Download: https://xtraordinarxxx.bandcamp.com/album/game-over-lp
Send an email to xtraordinarxx.x@gmail.com if you want to use this beat.
This track was made with those sample packs: https://soundcloud.com/xtra_prod/sets/sample-pack

Sample Packs / Stems / Fl Studio projects from my tracks / Secret Stuff: https://www.patreon.com/xtraordinarxxx

order beats / contact / exclusive / custom: xtraordinarxx.x@gmail.com
PROD. XtRaOrDiNaRxx.x 新 ドラゴン ۞

Bandcamp

timeframe

The “Great Man” theory was a view of history popular in the 19th Century that posited that society was advanced by a succession of “great men,” who influenced history through the centuries. It may come as no surprise that the majority of these men (besides notable exceptions such as Jesus or Mohammed) were white. In recent decades such views of history have been criticized, and the contributions of women and people of color have been studied in greater detail.
However, even today, there is perhaps no better field of study to see the Great Man theory at work than in the Classical canon. The music of long-deceased white male Europeans reigns supreme in the concert and recital halls, and these men are credited with all of the stylistic progressions of Western art music. To put it bluntly, the performance and study of the canon is one of dead white man music, and that fact often feels like a barrier for female composers and those of color that must be overcome.

Dead White Man Music serves as a personal reflection on this issue, and my own place in Classical music as a young black composer. This concerto for harpsichord draws on inspiration and influences across the centuries: from Bach and Dowland to Julius Eastman and Nina Simone, and from the Baroque to Post-Minimalism and Rock. Through the work I ask: what music am I called to write and who should be my models?

Dead White Man Music was commissioned by Urban Playground Chamber Orchestra, through the generous support of over sixty donors through a crowdfunding campaign. The concerto was written for harpsichordist Daniel Walden.

Dead White Man Music, II. Flow (My Tears)

Elegy was transcribed from a string orchestra piece for the Texas State University Concert Band under the direction of Caroline Beatty.  This is the World and Texas premiere recording.

2019 TMEA

Elegy for Our Children

Composer, Tennis Lover (Go Fed!), Occasional Musical Theater Performer and Custodian of one cat: Fezzik and one puppy: Wednesday.   Faculty, Music Composition Interlochen Arts Academy.

Elegy for Our Children

Cynthia Van Maanen

Related tracks