as dusk dissolves into night. In this haunting Nordic dystopia, Nocturne takes shape, revealing RunaRift’s second 6-track EP.

Experimenting extensively with field-recorded textures from nature, weaving them into driving psychedelic and progressive structures, Nocturne explores new hypnotic and trancy territories. 

Mastering: Frederik Steen
Artwork: Frederik Bech Fischer Bartholomæussen

RunaRift - Neopagan

https://gloomstone.bandcamp.com/album/j-u-m-p-c-u-r-s-e
https://gloomstone.bandcamp.com/album/j-u-m-p-c-u-r-s-e
https://gloomstone.bandcamp.com/album/j-u-m-p-c-u-r-s-e

D O W N L O A D

D e a d A n d J u m p i n g

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カッターマトック 75 
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DEMORALIZING, DEHUMANIZING, & ENTIRELY CORRUPT  

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カッターマトック 75 
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“Cutter Mattock is a boundary-bending producer, vocalist, and multi-instrumentalist whose work blends the grit of underground electronic music with the emotional weight of alt-rock and modern industrial. Known for his razor-edged sound design and visceral live performances, Mattock crafts songs that feel both intimate and apocalyptic—haunting melodies carried by serrated rhythms and stark, metallic atmospheres.

Born from years of self-taught experimentation, his music sits at the intersection of analog imperfection and digital precision. Field recordings, broken synths, and distorted guitars form the backbone of his sonic palette, while his lyrics explore themes of dislocation, memory, and the tension between destruction and rebirth.

After gaining attention through a series of independently released singles and collaborations with visual artists and experimental filmmakers, Cutter Mattock has built a cult following that gravitates toward his raw honesty and cinematic world-building. His live sets—part performance art, part controlled chaos—translate his studio work into an immersive experience of light, texture, and emotional release.

With each new project, Cutter Mattock continues to evolve his singular sound, pushing into new territory while remaining rooted in the darker, more human corners of electronic music. He isn’t just making tracks—he’s creating a universe, one fractured frequency at a time.

Cutter Mattock moves through the music world like a coded signal—part prophet of distortion, part architect of atmosphere. His sound, forged in the space where abandoned machinery and whispered folklore meet, bends between electronic ritual and post-industrial trance. Every track feels like a transmission from a place just outside ordinary perception.

Mattock’s work draws on the esoteric and the unseen: cycles of decay and renewal, the alchemy of turning raw noise into emotional resonance, the soft pulse of something ancient beneath modern circuitry. Rather than relying on genre boundaries, he constructs sonic sigils—dense, immersive compositions that behave more like living entities than songs. His vocals drift between invocation and confession, grounding his spectral production in human vulnerability.

Cutter Mattock is less a musician than a cartographer of hidden territories—an artist who composes with shadows, machinery, and memory as if they were elements in an ancient, half-forgotten alphabet. His music rises like a signal from beneath the floorboards of the world: metallic, luminous, trembling with coded meaning. Each piece feels like the fragment of a larger ritual, a shard from a mirror built to reflect what language cannot hold.

In Cutter Mattock’s hands, sound becomes symbol. Synths hum like monastic drones; guitars crack open like fault lines; percussive pulses mimic the heartbeat of something vast turning slowly in the dark. His voice—sometimes a murmur, sometimes a flare of electricity—threads through the composition like a guide through a labyrinth, a flickering lantern showing both the way forward and the way deeper.

Influenced by the poetry of ruins, the mythology of abandoned places, and the quiet intelligence of broken machines, Cutter Mattock builds songs that behave like sigils: charged, layered, alive with intention. They invite the listener to read them not as tracks, but as omens—messages carried on the dust of dreams, speaking in metaphors of rust, water, bone, and light.”

formerly: @7nicholzon
@nicholzon
other accounts:
@depressedplayasunion
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COMMISSIONS--OPEN: seanknightnicholson@gmail.com
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"HATE YOUR ENEMIES WITH A WHOLE HEART"
-Anton LaVey

happenslikethat

CUTTER MATTOCK

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