I came up with a cool riff on the Roland TB-03.  Then started to expand instruments for more full sound.  Not everything you hear is always as it seems!

Analogue Prophets - Nova Explosion

Char

Bones pt. II (Don't Say It)

RRRRRRrrrrrrRRRRRRrrrrrRRRRRRRROOOOOOOOCCCCCCKKKKKKKK!!!!!!!!!!

\m/  (-__-)  \m/

Rhino On The Beach

Sound Design for the Zombie Feeding Room at The Fear Haunted House: Zombie Containment, as produced by Zombie Army Productions (ZAP)

RIP the Zombie Barge, which sank into Lake Michigan on Halloween Night.

www.zombiearmyproductions.com
www.thefearhauntedhouse.com
photo by Tiela Halpin www.facebook.com/TielaHalpinPhotography

Zombie Cages

there's an army in the desert, on the other side of the subconscious landscape.  this is what they sound like.

the march

The Assassin's Easy Daytime Hit

I originally wrote this song as a bittersweet ode to a recent visit to southmost Texas to see my parents.  I didn't know at the time that it would be the last time I'd see my father in person.  The song has since taken on a more bittersweet feeling and I now consider it to be my farewell song to my father.

Recorded in 2004 in my home studio as a live PA track and recorded live to my Tascam CDRW-5000 burner.

The main bassline throughout the song is a Moog Rogue being sequenced by a Roland TB-303.  I used a Roland JX-10 as the master keyboard and for one of the layered pad sounds.  The other pads are coming from a Korg NS5R (I remember using 'Mast World' but I forget which other pads are in there).  There are also 4 layers of a Roland SH-32 being sequenced as a multitimbral unit by the MPC- the lead line, 2 clarinet-sounding parts and another pad sound.  The drums are all coming from the MPC-1000 using the stock sounds from the unit and run through a Behringer MX-1804X console's reverb and delay effects.  The song was structured using the Akai MPC-1000 workflow to queue up patterns and mute/unmute parts.

Paisaje Verde

ProjectIceColder

DOWNLOAD

Bones (feat. Emma Zander)

I created this track in December of 1999,  It was right after I had bought my first Roland TR-909.  The track uses the TR-909, TR-606. TB-303, MC-202, SH-101, and JP-8000.  No computers were used here accept for Recording directly in Sound Forge at the time.  I like using the gear to make music not looking at a PC screen and all kinds of VST plug in's.  Yes I am old school.

A Trip Into Analogue

This is a complete live set I did back in 2000.  I played live for an hour using a Roland TR-909, 2xTB-303's, Alpha Juno 1. a MC-307, and a Peavy mixer.  No computers were used!  All live gear live set on the fly!

Analogue Prophet Live Baltimore Maryland 2000

Electronic- I don't care what it takes to make a track as long as it's electronic: spaghetti, dread-locked tangles of patch cables, ridiculous VST plug-ins, feedback loops, external effects, old-school analog synthesizers or iPad apps.  You might find noise and experimental "tracks" here, live PA, maybe some ambient, downtempo, trance or analog drones.

What you definitely *will* find: Roland TB-303, Roland MC-202, Roland Alpha-Juno 1, Moog Rogue, Dave Smith MoPho, Korg Kronos, Korg microKORG, Alesis Micron, Akai MPC-1000, Ableton Push.

Lately I've been getting more into house music and early acid house which clearly shows in my newer compositions.  I've been migrating from Logic to Ableton Live but I do like to keep up with production and mixing/remixing in both.  The Ableton Push controller makes the composition part fun again ;-)  Regardless of the DAW, it's still amazing to be able to get hands-on with patch creation, performing parts and massaging the flow of a track with outboard gear (especially analogs :-)!) and dedicated controllers.

Paisaje Verde

cynkh

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