As always I played and record this in one take.  It is only shortened afterwards.
Guitar: Self customzed 7-string electric to 6-string, equipped with GK3 hexaphonic pickup. 
Guitar sound: Boss GP-10, electric guitar modelling.
Synth: Dreadbox Erebus V3.
Sequencer: Arturia Beatstep Pro. (And guitarist need only right hand  controlling BSP, thanks selfmade brass fingers.)
Sequence transposing: Roland PK-5A Midi foot controller.
Mixing, pan and delay: Electron Analog Four.

Sustained guitar sound in the middle of track was achieved with EHX Superego+.

Smoothie

World has slowed down. 
Hidden beneath a skin of fear.

All Silver was created during the first days of the Corona shutdown.
Made with passion and modular synths.

Sound and artwork by Thomas Breuer

All Silver

all silver

Aspettando C19
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I have to say; a Virtuoso performance by Georg Boehme on Flute.
Just Amazing Georg!

Be sure to look in on what else he is up to:  
https://soundcloud.com/georg-boehme/tracks

This is another sketch on the Waiting paint I laid down earlier.
https://soundcloud.com/user-831093882/waiting

Still Waiting  (Boehme & Wiedenfeld)

Metamorphosis

As per usual, I conducted a jam session that took several hours, during which I experimented with a vast amount of sounds, settings and samples, and recorded the stereo result in Audacity. In a posts-production step within Audacity, I extracted the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

This particular jam session is dedicated to the sometimes longsome and somewhat tedious process of creating (electronic) music. I was inspired by the Youtube video "Music Software & Bad Interface Design: Avid’s Sibelius" by Tantacrul, who took a detailed look at the design of the popular music notation application Sibelius (youtu.be/dKx1wnXClcI). It is a very entertaining video and being a computer scientist and a hobbyist musician, I could very much comprehend and sympathise with his demonstration in particular, and the usage of flawed tools for music production in general. It is this very video that inspired me to create these two tracks in the first place, since Tantacruls chant "Something something - Sibelius crashed" was so rhythmic and captivating; so I ended up using his voice as a couple of samples. Unfortunately, I wasn't able to capture his voice in the right rhythmic way during the jam session, so I added it in post-production. 

Additionally, I used a sample from the Youtube video "Moog Subsequent 37 - jam no.1 in C-minor" by  ollilaboratories (https://youtu.be/bUMwSp86a9c) which I indeed was able to capture in the right way during the jam session, albeit after several attempts.  

One particularly interesting aspect of this track's sound for me is amplitude modulation in conjunction with filter modulation. I fed the output of the Mordax DATA (using the oscillator mode) through one of the inputs of the Make Noise LxD, which is a low-pass gate. Then, I fed the sine output of the Doepfer A-147 into LxD's CV input and wiggled the A-147's frequency knob. This resulted in an interesting interaction with the Arturia MicroBrute's tone. Also, ollilaboratories's amazing playing of the Moog Subsequent 37 (which I high passed in order to not interact too much with the already quite bassy sound and not to let the result become all too muddy) contributed to the peculiar timbre.  

Since I had so much audio material to work with, I decided to split this one into two parts. I hope you'll enjoy this homage to the labrious endeavours through the intricate realm of music making and the multilayered challenges we as aspiring musicians can encounter. Please bear in mind that this track doesn't reflect my ability to create live music on the fly in one go, like many great artists can do. As most of my tracks, this one is free for download. If you use it in one of your projects, let me know what you can come up with and give Mrs. Audio Boy a shout-out!

Beat Thang And Sibelius Crashed, Part II [Jam session sections: RAW2020 - 5]

Gustavo - Modular Live Improvisation #Juni 2020

Listen on Bandcamp: https://cyclicaldreams.bandcamp.com/album/circular-logic-cyd-0011

Created at my home studio in Ormond Beach, FL USA. 2019-2020. The album are pieces that are mainly themes for imaginary films. The most common theme would be mystery or the unknown.

Instruments:
DAWs: Propellerhead Reason, Ableton Live. Many VST synths including Arturia Analogue Suite 7, Output Suite, GForce, Korg and more.

Circular Logic

Beyond Our Galaxy-Circular Logic [CYD 0011] Demo Mix

Boson Spin - Renongul [part 5]

After a long break and a serious hardware change its time to start publishing again.

This is the second track from the album: The Force Files.

Enjoy!

Stay Creative & Stay Safe !! Keep the music coming!

Composed, Produced, Programmed, Mixed & Mastered by Douwe van der Boon

Recording & Mixing in Ableton Live 10 Suite
Mastering with Izotope Ozone 8 Advanced

The Force Files

The Perfect Mix

Geometry Of Fear

Simple Practical Effective Steps and Tips To Succeed With Your Health Goals On Your Health Journey
Learn More in the book EAT SLEEP MEDITATE A NURSE'S GUIDE TO HEALTH by
Marva Riley, RN Author.  Health Advocate
Website:      https://rnmarvariley.com
Also available on Amazon, Barnes and Noble, Walmart
Soundtrack  by ACM

BE Healthy.

Record label for Berlin School, Ambient, Soundscape and Space Music worldwide artists. Musical, artistic and cultural project, online store and digital music distributor.-
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Sello discográfico donde convergen artistas de Berlín School, Ambient, Soundscape, Space  Music. Proyecto musical, artístico y cultural,  tienda online y distribuidor de música digital.-

Beyond Our Galaxy-Circular Logic [CYD 0011] Demo Mix

Cyclical Dreams

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