I Will Cross Any Bridge

From https://soundcloud.com/user-957729823/the-faucet-and-the-pipe

Trio For Faulty Pipes

There I was, tranc'd in my tinkling hullabaloo, an eidolike mindscape, an unkempt joycean dreamscape; I seemed mazed and dazed in this obtusely enchanting kaleidoscope, a scene filled with vibrancied hues, throngful of indefatigably emergent sights and musics, where I was(?) filled with awestruck terror and ripening curiosity. This whimsical carnival of textures and tones troubled the dull eons of proverbial rigidity, though I never felt conscious of the act, I could still intuit the voiceless secrets which reign silently in their eclectic dance. All these cradles of fusion bequeathed to me the enduring narratives of the forgotten, perchance unseen forms that swirl around me, vibrating my eyes a holozoa mockery of my emotions, as if they were risin' amidst the transience of the air. It was all so cunningly alive, captivating me in its chaotic fluidity, a musty melange of sibyllaneous tales, a pageant of lives remade as one.

https://www.youtube.com/watch?v=ISiA0qG-9sc&ab_channel=LaurinkoSattumaa

/⁄∏]ı∑<«>⁄˝´-_//⁄⁄<◊

Confused and in control
Casting a pale blue glow
I’m not a fatalist
But there may be a hitch

In every cell between
Always watching in
The border is no more
Mutation is a bore

So many faces yawn
In the isolated dawn
They needed every node
That’s what the testing showed

All the same a pause
For taking open laws
The manual repair
Incorporating flare

Fatalist

Didn't Run

Five Alive

Fake XPO

Weniger Ist Mehr

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If you want to order directly to the musicians :
kaizer[at]iiiha[dot]com
thomas.coquelet[at]gmail[dot]com
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Follow KOU (Thomas Coquelet & Apolline Schöser) :
Website : https://koumusik.wordpress.com/

They share there first Split with SVII on BeCoq Records in oct.2022 : 
https://becoq.bandcamp.com/album/split-3
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I Am Not Sitting In A Room

Exhibition title: Fukuoka Postcards
https://www.naviarrecords.com/fukuoka-postcards/

Drawing inspiration from his first two years as a father and the recent tenth anniversary of his record label Naviar Records, sound artist Marco Sebastiano Alessi created Fukuoka Postcards, a sound installation focused on the concept of time, and how humans and landscapes perceive it differently.

Marco spent four weeks at Studio Kura in Itoshima, collecting sounds from the local nature, temples, and shrines, looking for places where time seems to have stopped. Creating a collage of soundscapes and applying minimal melodies to convey human presence, Marco aims to create organic music in an endless, ever-changing loop, to represent the impermanence of art and timelessness of nature.

more info

Fukuoka Postcards - 30 min sound installation

Last 4 copies: https://slowtonecollages.bandcamp.com/album/sortil-ge

Sortilège was a soundscape created for a group exhibition of the same name at Nutshell Studios in Nailsworth, Gloucestershire curated by Patricia Brien & Viviana Rossi-Caffell. Rather than following and fitting in with any particular artwork I tried to stay true to the title, taking a random group of objects metaphorically throwing them into the air and ‘divining’ a pattern and ‘meaning’ from how they landed. I worked very quickly collecting sounds from household objects, scrap metal and from various old field recordings including bells from Gloucester Cathedral. Programmed, performed & processed using a Digitakt sampler straight to tape. No overdubs. 

About the artwork: 

‘Diamond in the Rough’, 2023, is part of a series of works deriving its title from the legend of the Genie’s Lamp. 
Originating from pre-Islamic mythology, Genies were initially associated with shapeshifting, possession and madness. In later Western popular representation and under the influence of Orientalism, they appeared in Western literature and film as wish-granting creatures living in magic lamps or bottles. Hidden in the depths of the Cave of Wonders, the Genie’s lamp can only be found by an individual known as the Diamond in the Rough: a person gifted by exceptional qualities and talents but unaware of them, lacking refinement and social skills. 
Drawing a parallel with the condition of the unknown artist and their work in their potential of becoming tangibly valuable only when found by the right hands in the Art World, ‘Diamond in the Rough’ draws playful connections with objects of desire, wishes and chance. 

releases February 9, 2024 

W&P by Simon McCorry 
Mastered by Simon McCorry 
Artwork "Diamond in the Rough"by Viviana Rossi-Caffell 
www.viviana.rossicaffell.com 

STC040 
Slow Tone Collages 2024

Simon McCorry - Sortil​è​ge (Slow Tone Collages)

sax solo, EWI, experimental/improvisation.

sax - solo (040224 -#1)

experimental/improvisation, prepared electric guitar, violin, electronics, coding.

Fatalist

cylob

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