5D.J.SPARKYDABLUNTST.GENET 5 EELECTROLUVVAH MIX 5*¥*5

It's my personal tribute to a great artist like TIGA....i hope you like it! 
FREE DOWNLOAD!

Tiga - Hot In Herre - (ALEX D'ELIA BOOTLEG) FREE DOWNLOAD

Sing That Song feat. @celeste-waite 
Remixed by @tiga

Download at: http://smarturl.it/TIEKSRemixes
Get the original: http://smarturl.it/SingThatSong
Listen on Spotify: http://spoti.fi/1uY8GWt

www.tieksmusic.com
www.twitter.com/tieksmusic
www.facebook.com/tieksmusic

Sing That Song (Tiga Remix)

I believe in you - MIX

Goldsnake V's Cayucas - High School Lover's Alive

A friend of mine asked me to dig up something I made nearly a decade ago now (how times flies), so here it is. Two different cuts of Coldplay's "Talk" set to Mylo's "Mars Needs Women" set to clips of Richard Burton reading "War of the Worlds" interlaced with dialogue from Larry Buchanan's immortal 1967 cult classic, MARS NEEDS WOMEN. I had plans to do more with this originally (including a little Nirvana), but this is how it ultimately wound up being.

Mylo vs Coldplay vs Richard Burton - "Mars Needs Women"

Happiness (Rex The Dog Remix)

Judas (Goldfrapp Edit)

The Knife 'You Take My Breath Away' (Mylo Mix)

Remixes & Rarities

Hear The Music Mylo Remix

Turbo 116 - Azari & III - reckless with you love remixes (Tiga/Proxy)

Coinciding with a hot new video and an upcoming album re-release courtesy of Island Records, Turbo weighs in with heavyweight remix support from label bossmaster TIGA and Russian Rave-Czar PROXY.
 
Tiga's mix gets reckless with your ears with a versatile after-hours jam. It packs a bassy punch but keeps its head down in the lifestyle k-hole, exercising restraint while showing off a mature and developed sexuality.
 
Proxy turns in a bumping, hip-hop influenced mix, with old-skool cowbells, crushed claps and a SH-101 lead guaranteed to make heads bob 'til they can't bob no more. This is probably the only time Azari & III will ever be used to start a mosh, at least until society does some much-needed growing up.
COOOL MAN!

02 Reckless (With Your Love) (Proxy Remix)

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Alter Ego Instrumental)

Tiga & Zyntherius - Sunglasses At Night (Black Devil Vocal)

Goldfrapp - Ooh La La (Reminiscenza Remix)

M83 announces 2016 tour dates http://m83.it/ticketsSo

Reunion (Mylo Remix)

A Guy Called Gerald - Fever (Black Dog mix)

David Morales feat Roisin Murphy aka Moloko ‘Golden Era’ –Franco De Mulero & Hector Romero Golden Days Mix
Remixed, produced and mixed by Franco De Mulero &  Hector Romero for Def Mix Productions. Out now on Ultra Records.

www.francodemulero.com
www.fortheloveofhouseofficial.com

David Morales & Roisin Murphy - Golden Era (Franco De Mulero & Hector Romero remix) Ultra records

Gwen Stefani - Cool (Photek Remix)

This compilation consists of some of my exclusive mashup bootlegs that incorporate major musical elements from the 1980s combined with current modern music.  The genres span Pop, Rock, House and Trance.  Enjoy!

- Mario Santiago

Indeep vs. Dr. Kucho vs. Mylo - Last Night a DJ Saved My Life vs. Groovers Delight vs. Drop the Pressure (Mario Santiago Bootleg)

Buy Duke Dumont - The Giver (Tiga Remix) on Beatport now - http://btprt.dj/QG9gYS 

TURBO 137 - THE GIVER REMIXES

Turbo Recordings presents four killer remixes of one of its biggest tracks of the year. Featuring Tiga, Lando Kal, Gingy & Bordello, and Locked Groove.

When Turbo put out Duke Dumont's "The Giver", everyone at the label knew it had the potential to become a massive house anthem. So when it actually happened, it was gratifying to learn that a) the label's braintrust wasn't crazy and b) the rest of the world isn't completely out to lunch. With support from Annie Mac, Erol Alkan, Heidi, Diplo, Damian Lazarus, Martyn, Soul Clap, A-Trak and a legion of other big names, plenty of radio play on BBC One, and rave reviews from critics, the track has taken on a life of its own, spending numerous weeks in Beatport's Deep House Top 5.

With this in mind, the label decided to go with its instincts for the remix pack, sticking with some of its best and most exciting in-house talent while also including a respected outsider. 

REMIXERS

Turbo boss Tiga turns the Lifestyle Machine up to 11, before snapping the knob off completely with a seven and a half minute epic that is possibly even more anthemic than the original. Turbo obsessives might have noticed that this is only Tiga's second remix for the label since 2005 - after Azari & III's similarly huge "Reckless (With Your Love)" - offering even more evidence of just how significant a release this is for us.  

With releases on Hotflush, Rush Hour, and Numbers, Lando Kal has been pushing his sound more and more into the realm of gear-based Detroit-influenced techno. His version of "The Giver" continues in this vein, a tripped-out after-hours workout that's destined to become the highlight of your next warehouse party.

Toronto's Gingy & Bordello are undeniably two of Turbo's most promising rising stars, with a career path seemingly taken out of some fantastic DJ/production duo storybook. Their mix ramps up the BPM and takes things into big-room techno territory. The arrangement is long and strong, and the payoff near the end is subtle and retains the essential ecstatic tone of the original while doing away with the commercial angle. Let Gingy take you on a journey, and then let Bordello take you on a journey. It's the same journey, but still.

Hot Belgian producer Locked Groove is another of the label's emerging New Jack Techno talents. His impressive versatility is fully evident on his contribution, combining elements of hi-NRG 90s eurodance and melancholy ambient techno into something that evokes the yearning heart at the core of Belgium's other greatest export, Technotronic.