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An important new section on advocacy
 emphasizes how speech can make a difference. Chapter 19, Speaking for Social Change, now begins with timely examples of speaking to advocate in the civic sphere, showing how people across the political spectrum can speak up for the causes they believe in.


A robust and powerful digital package, LaunchPad for Speech Craft supports instructors and students with the video assessment program powered by GoReact, thoroughly revised LearningCurve scenario-based questions, video speech clips, and more.


Last school year, interactive notebooks were something brand new to my speech room! Students found them to be engaging and fun! I found them to be basically no-prep. So, of course, it was a wonderful year! haha ?


Franklin Roosevelt's changes to the first draft of his speech are clearly visible on "Draft No. 1." In the opening sentence, he changed "world history" to "infamy" and "simultaneously" to "suddenly." At one point, he considered putting the words "without warning" at the end of the sentence but later crossed them out. (Franklin D. Roosevelt Library)


On draft No. 1, Roosevelt changed "a date which will live in world history" to "a date which will live in infamy," providing the speech its most famous phrase and giving birth to the term, "day of infamy," which December 7, 1941, is often called.


Roosevelt updated the speech too, as reports of Japanese actions arrived at the White House, adding lines to note Japanese attacks on Guam and the Philippine Islands. He also added a sentence near the end of the text: "No matter how long it may take us to overcome this premeditated invasion, the American people will in their righteous might win through to absolute victory." In other revisions, the President added further sentences to note Japanese attacks on Hong Kong, Malaya, Wake Island, and Midway Island.


Two of Roosevelt's speechwriters, Samuel I. Rosenman and Robert Sherwood, were in New York City on December 7 and did not participate in drafting the speech; the President handled this one mostly by himself. During the editing of the various drafts, Roosevelt rejected a longer version by Undersecretary of State Sumner Welles, which reviewed the events leading up to the attack on Pearl Harbor. 6


President Roosevelt delivers the "Day of Infamy" speech to a joint session of Congress on December 8, 1941. Behind him are Vice President Henry Wallace (left) and Speaker of the House Sam Rayburn. To the right, in uniform in front of Rayburn, is Roosevelt's son James, who escorted his father to the Capitol. (Franklin D. Roosevelt Library)


Rosenman, Sherwood, and Hopkins were usually involved in drafting major speeches, along with others in the government, depending on the subject. Usually, a speech took from three to ten days to prepare, far longer than the December 8 speech. But Rosenman insisted that all the speeches eventually were Roosevelt's. "The speeches as finally delivered were his-and his alone-no matter who the collaborators were. He had gone over every point, every word, time and again. He had studied, reviewed, and read aloud each draft, and had changed it again and again, either in his own handwriting, by dictating inserts, or making deletions. Because of the many hours he spent in its preparation, by the time he delivered a speech he knew it almost by heart." 8





Roosevelt's speech amounted to a call to arms for a national audience that would suddenly need to shift to a war footing that meant wage and price controls; shortages of food, fuel, and other strategic materials; and, of course, the induction into the armed forces of their sons, husbands, fathers, and sweethearts.


The next day, at 12:30 p.m., in the House of Representatives, Roosevelt delivered his six-minute address to a joint session of Congre

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They updated "rare oriental disease" to "rare dermatologic disease". Was the song cut for being too problematic? Judge Turpin still tries to marry / propose to Johanna so that plot element is still in there? Anyone know why the song was cut?


Sondheim decided to pair one of the most nightmarish songs (Sweeney Todd's "Epiphany") with the comic-relief of "A Little Priest". This pair of songs at the end of Act I was the most significant musical addition which Sondheim made to Bond's version of the story. In the play, Sweeney Todd's mental collapse and the subsequent plan for Lovett's meat pies take place in less than half a page of dialogue, much too quickly to convey the full psychological impact, in the view of scholar Larry A. Brown. Sondheim's version more carefully reveals the developing ideas in Sweeney Todd and Mrs. Lovett's demented minds.[4]


When it came to casting, Sondheim thought stage veteran Angela Lansbury would add some needed comedy to the grim tale as the lunatic Cockney shopkeeper, but Lansbury needed to be convinced. She was a star and, as she pointed out to Sondheim, "Your show is not called 'Nellie Lovett', it's called 'Sweeney Todd'. And I'm the second banana." To convince her, Sondheim "auditioned", writing a couple of songs for her, including the macabre patter song, "A Little Priest". And he gave her the key to the character, saying, "I want Mrs. Lovett to have a music hall character." Lansbury, who had grown up in British music halls, immediately got it. "Not just music hall ... but dotty music hall", as she put it.[5] After she was formally confirmed in the role, she relished the opportunity, saying that she loved "the extraordinary wit and intelligence of [Sondheim's] lyrics."[6]


Michael Ball and Imelda Staunton starred in a new production of the show that played at The Chichester Festival Theatre, running from September 24 to November 5, 2011. Directed by Jonathan Kent, the cast included Ball as Todd, Staunton as Mrs. Lovett, James McConville as Tobias, John Bowe as Judge Turpin, Robert Burt as Pirelli, Luke Brady as Anthony, Gillian Kirkpatrick as Lucy Barker, Lucy May Barker as Johanna and Peter Polycarpou as Beadle Bamford. It was notably set in the 1930s instead of 1846 and restored the oft-cut song "Johanna (Mea Culpa)".[28] The production received positive reviews from both critics and audience members and transferred to the Adelphi Theatre in the West End in 2012 for a limited run from March 10 to September 22, 2012.[29] Comedian Jason Manford made his musical debut as Pirelli from July 2 to 28 and August 15, 18 and 24, 2012 while Robert Burt appeared at Glyndebourne Festival Opera. The West End transfer received six Laurence Olivier Award nominations of which it won the three: Best Musical Revival, Best Actor in a Musical for Ball and Best Actress in a Musical for Staunton.[30]


The 2005 Broadway revival also was recorded.[92] The producers originally planned only a single-disk "highlights" version; however, they soon realized that they had recorded more music than could fit on one disk and it was not financially feasible to bring the performers back in to re-record. The following songs were cut: "Wigmaker Sequence", "The Letter", "Parlor Songs", "City on Fire", and half of the final sequence (which includes "The Judge's Return").[93] This recording was nominated for the Grammy Award for Best Musical Show Album.[94]


The 2023 Broadway revival cast recording was released on September 8, 2023. This followed the release of eight single tracks from the recording, beginning on May 8 of the same year with "The Ballad of Sweeney Todd (Opening)."[97] The final single, "God, That's Good!" was released on September 7, just one day before the album's full release.[98] The album's full track list, slightly modified from the original cast recording, was released on August 21.[9

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I just installed the 2.79b on another system to doublecheck the problem... and I can access all files in the old blender version - but I realized that the problematic objects were hidden in the old file.... So I made them visible and - guess what - they showed up in 2.8!


This is rather frustrating because I have lots of old blender files where the visibility of objects is a thing of organizing my stuff ( I use blender only for modeling 3d printed stuff)... And blender 2.79b and 2.8 cannot co-exist as far as I know...


I find it rather confusing that hidden objects (=visibilty!) in 2.79b become disabled (and NOT hidden) by opening in 2.8. I would expect that a hidden object in 2.79 will be hidden in 2.8 and not disabled...


This section provides examples of listing object versions from a versioning-enabledbucket. Amazon S3 stores object version information in the versionssubresource that is associated with the bucket. For more information, see Bucket configuration options.In order to list the objects in a versioning-enabled bucket, you need theListBucketVersions permission.


For each object version, the console shows a unique version ID, the date and time the object version was created, and other properties. (Objects stored in your bucket before you set the versioning state have a version ID of 
null
.)


You can undelete an object only if it was deleted as the latest (current) version. You can't undelete a previous version of an object that was deleted. For more information, see Using versioning in S3 buckets.





The examples in this section show how to retrieve an object listing from aversioning-enabled bucket. Each request returns up to 1,000 versions, unless youspecify a lower number. If the bucket contains more versions than this limit,you send a series of requests to retrieve the list of all versions. This processof returning results in "pages" is calledpagination.


To show how pagination works, the examples limit each response to two objectversions. After retrieving the first page of results, each example checks todetermine whether the version list was truncated. If it was, the examplecontinues retrieving pages until all versions have been retrieved.


The following examples also work with a bucket that isn'tversioning-enabled, or for objects that don't have individual versions. Inthose cases, Amazon S3 returns the object listing with a version ID ofnull.


To list all the versions of all the objects in a bucket, you use theversions subresource in a GET Bucket request.Amazon S3 can retrieve a maximum of 1,000 objects, and each object version countsfully as an object. Therefore, if a bucket contains two keys (for example,photo.gif and picture.jpg),and the first key has 990 versions and the second key has 400 versions, asingle request would retrieve all 990 versions ofphoto.gif and only the most recent 10 versions ofpicture.jpg.


If the number of objects that could be returned in a GETrequest exceeds the value of max-keys, the response containstrue, and includesthe first key (in NextKeyMarker) and the first version ID (inNextVersionIdMarker) that satisfy the request, but were notreturned. You use those returned values as the starting position in asubsequent request to retrieve the additional objects that satisfy theGET request.


Use the following process to retrieve additional objects that satisfy the originalGET Bucket versions request from a bucket. For moreinformation about key-marker, version-id-marker,NextKeyMarker, and NextVersionIdMarker, seeGETBucket in the Amazon Simple Storage Service API Reference.


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The primary definition of perseveration in biology and clinical psychiatry involves some form of response repetition or the inability to undertake set shifting (changing of goals, tasks or activities) as required, and is usually evidenced by behaviours such as words and gestures continuing to be repeated despite absence or cessation of a stimulus.[1][2][3][4]


Etymologically, the term derives from "persevere", meaning "to continue determinedly", from Latin "perseverare", meaning "to persist": persistent behaviour directed toward an identifiable goal is called "perseverance", but when not directed toward such a goal is called "perseveration". In general English, "perseveration" refers to insistent or redundant repetition, not necessarily in a clinical context.[5]


Perseveration of thought indicates an inability to switch ideas or responses.[6] An example of perseveration is, during a conversation, if an issue has been fully explored and discussed to a point of resolution, it is not uncommon for something to trigger the reinvestigation of the matter. This can happen at any time during a conversation.[
citation needed
]


We tested a new taxonomy of perseverative behavior consisting of three categories: (1) repetition of a previous response to a subsequent stimulus (recurrent), (2) inappropriate maintenance of a category of activity (stuck-in-set), and (3) abnormal prolongation of a current activity (continuous). Three groups of neurologically impaired subjects (with aphasia, right hemisphere damage, and Parkinson's disease) were administered tests to elicit each category of perseveration. Patients with aphasia produced significantly more recurrent perseveration than did patients with right hemisphere damage or healthy controls. Stuck-in-set perseveration was associated with dopamine system dysfunction, and continuous perseveration with right hemisphere damage. We propose a theory of perseveration dependent on anatomic, neuropsychological, and pharmacologic factors related to cerebral dominance. According to this theory, disruption of specific anatomic and pharmacologic systems produces different forms of perseveration which, in turn, underlie particular neurobehavioral disorders.


Pathological gambling (PG) is associated with maladaptive perseverative behavior, but the underlying mechanism and neural circuitry is not completely clear. Here, the hypothesis was tested that PG is characterized by response perseveration and abnormalities in reward and/or punishment sensitivity in the ventral frontostriatal circuit. Executive functioning was assessed to verify if these effects are independent of the dorsal frontostriatal circuit. A group of smokers was also included to examine whether impairments in PG generalize to substance use disorders. Response perseveration and reward/punishment sensitivity were measured with a probabilistic reversal-learning task, in which subjects could win and lose money. Executive functioning was measured with a planning task, the Tower of London. Performance and fMRI data were acquired in 19 problem gamblers, 19 smokers, and 19 healthy controls. Problem gamblers showed severe response perseveration, associated with reduced activation of right ventrolateral prefrontal cortex in response to both monetary gain and loss. Results did not fully generalize to smokers. Planning performance and related activation of the dorsal frontostriatal circuit were intact in both problem gamblers and smokers. PG is related to response perseveration and diminished reward and punishment sensitivity as indicated by hypoactivation of the ventrolateral prefrontal cortex when money is gained and lost. Moreover, intact planning abilities and normal dorsal frontostriatal responsiveness indicate that this deficit is not due to impaired executive functioning. Response perseveration and ventral prefrontal hyporesponsiveness

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Wading ashore, Edmond encounters a band of pirates preparing to execute one of their own, Jacopo. Their leader, Luigi Vampa, decides justice and entertainment would be better served by pitting Edmond against Jacopo in a knife fight. Edmond wins but spares Jacopo, who swears himself to Edmond for life. They both work with the pirates until they arrive in Marseille. Edmond learns from Morrell, who does not recognize him, that Fernand and Danglars were complicit in his betrayal, his father committed suicide out of grief, and that Fernand and Mercédès wed shortly after Edmond was imprisoned. With Faria's map, he and Jacopo locate the treasure on the island of Montecristo. With his newfound wealth and comprehensive education, Edmond establishes himself in Parisian society as "The Count of Monte Cristo" with Jacopo as his manservant, and swears vengeance on those who conspired against him.
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Preceding him in death, in addition to his parents, was his wife, the former Lana Paterick, on Sept. 20, 1990, and the following brothers and sisters, Anthony, John, Stanley, Joseph and Michael Student, and Eleanor Luongo, Helen Pohida, Mary Sallick, and Anna and Joan Student. Surviving are his beloved sons, Joseph of Durham, N.C., and Cory and his wife, Lynda, of Sugarloaf Township; a grandson, Cory Gene Student; a brother, William and his wife, Susan, of Hazleton; and numerous nieces and nephews.



Mitch and Melanie go to Annie's house to fetch Cathy. They find Annie's body outside; she was killed by the crows while protecting Cathy. They take a traumatized Cathy home. That night, Melanie and the Brenners barricade themselves in the family home, which is attacked by waves of birds that nearly breach the boarded-up doors and windows. During a lull, Melanie investigates a fluttering sound in the attic bedroom. After discovering that the birds have pecked their way in through the roof, Melanie is violently attacked, trapping her until Mitch pulls her out. Melanie is badly injured and traumatized; Mitch insists they all drive to San Francisco to take Melanie, now catatonic, to a hospital. As Mitch readies Melanie's car for their escape, a menacing sea of birds has quietly gathered around the Brenner house. Mitch quietly moves the car out. The car radio reports bird attacks on nearby communities such as Santa Rosa, and the military may intervene. Cathy retrieves her lovebirds (the only birds who do not attack) from the house and joins Mitch and Lydia as they carefully escort Melanie past a mass of birds and into the car. The car slowly drives away as thousands of birds watch ominously.



The Birds
 was partly inspired by the true events of a mass bird attack on the seaside town of Capitola in California on August 18, 1961, when "Capitola residents awoke to a scene that seemed straight out of a horror movie. Hordes of seabirds were dive-bombing their homes, crashing into cars and spewing half-digested anchovies onto lawns".[6] Alfred Hitchcock heard of this event and used it as research material for this film which was then in progress. The real cause of the birds' behavior was toxic algae, but that was not known back in the 1960s.[7] In the film, the characters make reference to a similar bird attack "last year" in Santa Cruz, which is an implied reference to the Capitola attack.


Hitchcock solicited comments from several people regarding the first draft of Hunter's screenplay. Consolidating their criticisms, Hitchcock wrote to Hunter, suggesting that the script (particularly the first part) was too long, contained insufficient characterization in the two leads, and that some scenes lacked drama and audience interest.[19] Hitchcock, at later stages, consulted with his friends, Hume Cronyn (whose wife Jessica Tandy was playing Lydia), and V. S. Pritchett, who both offered lengthy reflections on the work.[20] This is something that Hunter found difficult.[21] Hitchcock cut the last 10 pages of the screenplay, although some sources say possibly more,[5][22] in order to create a more ambiguous ending. Originally, he wanted the film to end without a "The End" card, but he was forced to include one before the film's full release.[22]


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You said the binary is using syscalls to do the read that overflows the buffer, so you don't need to worry about the byte values of any of your instructions (some functions like strcpy or gets will stop copying the bytes when they get to null bytes or 0x0A bytes).


Buffer overflows are probably my favourite part of the security field. They can range from simple to incomprehensible, offer a wide variety of exploitation techniques and are just kinda fun. Also they sound way more difficult than they are!


Attackers have managed to identify buffer overflows in a many products and components. A few examples are the PS2 Independence exploit, the Twilight Hack for the Wii or an iDevice Lock Activation Bypass on the iPad.


In order to understand how buffer overflows work, we need to understand what happens in memory when a program is run. In this example we're using a C program in Linux. However, note that the issue applies to many different languages and operating systems.


NOTE: For the purpose of this article and its examples, I have disabled protective measures, like Address Space Layout Randomization (ASLR), that may interfere with a clear demonstration of the buffer overflow issue. There are ways to bypass these measures, but that's a (more advanced) topic in itself. In this article, I will focus on the core principle of buffer overflows.


Several new techniques were explored in this part of the series focusing mainlyon ROP and return to libc to overcome the non-executable stack protection. TheNX-bit only provides a small amount of security when it comes to exploiting abuffer overflow. It prevents the attacker from writing his/her own instructionsdirectly into the programs memory space. However, if the instructions arealready loaded into the process, this protection is ineffective.


The exploits have shown that this protection is only a minor hinderance to gainingfull control of a process via a buffer overflow. The next article of theseries, which will focus on Address Space Layout Randomization, will show howASLR in combination with the NX-bit will make exploitation much harder. Thefinal article in the series will look into StackGuard and the stack canary. Bythe end of the series the reader should be convinced that buffer overflows arestill very capable of being exploited in a modern system. Ultimately theprogrammer is responsible for protecting against these kinds of exploits, and noamount of kernel or compiler protections can make up for faulty code.





Buffers are areas of memory set aside to hold data, often while moving it from one section of a program to another, or between programs. Buffer overflows can often be triggered by malformed inputs; if one assumes all inputs will be smaller than a certain size and the buffer is created to be that size, then an anomalous transaction that produces more data could cause it to write past the end of the buffer. If this overwrites adjacent data or executable code, this may result in erratic program behavior, including memory access errors, incorrect results, and crashes.


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In this article, we discuss the benefits of active recovery and how it differs from passive recovery. We also explain what precautions to take when performing active recovery to minimize the risk of injury.


The authors of a 2017 study suggest that passive recovery might be the more useful type of recovery for people who partake in high intensity exercise that is short in duration but repetitive. Unlike active recovery, passive recovery does not reduce phosphocreatine levels, which may affect the performance of these types of workouts.


On the other hand, the same study suggests that active recovery may be more useful for people who do other types of workouts, as it quickly decreases the amount of lactic acid in the muscles, which restores the pH balance in the body.


A 2019 study involving 20 males in good health found that self-myofascial release with a foam roller could be useful in reducing delayed-onset muscle soreness after high intensity interval training (HIIT).


Working at a lower intensity will help increase recovery from your previous workout by increasing blood flow to your muscles and tissues. Giving your circulation a little boost helps get nutrients (like amino acids and oxygen) to your muscles so they can repair themselves. It also helps flush out waste products that built up during exercise (like hydrogen ions and lactic acid) and contribute to muscle damage and fatigue, Michael Rebold, Ph.D., C.S.C.S., department chair of the integrative exercise program and assistant professor of integrative exercise science at Hiram College in Ohio, tells SELF.


Not to mention, dialing it down for an active recovery day can offer a refreshing mental break from intense training, Alberta-based kinesiologist and exercise physiologist Dean Somerset, C.S.C.S., tells SELF.


To help you plan your next active recovery day, we asked our experts to lay out some of the best options. Just make sure you keep the intensity low, and pencil in some complete rest on other days, too!


This tried-and-true recovery activity not only increases flexibility, but it also teaches proper breathing techniques and body control. In addition, an easy yoga flow also promotes blood flow to help repair your broken-down muscle tissues, says Corak.





Yoga instructors love Manduka's PROlite mat, but if you want something with a little extra cushion, opt for BalanceFrom's mat instead. Experts also recommend keeping yoga accessories like a block and strap handy during your practice, to make poses and stretches feel as accessible as possible.


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Dr. Gregory Minnis is a physical therapist with an interest in orthopedic manual therapy. His work experience includes orthopedic physical therapy, sports medicine, neurological rehab, advanced assessment and treatment of running injuries, and advanced treatment of the pelvic complex, spine, and extremities.


Cathy Cassata is a freelance writer who specializes in stories about health, mental health, medical news, and inspirational people. She writes with empathy and accuracy and has a knack for connecting with readers in an insightful and engaging way. Cathy contributes regularly to Healthline and Verywell, and she has also been published in HuffPost. Read more of her work here, and connect with her on Twitter, Instagram, Facebook, and LinkedIn.


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