decentralized mixes

To mark the tenth edition of Tanzen und Denken on LYL Radio, we're honoured to host guest appearances from two sublime practitioners of selection and mix. For the first 30 mins, Isis invites Parris, and for the second, Rupert invites Coline Cornélis...

https://soundcloud.com/parris_dj

https://soundcloud.com/colinecornelis

Full tracklist here: https://lyl.live/episode/tanzen-und-denken-9

LYL Radio: Tanzen und Denken 10 - Parris and Coline Cornélis

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

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Structures Based On The Plasticity Of Sphere Surface Tension

This piece was composed and recorded between November 2013 and April 2014.

A new version of this track is part of the cassette "The Sky Had Vanished" released in July 2015 by Ecstatic Recordings.

https://ecstaticrecordings.bandcamp.com/merch/abul-mogard-the-sky-had-vanished-cassette-2nd-edition-white-cassette


My other works can be found at my bandcamp page:
https://abulmogard.bandcamp.com/


Desires Are Reminiscences By Now

⚡ SOCIAL MEDIA ⚡

Coline Cornelis - https://www.instagram.com/cocornel/

YOUTUBE

2024 - 04 - 28 - Coline Cornelis - SCR Guestmix

Broadcasted live at Radio Tempo Não Pára (10.05.2024)

Artist: @colinecornelis

Coline Cornélis @ Radio TNP 10.05.2024

While the Eclipse bosses are on holiday, Coline Cornélis is dog-sitting for Cabasa, plant-sitting for Serge Taquin AND is also looking after their residency on Rinse FM with a multi-task, multi-genres, multiverse set.

Rinse France Podcast

Eclipse Tribez invite Coline Cornélis - 26 Juillet 2024

'Miaux is the operating handle of Belgium's Mia Prce. Most of her prior recordings have been issued by Dennis Tyfus' Ultra Eczema label, but after catching her set at last year's Bruismelk festival, Feeding Tube had to “have” her new record. 
Unlike other known works, whereon Miaux is a mistress of elaborate keyboard shenanigans that border on the gothic, Above the High Rays brims with music of a very soundtrackly nature. It mixes Neo-Eastern percussion symbiography with floating swathes of parachute color, all of it presumably birthed from Mia's hands and keys. It's easy to imagine a Jodorowksy carnival scene, shot like the opening of Welles' Touch of Evil, while this album spins. It is soaked with a haunted, lonely quality that touches the edges of mystery like a torch. 
Cover art and one side of etchings by Mr. Tyfus, himself. The tears you shed will be your own.'
Text by Byron Coley

Above The High Rays was composed for a screening of René Clair's sci-fi classic Paris Qui Dort. Released on a one sided 12" with etching on Feeding Tube Records and on cassette on Ultra Eczema.

Above The High Rays

Above The High Rays, 12" Feeding Tube Records / Tape, Ultra Eczema

BEATRICE DILLON - Drum programming, electronics, synthesizer, bass guitar, field recordings

RUPERT CLERVAUX - Vibraphone, drums, percussion, field recordings, additional drum programming

and EBEN BULL - Pocket trumpet and zither

The Same River Twice - Beatrice Dillon & Rupert Clervaux

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

https://soundcloud.com/colinecornelis

A physical copy of this tape is available here: 
https://lauraliesin.bandcamp.com/album/llim001

All money raised from digital downloads goes to Mind. 
https://www.mind.org.uk/

If you like this mix buy the tape  

"This mix is a kind of progression, which goes from one feeling to another. 

A side represents chaos, 
B side, the harmony that emerges from it. 

All these hazy sounds from outer space, ominous tribal songs, ghostly complaints, sick sad floorfillers light up at once. Lightness comes out some bright kora chords, out of the beauty that helps. We end up lulled by the warmth of saudade, sipping the comforting taste of bitter-sweetness, enjoying the mild relief of relativity and nonsense. 

As a friend said, sadness and beauty are often closer companions than we think. 

This mixtape never intend to be technical, it is only about feelings waving through thematic connections, creating a setting for thoughts and for optimistic unwindings. 

Drawings, words and music are intricated, following the same path, in different ways. 
The leaflet is made out of a contrast between transparency and encrypted messages. Each drawing has a story, a fortiori a problematic one, that is eventually unraveled by the superposition of some pieces of the artwork"

Coline  [Laura Lies In] mixtape

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

From the 2011 album "Sentimental Favourites" – originally released on Dekorder. Available digitally on Bandcamp at the nice price of pay what you want.
https://andrewpekler.bandcamp.com/album/sentimental-favourites

Sentimental Favourites

Name your price

The Twilight Of Your Smile

Taken from Futuro (Music for the Waldorf Project) released on 2LP and download 01/02/19.

• Not Waving’s engrossing, highly original soundtrack to Sean Rogg’s world-renowned art/theatre project
• Ambient tonal works and abstractions written between 2013-2018
• Mastered and cut at D&M, Berlin.
• Limited edition vinyl with full colour insert featuring photographs by Lee Arucci
• RIYL Laurie Spiegel, Steve Roach, Brian Eno, Shuttle 358

’Futuro’ is Not Waving’s sublime synth/ambient soundtrack to one of the world’s most intense art/theatre experiences: Sean Rogg’s radical immersive artwork ‘The Waldorf Project’ - fusing choreography, spatial design, music and performance into a cohesive experience.

Drawn from more than 20 hours of material made for the project between 2013-2018, ‘Futuro’ finds Alessio Natalizia exploring a style of tonal and spatial minimalism that works as a fine palette cleanser from much of what you’ve heard from him in the past. 

While not a new solo album, per se, the long form, Eno-like results of ‘Futuro’ demonstrate the full wingspan of Not Waving’s obsessive knowledge and emotive feel for electronic composition, making it in some senses one of the more substantial and unusual releases in his catalogue to date.

BUY!

Not Waving - Emotion 1.4 Decontamination [ELP040]

The sound on this release has been examined and produced throughout March and April 2019 in Frankfurt am Main during a music-residency initiated and hosted by "Künstlerhaus Mousonturm" and MMODEMM.

Written and Produced by Asuna Arashi

Asuna - Cloud River Seen From The Window

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

☽ bookings : colinecornelis@proton.me ☀

𝘕𝘦𝘹𝘵 :

17.04 - After party Ciao Kennedy, Brussels
27.04 - Ambient set, Jacadi, Liège
03.05 - Gimic
14.05 - Botanique, vernissage expo LVP
11.06 - Kiosk
19.06 - TBA

𝘗𝘢𝘴𝘵 :

25.03 - Operator Radio, Rotterdam
14.03 - Delta, Namur
15.02 - Magma Festival, Halles de Schaerbeek
06.02 - Kiosk Radio
20.01 - Refuge Worldwide

08.12 - Bozar w/ Park Jiha, Brussels
31.10 - Souplex, Liège
14.09 - Eclipse Tribez party, Jacala boat, Anderlecht
13.09 - Gudde Wellen, Luxembourg
09.09 - Refuge Worldwide
09.08 - Parc!, Namur
28.07 - Noods Radio w/ Le Motel
26.07 - Rinse FM w/ Eclise Tribez, Paris
19.07 - Objects and Sounds w/ Cucina Povera, Mélodie Blaison, Ghent
13.07 - Magma Cider Launch Party, Reset Atelier
12.07 - Pluie de saison par Morphée, La Fabriek
07.07 - Klub Day 4 Palestine, La Fabriek
06.07 - Tipi, Cinquantenaire, Brussels
06.07 - Bonnefooi all night long, Brussels
29.06 - Paradise City Festival
21-24.06 - La Nature, lichen installation
16.06 - Sonar Week, Bridge 48, Barcelona
25.05 - Illegaal
19.05/25.05 - Maison Robert Jones residency
10.05 - Radio TNP Amsterdam
27.04 - Seoul Community Radio
05.04 - The Edge, Seoul
03.04/30.04 - Korea, residency w/ Park Jiha
29.03 - Listen festival, field recording workshop w/ Refuge Worldwide
18.02 - Noods Radio w/ Le Motel
07.02 - LYL Radio
04.02 - schiev bazaar
01.02 - Synthygate w/ Maoupa Mazzocchetti
12.01 - B2B w/ NEK, LaVallée

21.12 - Kiosk w/ Lunar Convoy
17.12 - Reset, Winter Magmarket 
16.12 - Retina, Haekem Theatre
09.12 - Botanique, opening for Hinako Omori
07.12 - Reset, TUKAN Atoll Extended Release Party
03.12 - Ambient set, Troglodyte night, Atelier 210
10.11 - La Cabane w/ DJ Python
09.11 - Pop Up du Label, Paris
04.11 - Polytope, Illegaal
28.10 - 10 years Public Possession w/ Eden Burns, C12
20.10 - Afterparty set for ECHT! at Melkweg, ADE, Amsterdam
19.10 - Relativa Radio, Madrid
18.10 - Warm up for Islandman, Paradisio Noord, Amsterdam
04.10 - LYL Radio
30.09 - Musique d'ascenseur, Illegaal w/ Elvira, Catalina
22.09 - Yser show w/ Slim Sim, Kiosk Radio
02.09 - Arakiwi Festival w/ Audrey Danza, Tereza
13.08 - La Gare Le Gore, Paris
28.07 - Refuge Worldwide, live in Berlin
27.07 - Bar D59B, Berlin
15.07 - Dour Festival
23.06 - La Nature Festival
10.06 - Kultura, Liège
03.06 - Ritmo ritmo, LaVallée
27.05 - Magma Mini Festival, Illegaal
27.05 - Core Festival
19.05 - De Gudde Wëllen w/ Lefto, Luxemburg
13.05 - Selector set, Blaes bar, Liège
11.05 - Fifty Lab Music Night, Espace Vanderborght
06.05 - Horst Campsite by Matinée w/ Cabasa
03.05 - Kiosk w/ NMSS
01.04 - Garden Party, Nuits Bota
30.04 - Woodpecker
27.04 - Brasserie Illegaal
14.04 - Emerge Festival, Eden Charleroi
30.03 - Extended ambient set for the Swedish Ecstasy expo, Bozar
29.03 - Support act for Mezerg, La Madeleine
26.03 - Ambient set, Matinée x Dauwtrip, Pilar w/ Lawrence LeDoux, Liew Niyomkarn
26.03 - Live A/V performance w/ Lisette Lombé & Diaty Diallo, Ancienne Belgique, Passa Porta Festival
03.03 - Arno Saari release party, Bar du matin
24.02 - Magnetic Flow, LaVallée
17.02 - La Cabane w/ Budino, Bibi Seck

01.12 - MIMA Museum, Brussels
26.11 - Kultura, Liège
10.11 - Bonnefooi, Brussels
10.11 - BRASS, Brussels
06.11 - Lay, Grand Hospice
16.10 - Lay, Liège, Les Brasseurs
15.10 - Vostock Secret Rave
13.10 - Soundscape, Maison Poème
07.10-09.10 - Parcours d'artistes Etterbeek
29.09 - Illegaal, Le Lac
25.09 - Bar L'Altitude, Brussels
24.09 - Les Volumineuses, BRASS
20.09 - Lay, Palazzo, Brussels
16.09 - De Gudden Wëllen w/ Asa Moto, Luxembourg
27.08 - SEE U, Brussels
06.08 - Micro Festival, Liège
29.07 - Circle Park, Brussels
14.07 - Square stage, Dour Festival
13.07 - Campfest w/ NoName La Nature, Dour Festival
19.06 – Magma takeover, Woodpecker
17.06 – Sweaty Palms, Het Bos, Antwerp
05.06 – Drip Festival, Antwerp
03.06 – Guest mix, Kiosk Morning Show
07.05 – Unrythmic x Magma, Kultura Liège
30.04 – Horst Arts & Music Festival, w/ upsammy, Mika Oki
23.04 – Jalousy, all night long
23.04 – LYL Spring Camp, Brasserie Atlas
23.04 – Kapla takeover, Woodpecker
07.04 – Guest mix, Zena Collective
12.03 – Fuse w/ Manpower, Sara Dziri

26.11 – Magma club night w/ Kornel Kovacs, La Cabane
25.11 – Residency & presentation of lay A/V, Beursschouwburg
20.11 – Clubdiner, Stelplaats Leuven
24.09 – Grand reopening livestream, C12
17.09 – STUK START by Nacht w/ TVSI, Aroh, STUK Leuven
28.08 – See U Festival, Brussels
14.08 – Paradise City Festival, Steenokkerzeel
12.08 – Literatuurmix performance, Musée des Beaux-Arts Mons
27.07 – Lay Open Air, Chateau de Jollimont
21.07 – Guest mix, Rinse France
19.07 – Paradise down by the lake, Lochristi
01.07 – Lay session, Palazzo
25.06 – Kavka Oudaan, Antwerp
25.06 – Drift, Refuge Worldwide Residency
09.06 – Guest mix, Kiosk Radio
04.06 – Tanzen und Denken w. Parris & Rupert Clervaux, LYL Radio

18.11 – Les Choses, LYL Radio Residency
12.11 – Lay session, Palazzo
17.06 – Literatuurmix, The Word Radio
29.01 – Bloom Hill Guest mix, BRUZZ

14.12 – Boudin Room, La Vallée
08.12 – Through Our Eyes, Studio 202
18.10 – Objectifs Danse 9, Les Brigittines
26.10 – Scivias, Atelier 201
22.06 – La Nature Festival

23.11 – City Tracks Agency Night, Maison des Musiques 
23.11 – The Word Radio with Laura Lies In 
19.08 – USE-IN (NoName), Seraing
28.06 – OUT LOUD ! Festival, Beursschouwburg
09.05 – Support Témé Tan, Eden Charleroi
01.05 – Support for Jungle, Nuits Botaniques, Botanique
19.04 – Support for Ninze & Okaxy live, C12
24.03 – Rupert Clervaux (CVX) Zibaldone III realease, Café OTO, London 
14.03 – Kiosk Radio
09.03 – Beurscafé, Beursschouwburg
28.02 – FiftyFity session, C12

01.12 – La Balsamine, Schaerbeek
16.06 – Kumiko Izakaya, Brussels
21.05 – DC Salas release party, Beursschouwburg
22.04 – Servant Jazz Quarter Dalston, London

Mixtape LLIM001 out now on Laura Lies In : https://lauraliesin.bandcamp.com/album/llim001

Pitchfork liked it : https://pitchfork.com/thepitch/the-8-best-dj-mixes-of-february-2018/?fbclid=IwAR1eftZdfd92QbhDQZ-X-FtoTwSc_jbHIzXPVqAIRLwX6sVVVUit6QALANI

LYL Radio: Tanzen und Denken 10 - Parris and Coline Cornélis

Rupert Clervaux

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