I came up with a cool riff on the Roland TB-03.  Then started to expand instruments for more full sound.  Not everything you hear is always as it seems!

Analogue Prophets - Nova Explosion

Char

Bones pt. II (Don't Say It)

RRRRRRrrrrrrRRRRRRrrrrrRRRRRRRROOOOOOOOCCCCCCKKKKKKKK!!!!!!!!!!

\m/  (-__-)  \m/

Rhino On The Beach

All hardware jam with the Akai MPC One driving the Moog Rogue via CV/gate and the Jupiter 6 via MIDI, SH-4d doing strictly rhythm and Boutique TB-03 driving the Jupiter-Xm choral part. Everything is going into a Roland MX-1 and into Ableton Live as a strictly multi-track recorder during the session. Some effects and automation were added later.
This was a workout session to get practice with setting everything up and wiring it up.

Aquarian Jam

Sound Design for the Zombie Feeding Room at The Fear Haunted House: Zombie Containment, as produced by Zombie Army Productions (ZAP)

RIP the Zombie Barge, which sank into Lake Michigan on Halloween Night.

www.zombiearmyproductions.com
www.thefearhauntedhouse.com
photo by Tiela Halpin www.facebook.com/TielaHalpinPhotography

Zombie Cages

there's an army in the desert, on the other side of the subconscious landscape.  this is what they sound like.

the march

The Assassin's Easy Daytime Hit

ProjectIceColder

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Bones (feat. Emma Zander)

I created this track in December of 1999,  It was right after I had bought my first Roland TR-909.  The track uses the TR-909, TR-606. TB-303, MC-202, SH-101, and JP-8000.  No computers were used here accept for Recording directly in Sound Forge at the time.  I like using the gear to make music not looking at a PC screen and all kinds of VST plug in's.  Yes I am old school.

A Trip Into Analogue

This is a complete live set I did back in 2000.  I played live for an hour using a Roland TR-909, 2xTB-303's, Alpha Juno 1. a MC-307, and a Peavy mixer.  No computers were used!  All live gear live set on the fly!

Analogue Prophet Live Baltimore Maryland 2000

Electronic- I don't care what it takes to make a track as long as it's electronic: spaghetti, dread-locked tangles of patch cables, ridiculous VST plug-ins, feedback loops, external effects, old-school analog synthesizers or iPad apps.  You might find noise and experimental "tracks" here, live PA, maybe some ambient, downtempo, trance or analog drones.

What you definitely *will* find: Roland TB-303, Roland MC-202, Roland Alpha-Juno 1, Moog Rogue, Dave Smith MoPho, Korg Kronos, Korg microKORG, Alesis Micron, Akai MPC-1000, Ableton Push.

Lately I've been getting more into house music and early acid house which clearly shows in my newer compositions.  I've been migrating from Logic to Ableton Live but I do like to keep up with production and mixing/remixing in both.  The Ableton Push controller makes the composition part fun again ;-)  Regardless of the DAW, it's still amazing to be able to get hands-on with patch creation, performing parts and massaging the flow of a track with outboard gear (especially analogs :-)!) and dedicated controllers.

Aquarian Jam

cynkh

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