I do like it when a good beat is all Screaming oi I want to eat you with my Distorted waves 

Rephlex Records

Bochum Welt’s 2019 LP ‘Seafire’ and its accompanying remix album are two of the Central Processing Unit label’s most beloved releases. However, links between the two parties run far deeper than just those records.

You see, the tracks that Gianluigi Di Costanzo cut as Bochum Welt in the 1990s and 2000s are in the very DNA of the celebrated Sheffield imprint. Bochum Welt’s drops on labels like Rephlex made for some of the most celebrated electronic music releases of the era and went on to influence producers the world over - including many of those who have turned up on CPU since it launched in 2012.

As such, it makes sense that two of the most crucial EPs from Bochum Welt’s first wave are now being given new life by CPU. ‘Desktop Robotics’ and ‘Feelings On A Screen’ initially emerged in 1997 via Aphex Twin’s Rephlex imprint. Now, Di Costanzo has curated this special CPU release to celebrate both of those EPs making it to 25. This is a reissue with a twist, though. While ‘Desktop Robotics / Feelings On A Screen’ features many crucial cuts from the original pressings, the record also serves up other gems gathered from Bochum Welt’s original master tapes - all of which have never previously been released on vinyl.

The ‘Desktop Robotics’ cuts which make for the record’s first half are dreamy, impressionistic things. On this quartet, Bochum Welt plays painterly synth work off of idiosyncratic drum programming to illuminating effect. The opening title-track, for instance, blooms from a clattering, distorted beat into an icily beguiling electronic soundscape, a vibe which carries through to following number ‘HMT (202 Mix)’.

Things become more weightless on ‘Leafs Brought By The Wind’, a potent vignette where you can almost see the leaves falling amidst its reverb-drenched haze. We then get ethereal ‘Marylebone (Demo Version)’. Anyone who’s heard the iteration of ‘Marylebone’ which appeared on Bochum Welt’s 2017 LP ‘April’ will be pleasantly surprised by this alternate mix. Here the track pulls away from pretty post-minimalist piano composition to widescreen ambience - it’s so warm and intimate that it feels like peeking behind a curtain to observe an artist at work.

Things ramp up a notch with the tracks taken from in and around ‘Feelings On A Screen’. The title cut kicks off the record’s second half in limber fashion, its nimble percussion programming dancing around a pulsing bassline. Like A Tim’s mix of ‘Greenwich’ is still as much of a party-starter as it was on the original ‘Feelings On A Screen’ release, with the Djax-Up-Beats veteran setting buoyant rhythm work against a playful, eccentric lead-line. 

Between these tunes we are treated to one of the gems of the Bochum Welt discography. In 2007, Di Costanzo split an EP with Heinrich Mueller, an artist best known as Drexciya’s Gerald Donald. That record featured Mueller’s ‘Z Version’ of Bochum Welt’s ‘Saint’, and the track’s appearance here, with machine gun bass burbling alongside strange textures, joins the dots between Di Constanzo’s style and the pulsating machine-funk that Donald helped popularise. Things close out with ‘North’, a frostily beautiful ambience which makes for a fitting bookend to this album when taken alongside ‘Desktop Robotics’.

This 25th anniversary re-release of Bochum Welt’s ‘Desktop Robotics’ and ‘Feelings On A Screen’ EPs reminds us that, while time may have passed, the appeal of Bochum Welt’s electronic music remains as strong as ever.

RIYL: AFX, Mike Paradinas, Boards Of Canada, Mrs Jynx

Bochum Welt - Desktop Robotics & Feelings On A Screen (25th Anniversary Edition)

Kind of a tribute to the "Funky Porcini - The Great Drive By"

Lake Seven

Module 2

That's Mutuality

Lunakhod

Mechanique

Radiopropulsive

This compilation unites music from Mutant Radio’s friends and residents, with all proceeds directly supporting political prisoners, their families, and activists across different regions of Georgia. The struggle continues until every political prisoner is freed and new elections take place.

Whether on the streets, in our space, or through the airwaves, we remain firmly alongside the movement. Without true freedom, creativity is silenced, culture fades, and Mutant Radio cannot exist.

We extend our gratitude to our friends and residents for their unwavering support and for sharing their music in these challenging times for Georgia.

Special thanks to TBZ and Alex Michalski for their invaluable contribution to mastering.

Curated by: Mike Tansella Jr., Robert Bergman & Jaba Ujmajuridze
Mastered by: TBZ and Alex Michalski
Photo by: Marika Kochiashvili
Artwork: Tako Skripnichenko

Bill Converse - JSZ

Live at Burg4

Buy cassette here

Live at Burg4 part 1

»La Traversée« (»The Crossing«) is Matthias Puech’s second album for Hallow Ground and follows up on 2023’s »Mt. Hadamard National Park.« Profoundly inspired by re-reading »The Odyssey,« the French composer, instrument designer, and scholar used a Eurorack modular synthesizer to create four pieces that are by far the most intuitive and emotionally charged in his ever-expanding catalogue. Puech’s masterful command of sound comes to the forefront with even more urgency on this record. A wandering meditation on the human condition, »La Traversée« is an album that is constantly in motion—complex electronic music at its most gripping and evocative.

The foundation for »La Traversée« was laid when Puech prepared a live set for a tour organised in collaboration with Hallow Ground in support of »Mt. Hadamard National Park.« Before writing the first three pieces—»Ennosigaios,« »Polyphármakos,« »Nekuia«—the 18½-minute-long »Ithâké« was composed in near-total isolation in the South of France at the end of 2023. Puech performed the material live several times before taking a step black from it for a while. He revisited the pieces when preparing them for a release. »I was struck by how the technical process and the intention behind the music had completely vanished from my memory,« he says.

What remained intact, however, was Puech’s association of the material with one of the most influential texts of Western literature. Reading a graphic novel adaptation of »The Odyssey« with his two four-year-olds, he noticed the effect that it had on them and himself. »Its themes of longing, fear of and attraction to the unknown, unresolved quests, and the struggle for control felt topical,« he says. »I was completely taken. Every story ever told seemed contained in this ancient tale; every story I have ever tried to tell as a composer seemed inscribed in this framework.« This also extended to formal motifs such as the repetition of incidents, narrative developments, or dramatic effects that also mark »La Traversée.«

Puech says that he perceived Homer’s writing as musical, »like an old Delta blues or a Renaissance counterpoint,« which inspired his writing process. »With a couple of knobs on my Eurorack system, I could control the unfolding of a story,« he notes. »This made me pass through different emotional states and led to moments in which everything made sudden sense—when you as an artist get a glimpse at something essential, can touch upon something universal.« This shines through »La Traversée,« a wildly imaginative album that is deeply personal while also telling a story far more wide-reaching than that of its creator.

Composed, recorded and mixed by Matthias Puech
Mastered by Giuseppe Ielasi
Cover: excerpt from J. M. W. Turner, Snow Storm: Steam-Boat off a Harbour’s Mouth (1842)
Drawing by Matthias Puech

La Traversée

Ennosigaios

Here's a track I just put out as part of the 10th anniversary compilation of one of my favourite labels, Glasgow's finest Bricolage. It also happens to be the first track I'm putting out as a solo production under my own name. It is kinda ambient/downtempo/dub/lo-fi/IDM-ish - I hope you like it!

Background - raintypewriter (out now on Bricolage's X compilation)

Download louder and in high quality at https://angstfahr.bandcamp.com/
© all rights reserved written and produced by Angstfahr 

You Want to Be Rich

Angstfahr - You Want To Be Rich (ANG11-3)

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Jonquera & Officium - Ov All Thee Things Dat People Do |Teenage Menopause Records| 2025

Artist » Jonquera & Officium - @the-pilotwings 
+ @officiumofficium

Ep Name »  Ambient Nash Recordings & Friends  

Label » Teenage Menopause Records - https://soundcloud.com/teenagemenopause

Paris, France

Format: VINYL  + DIGITAL ALBUM

Release date: September, 2025

💲BUY HERE💲>>> https://teenagemenopause.bandcamp.com/album/ambient-nash-recordings-friends

This handful of tunes are the results of an Hydra, merging these two ultraprolific and tallented dubby-eletronicky-cheeky experimentators : Jonquera (half of Pilotwings, third of J-zbel and many more) jazzy-poppy-variété rythms crunches Officium dreamy-hazy-bass dubs in a fairy gaze.
These 6 tunes have been recorded live during a jam session, mixed by the duo for an eventual tape project.

But the Tioma Tchoulanov's mastering convinced us to press a short batch of 300 copies.

Paolo Viscogliosi painted some artworks elements and their talent with Maya Bellemin for a very weirdo-grotesque artwork sleeve.

Music by Guillaume Lespinasse & Alban Mercier
Musicians guests:
Manon Nogier (voice) on « The Fog has set in »
Amélie Arcuri (voice) & Martin Armendariz (flute) on « 13th Sun in bloom »
Final mix by Tioma Tchoulanov
Mastering by Tioma Tchoulanov
Special thanks to Metaphore Collective for their studio ♥️


Bandcamp: https://teenagemenopause.bandcamp.com
Facebook: https://www.facebook.com/teenagemenopauserds/
Instagram: https://instagram.com/teenage_menopause_records

Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

#premiere
#cdl
#acid
#teenagemenopauserecords
#officium
#jonquera
#minimalsynth
#electro
#commedeslarmes
#vinyl
#80s
#electronicmusic
#industrial
#ambient
#techno
#ebm
#newbeat
#paris
#france
#leftfield
#idm
#avantegarden
#musiqueconcrete
#synth

Ambient Nash Recordings & Friends

PREMIERE CDL || Jonquera & Officium - Ov All Thee Things Dat People Do |Teenage Menopause Records| 2025

💲BUY VINYL 💲

PREMIERE CDL || Jonquera & Officium - Ov All Thee Things Dat People Do |Teenage Menopause| 2025

https://soundcloud.com/veelargo

We're proud to welcome this electronic maverick to Bricolage with his new album, "Drealusions".

The album sets its stall out from the very beginning and sets the tone for what lies ahead. A collection of organic musical landscapes.

The experimental nature of Veelargo is clear to hear throughout as we experience drifting panoramic ambient jostling with contorted motifs and incisive rhythms. 

Opening track "Baalm" takes us on a melancholic sonic journey as it gently soars into a crescendo and back again. The pace then picks up as we traverse through realms of acid flecked electro, brisk and bustling beats, laser melodies, alien bass and futuristic sound design. The trip goes full circle and we end on the probing and exploratory "Kalk". A dreamscape of a track that floats along and burrows into your psyche.

https://bricolageglasgow.bandcamp.com/album/drealusions-bc097

EP Preview @ https://youtu.be/BjVJQlWBnIM

Artwork image is titled "Dream" by Katarzyna Karpowicz.

All rights of the image are property of Katarzyna Karpowicz.
katarzynakarpowicz.pl

We're proud to welcome this electronic maverick to Bricolage with his new album, "Drealusions".

The album sets its stall out from the very beginning and sets the tone for what lies ahead. A collection of organic musical landscapes.

The experimental nature of Veelargo is clear to hear throughout as we experience drifting panoramic ambient jostling with contorted motifs and incisive rhythms. 

Opening track "Baalm" takes us on a melancholic sonic journey as it gently soars into a crescendo and back again. The pace then picks up as we traverse through realms of acid flecked electro, brisk and bustling beats, laser melodies, alien bass and futuristic sound design. The trip goes full circle and we end on the probing and exploratory "Kalk". A dreamscape of a track that floats along and burrows into your psyche.

Drealusions

Veelargo - Baalm (from the "Drealusions" album)

Fiber Optic Fields

The second chapter in the Lambratech trilogy features UnoTurbo with Semimodular: an alchemical blend of raw Electro aesthetics and experimental additive synthesis. A vision of circuitry gone sentient, modularity in mutation.
To expand the release into uncharted sonic territory, we’ve brought in a global remix crew reshaping the original material with bold identities and distinct grooves:
Aaanomalia delivers a deep Afro-bass rework of Semimodular, pulsing with hypnotic drive.


Spaceface reinvents Into the Machine through a stripped-down Electro-Techno lens, machine-driven yet soulful.


zpectrum, already a familiar name on Lambratech, twists Into the Machine into a groovy, late-night weapon.


DJ Bastard goes full chaos mode, warping the same track into a high-speed freakout for the fearless dancefloor.


Highfidelity transforms PC Data into a shimmering dreamscape, full of digital nostalgia and tight pressure.


Closing the EP is Acye Bio, a fresh Italian voice, channeling future bass and broken textures into a forward-thinking hybrid.


From Lambrate to the world, Semimodular is the second step of a sonic mutation.
Electro roots, mutant branches.

UnoTurbo
IG: https://www.instagram.com/unoturbo.official/
SC: https://soundcloud.com/unoturbo

Lambratech
https://www.instagram.com/lambratech/
https://soundcloud.com/lambratech


PREMIERE || UnoTurbo - Into the Machine (Spaceface Remix) [LAMBRATECH]

Industrial Folk Songs

Flad

hello, my name is cylob, and i make electronic music

Flad

cylob

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