A collection of music live coded.
The act of using a programming language to live generate music.

All the Live Coding

A small excerpt from one of our live coding sessions

Machine Run (Live Session)

Free Download

Ya Tabtab (HABIBEATS Baile Funk / Jersey Edit)

Ringa Ringa (HABIBEATS AMAPIANO EDIT)

Laa (HABIBEATS EDIT)


d8 $ every 5 (density 1.5) $ sound "bass3:2*2? [bass3:8 bass3:5 bass3:8]?"
   |+| gain "1.2"
   |+| shape "0.3"
   |+| speed (every 3 ((*2) &lt;$&gt;) $ every 2 ((/2) &lt;$&gt;) "1.44")

d10 $ every 3 rev $ slow 4 $ (spread' striate "16 32 12" $ sound "[pad:5]")
   |+| speed (superimpose ((*1.5) &lt;$&gt;) $ (superimpose ((*1.01) &lt;$&gt;)) $ ((+1) . (*0.01)) &lt;$&gt; sine1)

d1 $ (every 2 degrade $ stut 2 0.5 (1%3) $ sound "bd [bd bd*4?]")
   |+| speed "[1,1.01,2 3]/2"
   |+| accelerate "-1"

d2 $ slow 2 $ sound "[[bd bd?]*4, future*2]"
   |+| accelerate "2"
   |+| speed "1"
   |+| gain "1.4"
   |+| shape "0.9"

d3 $ jux (iter 4) $ every 2 (slow 2) $ slow 4 $ striate 16 $ sound "[breaks125 breaks165]"
   |+| gain "1.6"
   |+| speed "2"
   |+| accelerate (((*(-16))) &lt;$&gt; (slow 8 $ sine))

d4 $ superimpose (iter 8) $ sound "drum drum:1?"
   |+| shape "0.9"
   |+| gain "1.1"
   |+| accelerate "-1.5"
   |+| speed "1.1"

d6 $ every 3 rev $ slow 4 $ (striate 64 $ sound "atlast")
   |+| shape "0.97"
   |+| speed (superimpose ((*1.5) &lt;$&gt;) $ (superimpose ((*) &lt;$&gt; (((+1) . (* 0.01)) &lt;$&gt; (slow 4 $ saw1)) &lt;*&gt;)) $ ((+1) . (*0.01)) &lt;$&gt; (slow 3 sine1))
   |+| gain "0.75"

d7 $ every 3 rev $ slow 4 $ (striate 64 $ sound "[atlast:1 ! atlast:0 ! atlast:2 ! atlast:2 !]/8")
   |+| shape "0.97"
   |+| speed (superimpose ((*1.5) &lt;$&gt;) $ (superimpose ((*1.01) &lt;$&gt;)) $ ((+1) . (*0.01)) &lt;$&gt; sine1)
   |+| gain "0.9"

d9 $ jux (iter 8) $ striate 16 $ sound "breaks125"
   |+| gain "1.7"


At last

Live coded in front of an audience using Overtone, the Clojure programming language and tiny bits of Tidal. No post production.
All musical source code used is open on GitHub: https://github.com/repl-electric/cassiopeia


Flatiron [Live Coded]

8 Asle x Imagine (Garage Edit)

Sosodality presents: Soundcloud Illuminati #003

The third edit of the Soundcloud Illuminati pack is out right now! Santo  gave spin on a true classic! Available right now! 💿

💿 Edit by: @wearesanto

📸 Artwork by:
www.instagram.com/chiaranashaira

Discover Sosodality:
sosodality.com

Do For Love - SANTO

LITTLE THINGS  - JORJA SMITH X SOSA EDIT

FAUZIA (@djfauzia) is an artist who is always evolving. The UK DJ, producer and live act first broke through as a DJ who played fast music be it techno, electro, IDM or bass-heavy breaks. Her famous NTS show has always shown a different side, where anything from soul to jazz can be called upon to tell a story. As a producer since 2020, she has tended to mine a more emotive side with releases that explore dub, ambient and jungle. She has also done pop collabs with Kelela and sings ever more on her own material. Basically, she is anything but easy to categorise, and instead works in many different worlds with equal style and skill.

For this week's mix, FAUZIA focuses on the dance floor with a thrilling 90-minute selection. The scene is first set with some escapist ambience, deep and beatless jungle and spine-tingling vocals but then some serious breakbeats arrive. They come thick and fast and take on many forms from heavy and apocalyptic to blissed out and astra. FAUZIA's own voice occasionally arrives to lend them a personal, intimate quality while the mix grows faster and more futuristic. It's a showcase that's as brilliant in taste as it is in technique.

Dekmantel Podcast 478 - FAUZIA

FREE DL

King Kunta

Slub-live-in-paris-20110930

Last Free Remix From Gan Gah To Close This Long Chapter, 
But Still Moving It With @cheb-runner With More New Sounds
Push Here For Download : https://theartistunion.com/tracks/27c6f1
https://www.instagram.com/cheb.runner/
https://soundcloud.com/cheb-runner

I Like To Move It (Gan Gah Mahraganat Edit)

Shift is the second album from the Cybernetic Orchestra at McMaster University, Hamilton, Canada, produced during "Scalable, Collective Traditions of Electronic Sound Performance" - a research project supported by the Social Sciences and Humanities Research Council of Canada's Image, Text and Sound Technology grant program and by the McMaster University Arts Research Board.  Alongside network synchronized beats and live coding in ChucK, the album features a guest performance by Montréal tabla player Shawn Mativetsky.

1. Five functions (David Ogborn - composition; Shawn Mativetsky - tabla)
2. Serendipity (Amy McIntosh - composition)
3. Shift (improvisation; Jason Rule - mixing)
4. Till this day (improvisation; Alyssa Lai - mixing)
5. Delineate (Heather Kirby - composition)
6. [Power]/[Reset] (improvisation; Elise Milani - mixing)
7. Light-frame (improvisation; Joy Dertinger - mixing)
8. Contact (improvisation; Dima Matar - mixing)
9. Feathers (improvisation; Joy Dertinger - mixing)

Orchestra members: Ned Currie, Joy Dertinger, Myles Herod, Steve Hudak, Aaron Hutchinson, Heather Kirby, Alyssa Lai, Dima Matar, Amy Mcintosh, Luke Meneok, Elise Milani, David Ogborn, Jason Rule, Kearon Roy Taylor

Love and gratitude to our friends and family, all past, present and future members of the Cybernetic Orchestra, Shawn Mativetsky, the Factory Media Arts Centre and HAVN (Hamilton), Gallery 345 (Toronto), McMaster University (Communication Studies & Multimedia, Humanities, Media and Computing, the Faculty of Humanities and the University Library), Ge Wang, Perry R. Cook & all the ChucK contributors, Kevin Austin, Christina Baade, Stephen David Beck, John Bell, Kristina Bozzelli, Julian Brooks, Jacques Carette, Darren Copeland, Nadene Thériault-Copeland, Susan Fast, Tina Furlanetto, Tanya Goncalves, Glen Hall, Christine Larabie, Emilie LeBel, Long and McQuade, Andrew Mactavish, Eden McLean, Donna Millar,  Rhonda Moore, Christine Quail, Marisa Rosato, Ian Jarvis, Nicolas Hesler, Robert Hamilton, David Harris Smith, Liss Platt, & Eldad Tsabary

Shawn Mativetsky appears courtesy of ombú productions, inc.

Till this day (improvisation; Alyssa Lai - mixing)

Soundsmith(@soundsmithsound) joins the Pangaea Disco ranks with a phenomenal edit of an Afrobeat classic. One for the peak time.

An up and comer on the London nightlife scene with upbeat disco cuts, deep grooves and unapologetically upbeat house numbers - no matter the country or decade of origin.

Now a regular on Threads Radio and part of Reverb Bistro and Grooves Cartel, music to dance to is always front and centre, but you never know what might be pulled out the record bag!

Pangaea Disco Edit Series 004

P.D.E.S #004 - Eko Roosevelt - M'ongele M'am (Soundsmith Edit)[Free Download]


code and approach close to that described in http://soundcloud.com/all-n4tural-firehose/powers-of-hang

http://sccode.org/1-4Rs

"live coded from sounds recorded live while live coding with sounds recorded".split($ ).scramble

[ live, with, recorded, sounds, from, sounds, live, live, coded, coding, while, recorded ]
[ from, live, recorded, recorded, while, sounds, coded, sounds, with, coding, live, live ]
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[ live, recorded, coded, with, sounds, live, while, recorded, from, live, sounds, coding ]
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[ coding, while, live, recorded, live, sounds, sounds, live, coded, with, recorded, from ]
[ recorded, live, live, with, coding, coded, from, recorded, sounds, sounds, live, while ]
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[ live, coded, coding, sounds, from, live, recorded, with, sounds, live, while, recorded ]
[ coding, live, from, coded, sounds, recorded, recorded, live, while, with, sounds, live ]
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[ coding, with, sounds, recorded, live, while, from, recorded, live, sounds, live, coded ]
[ sounds, coded, live, sounds, live, recorded, recorded, from, coding, with, live, while ]
[ coded, coding, recorded, from, sounds, live, recorded, live, sounds, while, with, live ]
[ from, live, sounds, live, live, with, recorded, while, recorded, sounds, coded, coding ]
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[ sounds, recorded, recorded, while, sounds, live, live, live, coding, coded, with, from ]
[ live, sounds, recorded, recorded, live, sounds, live, with, coding, coded, while, from ]
[ recorded, live, from, recorded, sounds, coding, while, live, live, coded, with, sounds ]
[ from, sounds, recorded, live, live, coded, while, coding, recorded, with, live, sounds ]
[ recorded, live, recorded, while, sounds, sounds, with, from, live, coding, coded, live ]
[ recorded, recorded, coded, sounds, from, live, while, coding, sounds, live, live, with ]




_______________________________________________________________________________
pic https://www.dropbox.com/s/wqj0crbscuvxzf2/2013-06-14%2020.34.25.jpg

voga afternoon

The Cybernetic Orchestra is McMaster University’s live coding laptop orchestra, formed in early 2010.

Live coding of Lights and Visuals bound together with Engineering and Emacs.
Contact: joseph@repl-electric.com

Till this day (improvisation; Alyssa Lai - mixing)

CyberneticOrchestra

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