Aug. 2017 三十

RHYMESTER × STUTS & 松 たか子 / Best Kept Secret × Presence

たのしいよふかし

The Drop EP

Onda Bubbles Presents:
KEITA SANO "Green Lights EP" Pre-Release Party
at,Kyoto METRO 
Mixed By Liesbet
Rec & Mastered By Naoya Tokunou

Liesbet Live Mix @Kyoto Metro 2024.05.18

CINDER

When im down

♨HAZY&Omeal　http://hazy-and-omeal.tumblr.com
Track by ITL（RAP BRAINS）https://soundcloud.com/itack

■HAZY（RAP BRAINS）
・Soundcloud→https://soundcloud.com/lil-hazy
・twitter→https://twitter.com/hzyhzyhzyhzy

■Omeal（Y.I.M）
・Soundcloud→https://soundcloud.com/y-i-m
・twitter→https://twitter.com/_YoursIsMine_

あける window あめ 模様
いつもに増して超だりい
目覚まし  止めてback to まどろみ
とろける時計の針がダリ
Time is money わかってるけど
ベッド ピロー 一心同体
リラックス  深呼吸
寝ているようだけどアップデート中
Stop 焦るの嫌い
ゆったり自分のペースで暮らしたい
けど   Tokyo everything so fast
追いかけるキックスコンバース
いつも気まぐれなやる気スイッチ
1ページ 2ページ Ah 寝落ち
イッツオートマティック落ちる瞼
ん〜まあいいか また明日

sorry for being lazy
baby dont hate me
これがわたしのいつも通り
時間の流れがslowly

まずは一発大きなあくび
次歯磨きしてから水浴び
大事なのは強い意志とコーヒー
だが時既に遅し
散らかった部屋　寝癖Hair
よりも大切な猫の世話
迷惑かけても…いっか　いーよね〜
平和ならSing a song♩　ララララララ
ワンツーマイクチェク　今草津
温泉まんじゅう　今食います
匂う硫黄泉　そこらじゅう　くせー
醒めないで夢うつつ
Ahまどろみうたた寝　頭待ち合わせ場所
体は布団　ねぼけマナコ
あの子　今どこだろ　HAZY!!!
出だし好調な僕らはLAZY

sorry for being lazy
baby dont hate me
これがわたしのいつも通り
時間の流れがslowly

『LAZY』 HAZY&Omeal

Probably my personal favorite Braindance track. Wrote this early 2014 when I was busy hooking up my current synth studio. The strings that enter 3/4 of the way through get me every time : > 

Grab the EP this track is from via ~ https://marlyluske.bandcamp.com/album/vacation-in-torquay

Grab the files

Park It

w-inds.の新曲でラップしてみました。歌詞はほとんどシンデレラハネムーンのパクリです。

【１】
girl n me上野に７時
だまってラブホに急ぎ
少しキスをしてクンニ
指でパンツをずらしてクンニ
感じる君は美人 
口でゆっくり脱がすパンティ
時計をチラ見して
君は僕にまたがり
優しいだけじゃ物足りなくて
僕におしっこかけてよbaby
僕を踏みつけてbaby
顔に押し付けてbaby 
君以外いらない
i love youもいらない
君のたばこあと一本になり
やるせない目で僕を見つめて

口づけ１００回notLOVE涙色
おやすみって動く唇が乾いた色
いつまでつづくのこのシンデレラナイト
会話なんかやめてさ、ねぇもう一回しよ

【２】
日暮れにはじまり夜ふけに別れる
このまま朝が訪れそうだけど
重ねたくちびるがつめたくなって
せつなさなんかを教えてくれる
シャッターおろすばかりの店先
花などかっておどけてみたり
いつまでつづくのこのシンデレラ

「しあわせだからいいじゃない？」なんて
君の口癖思い出して
夜風にゆれるすこし濡れた髪
「しあわせだからいいじゃない？」なの？
ちょっとでいいからこっちにきてよ
言葉はいいから抱きしめさせて
俺はひとり爪などを切って
なぜか重いためいきをつき

w-inds. - We Don't Need To Talk Anymore(freestyle)

IT WILL BE FOREVER
26 May 2017
www.sunglitters.com


Traveling sideways in time, Sun Glitters’ It Will Be Forever is a cinematic cruise that illustrates a retro-future landscape of wildlife. Brimming with its own synthetic nature, the album’s foundations of heavy bass, complemented and contradicted by electronica melodies, carve a panoramic view as he journeys between apprehensive, haunting tension and bright, revelatory scenery. 

Victor spent his formative years as a teen in the 1980s, naturally gravitating to the luminous synth sounds characteristic of that time. Now, with a copy of the Drive OST under his arm and witnessing his own children’s inquisitive nature about the world, Victor found himself drawing inspiration from within–opening the door to nostalgia and taking a trip down a memory lane paved by dreams drawn on an Atari ST. 

The result is It Will Be Forever, a love letter to a time of not so distant past–or perhaps so far in the future that it defies imagination–and a contemplative soundtrack that acknowledges the paths leading to this point, both personally and communally. Painting a vivid Tech Noir world layer-by-layer, It Will Be Forever reflects the cautious anticipation many of us feel today in the digital age: a sense of something bigger looming. Spanning 11 tracks, the album depicts a version of the seven stages of grief, with the conclusion being the most poignant as it closes with a wonder and zest for life that the author hopes to impart on us.

It Will Be Forever

WHERE THE END BEGINS

Almosts

Greg Fox - Catching An L

Learn more at RVNG: http://smarturl.it/rvngnl38-rvng
Add to your collection at Bandcamp: http://smarturl.it/rvngnl38-bcamp
Download + stream everywhere else here: http://smarturl.it/rvngnl38-digi

©2017 RVNG Intl. / igetrvng.com

The Gradual Progression (RVNGNL38 - 320 Promo)

Greg Fox - Catching An L

The original track is taken from new album 'Every Valley'. Available to buy from here: https://publicservicebroadcasting.net

They Gave Me A Lamp (Plaid Remix)

SSWB

Homecomings「SYMPHONY」(10")
PEJF-91018 | ￥2,000＋tax | 10inch vinyl | felicity
2018年1月中旬リリース予定

A SIDE : 
01. PLAY YARD SYMPHONY
02. SLACKER
03. PLAY YARD SYMPHONY（BUSHMIND Remix）

B SIDE :
01. PAINFUL
02. WELCOME TO MY ROOM
03. PAINFUL (STUTS Remix)

http://homecomings.jp/

Homecomings - PAINFUL (STUTS REMIX)

長い夜 (DEMO)

D.A.N. were formed in the summer of 2014 in Tokyo. Their unique and thoroughly modern sound, sitting somewhere between the minimal alt-pop of The xx and the live dance music dynamic of Caribou has won them fans throughout their home country, and an offer to appear at the prestigious Fuji Rock Festival in 2016 & 2018 has been swiftly followed by the band opening for international artists including The xx and James Blake and Floating Points in Japan. The band’s self-organized event, “Timeless”, has seen them invite and play alongside acts such as Mndsgn (LA) and Jamie Isaac (UK) in Tokyo, whilst in late 2017 D.A.N. took off to London, where they spent some time recording with Floating Points at his personal studio, appeared on Giles Peterson’s Worldwide Radio and performed at the legendary Hackney hipster haunt The Shacklewell Arms. In May 2018, they appeared at The Great Escape in Brighton, UK, winning enthusiastic new fans from around the world. The band’s latest full length album “Sonatine” was released in July 2018, followed by an Asian tour through China, Taiwan, Bangkok and an appearance at Hong Kong “Clockenflap” festival. With influences ranging from underground house and techno through to psychedelic and African music, the three piece are equally at home in the club as they are on a festival stage, and are being widely touted as the most exciting prospect to emerge from the Tokyo scene in many years.

SSWB

D.A.N.

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