feelings of 11b in iraq

Monolith

Nobody's Driving

Nausea - The Punk Terrorist Anthology, Vol. 1

Ashes to ashes, dust to dust
Once fertile land, now barren crust
A “clear cut” path tred foolishly
Into the grasp of industry

Listen closely, can you hear
The falling of the tree
Deep within the forest heart
Where no one’s there to see
The raping of an eon’s growth
Squandered callously
Another murdered biosphere
Consumed by industry

Cry of the seabirds, vanished with time
Waves no longer crash the shoreline
The sea is now content to boil
Weighted down with heavy oil
Corpses cast out from the sea
Rot on the shore, amidst debris
Their skeletons slowly decompose
No longer sun to bleach the bones 

NAUSEA - Here Today

CVLT Nation is bringing in our third year with our heaviest Doom Nation mixtape to date! Doom Nation Vol. III is almost three hours of crushing, pulverizing basslines, so heavy that you won't be able to lift yourself off the floor for days! This epic mixtape features 18 of our favorite doom bands, including Shadow of the Torturer, Monolord, Electric Wizard, Grey Widow, Nightslug and many more. 

www.cvltnation.com


DOOM Nation vol.III Track Listing:

1.Shadow Of The Torturer: Yaks of Sodom 0.0

2.Ishmael: Buried With Fingers Crossed 9.19

3.INDIAN: Disambiguation 20.27 

4.NOOTHGRUSH: HUMANDEMIC 28.14 

5.Floor: Slugthrower 31.05

6.NIGHTSLUG: Into Oblivion 34.56 

7.RUINE: Regression 40.34

8.Grey Widow: VIII 46.40

9.Om: Annapurna 55.40 

10.Toner Low: Seven 1.07.21 

11.Dopethrone: Reverb Deep 1.21.00

12.Electric Wizard: Legalize Drugs & Murder 1.30.55 

13.Monolord:  Empress Rising 1.36.45 

14.EPHEMEROS: STILLBORN WORKHORSE 1.48.50

15.Ensorcelor: Flesh Dreams of Uninhabited Space 1.59.00

16.Subrosa: No Safe Harbor 2.19.39

17.UZALA: BURNED 2.31.37 

18.Act of Impalement: Necromancer's Theme 2.35.46 

CVLT Nation's: DOOM Nation Volume III

V. Angustia (de cada día)

Following countless years of personal hardships, studio disasters and times of music industry indecision, New Orleans’ own EYEHATEGOD, with much relief and excitement, are proud to announce the release of their brand new full-length! Entirely assembled and financed by the band, the self-titled, eleven-track long player will be released on May 27th by their partners at Housecore Records in North America, May 26th by Century Media in Europe, Australia and New Zealand and May 21st by Daymare in Japan.

Comments vocalist Mike IX Williams, “I have to say I don’t believe we’ve lost nary a step in the creation of this album and we think these newer songs are a killer combination of classic EYEHATEGOD mixed along with our best production, mixing, engineering and songwriting in thirteen years. The main and total tragic break in the chain, was obviously last year’s death of our great friend and drummer Joey LaCaze. However, his original drum tracks made it onto the final master recordings and we’re fucking psyched about that… As for working with Housecore, it was a no-brainer. We’ve always been a family, and will always remain a family.”

Adds Housecore founder Philip H. Anselmo, “Being a part of the new EHG record is a dream come true. I’ve known, supported and loved the guys for almost as long as I’ve been playing music myself, and it is our pleasure here at The Housecore Records Compound to have ‘em aboard. And I gotta mention, having heard the new record, this is the EYEHATEGOD record every true fan has been waiting for…. Hail!”

As a band that helped create a genre as well as equate a city with a sound, EYEHATEGOD has always remained humble anytime words like “legend” were thrown around to describe them. The thing with legends is that they grow stronger in time and over the years, word of mouth has been kind to the band. EYEHATEGOD is bigger now than they ever have been in their twenty-five plus years as a band. Pretty impressive seeing as they haven’t released a full-length album in almost fifteen years. Most people who know the band have a story to tell or they heard a story about the guys. Whether it was them playing nothing but feedback to a bewildered White Zombie crowd during their opening stint for the arena metal band in the mid-nineties, being banned from a certain venue for attacking a promoter with a barstool or cleaning  out entire small towns of their drug supply, these stories spread  throughout the metal community over the years, usually through a game of one-up-manship, establishing them as one of the most notorious bands around.

Certainly not the first band to be surrounded by myth and lore, EYEHATEGOD’s staying and growing power ultimately comes from the music. No one riffs like Jimmy Bower and Brian Patton. Drummer Joey LaCaze grooved and held it together with numerous bass players throughout the years, doing so impeccably with Gary Mader over the past decade. Singer Mike IX Williams has always been able to encapsulate the ruins of life through his lyrics and vocal delivery.  All combined, the music is the most genuine, distressing cacophony of sound around.

“Black Sabbath mixed with Black Flag with a little bit of Skynyrd and the element of blues thrown in there,” Bower once said of the band’s sound. In 2014 that style might sound somewhat commonplace. In 1988 it most definitely was not. The band’s second album, 1993’s Take As Needed For Pain is the pinnacle album that other bands of this genre to this day try to reach. Today, EYEHATEGOD sounds as fresh and innovative as ever. When the band released its first new track in over a decade, “New Orleans Is The New Vietnam,” it was clear that nothing about the band had changed. They were touring more than ever and used that time and energy to work on an album’s worth of songs. At the end of 2012 they were ready.

The recording process for Eyehategod started with producer Billy Anderson back in the fold (he recorded 1996’s Dopesick). The session saw both producer and band not quite on the same page and at the end, the album was unfinished. A few months later, the band reconvened at longtime friend Phil Anselmo’s home studio with producer Stephen Berrigan (Down). Both Anselmo and Berrigan helped draw out the missing pieces to one of underground metal’s most anticipated albums in years.

An unexpected tragedy occurred shortly upon returning home from a recent five-week European tour in the Fall of 2013: Joey LaCaze passed away due to respiratory failure. An outpouring of condolences and tributes spread online. Enough can’t be said of the loss felt by the band, family and friends. Fortunately, LaCaze’s drum tracks were captured by Anderson and appear on the album, creating the definitive tribute for the member of the band who encapsulated best just what EYEHATEGOD was all about; seriously not taking yourself too seriously. New Orleans native, Aaron Hill (Mountain Of Wizard, Missing Monuments), took over for Joseph LaCaze without missing a beat, both figuratively and literally. The band hit the road after wrapping up the record and plan to embark upon their most exhaustive touring schedule to date.

EYEHATEGOD:
Mike IX Williams – vocals
Jimmy Bower – guitars
Brian Patton – guitars
Gary Mader – bass
Aaron Hill – drums

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
http://www.thehousecorerecords.com

EYEHATEGOD - "Robitussin And Rejection"

Godless - Nausea

Antischism - All Their Money Stinks Of Death E.P.

Vomit The Blessing

Agitation! Propaganda! - Eyehategod

3-Song Promo

Hollow Point Eulogy

World Downfall

Fear of Napalm

04 - Eyehategod - Depress

LYKAIOS - Morir con las Botas Puestas

05 Dead Human Flesh

Tema que expresa todo el rechazo a un sistema impuesto que no deja ver mas alla de sus propios limites impidiendo generar respuestas a preguntas tan fundamentales como la existencia del hombre!!!...este sistema es la maldita religión católica!!!....

Almas Carniceras

02 - The System Works For Them

CVLT Nation is an online magazine focused on the darker side of life. We premiere new underground music every week, and here you can also find our bi-monthly podcast the CVLT CAST.

Always searching for that bass dragon, to fill the soul and mind with orgasmic vibrations: sending chills down your spine.
My vinyl collection holds my passions: true electro, deep nasty tech house, and occasional breaks to make your gut sink to floor sending butterflies through your body.
Only 12" vinyl plays through a pair of Technic 1200 mk5's and RANE Rotary Mixer + External Processor

thumping asses, backs and faces with my Mackie Studio Monitors

#3percenter #1776 #molonlabe #11b #veteranwarfighter #americanmuscle #3rdID #veteran #california #sanfrancisco #standandfight

CVLT Nation's: DOOM Nation Volume III

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