not much to say, except : this track fell of the wagon while taking the curve in high speed and it's survived. A strong will to live I can respect, so.. it has earned its place

instrumental track with lost of good vibes.


Summer of`25 (sidetracked)

No Lies

The Weeknd Type Beat - One More Night _ The Idol Type Beat

Welcome back to a brand new Monday and a brand new mixtape to ease you into your week.

Today we sign in with some free jazz from Poland, and out with some Northern Ghanian-inspired spiritual jazz, via 1970s afro funk and a helping of Scottish ambient in the midst of things. Happy monday!

This mixtape was curated by DJ, record collector & occasional composer Rebecca Vasmant.

Full Tracklist: http://www.stampthewax.com/2017/01/30/monday-morning-mixtape-155/

Rebecca Vasmant - Stamp The Wax (MONDAY MORNING MIXTAPE 155)

Functional systems may be innate—that is, reflecting the experience of the species, and acquired, resulting from individual experience. But in both cases, tens and hundreds of millions of cells from different parts of the brain and the whole body must correctly assemble into such a system. This process is called systemogenesis, and how such complex integrations arise in evolution, how the body solves this problem in its embryonic development as well as in behavior and learning is described by a special branch of the theory of functional systems—the theory of systemogenesis. It solves the question of how something rational naturally arises from something irrational.

Dancing Qualia

Systemogenesis

This title refers to apocalyptic ideas about the end of time when the time of humanity expires, and its history ends. But this is not about the Last Judgment and the second advent but about the technogenic end of time. It can be either catastrophic or positive—it can start a new era. Technological singularity is thought to be such a limit, as a result of which artificial superintelligence will appear, the goals of which will be unknown to us, and control over which is impossible. The history of mankind will end as soon as we have to negotiate not with people but with machines, as soon as, perhaps, nothing remains of a biological human. But everything can end earlier and more prosaically—from a nuclear disaster. In this sense, the latter invention has already been completed.

Last Invention

On November 10, 1616, in the small German town of Ulm, the French philosopher René Descartes went to bed. At night, he saw three visions, the three most famous dreams in the history of mankind. It was this night that sent young Descartes in search of a new system of views on consciousness and body. Its significance became apparent centuries later. "A brief and fairly complete description of the intellectual life of European peoples up to the present," the English philosopher Alfred Whitehead noted, "is that they sponged on the capital left by a genius of the 17th century." Anyone who is now engaged in the study of consciousness mentions Descartes. He brought into the world a profound problem that neither he himself nor the philosophers of subsequent centuries could cope with.

Descartes Delusion

Physicalism claims that physical facts determine the presence of all the others. But suppose there is a world exactly the same as ours in physical terms, but in which physiological processes in its inhabitants are not accompanied by conscious experience. These creatures are called philosophical zombies—they are just like us in everything, except for the absence of consciousness. If the intuition about zombies is correct, it automatically means that physical facts do not determine all the others; therefore, physicalism is false, and the main factor in its falsehood is consciousness that becomes the last redoubt on the path of advance of physicalism theories.

Philosophical Zombie

released October 25, 2019 
https://bdtom.bandcamp.com/album/bdtom-umami-ep

03. Glass Of Water / Cut version

A BOOK FOR EARS! Garage based cross genre story full of nostalgia, ecstasy and BASS.

102.1fm 4ZZZ BOOK FOR EARS BY BOOM BOOM BEAN SELECTA -GARAGE/BASS

Rheinzand releases their amazing self-titled debut album 'Rheinzand' on Music For Dreams. Available in all digital stores: music-for-dreams.lnk.to/rheinzandFA

After much anticipation, our Belgian disco diamonds Rheinzand present their debut full-length album. On their self-titled record, The Belgian trio wraps the human heart in synthetic threads of modular electronic disco. 9 songs writhing on timeless dancefloors, morphing in and out of shapes of luxuriant melody and vivid instrumentation.

The album is full of classic disco and electro sounds, wielded with imposing prowess by multi- instrumentalist Reinhard Vanbergen. It’s both an exploration of dance music’s electronic genealogy and the vintage cool that has defined its different eras. Still, an organic atmosphere pervades as the blend of real instrumentation fixes a sort of retro-futurism, imagining an alternative timeline that’s a bit more exciting, more sensuous and libidinal, maybe more human, too, than our current outlook.

We start the engines with Break of Dawn, a compelling beat rises from the basement and soon we’re submerged by the pulsing bassline. Dark sunglasses on, we cruise through the night, letting flashing city lights flow into unbroken torrents of color. Blind awakens us, a splash of handclaps in the face, vivid strings and Charlotte’s trademark slick vocals enter the stage. Tantalizing sunbeams power up circuits of electronic synths blipping and beeping away.

Later down the road, we hit the Latin part of town. Porque fits enchanting vocal spells in beautiful Spanish on playful flamenco rhythms. Fourteen Again is a throwback to early electro, playing around with knobs and buttons. An oscillating synth imagines new worlds of plastic

emotion. Still disco and still very cool, though. A constant velocity is sustained throughout the album by this recurring locomotive synth, trudging away beneath the action. Once in a while, we hear the deep, mighty, trembling voice of Mr. Rheinzand speaking to us in incantations. Someone’s pulling the strings here.

On Slippery People, the trio cover the Talking Heads classic in a characteristic procedure of bouncy funk. We’re swirled around by the delirious glasswork of You Don’t Know Me into the hypnagogic funk noir of Strange World. Drifting through the house of mirrors after the fourth mojito.

Obey collects all these threads in a full-bodied future classic disco anthem, before Queen of The Dawn wraps up the show with a sky-bound epic of operatic choirs and ceremonious drums that lands somewhere between Kate Bush’s Aerial and Peter Gabriel’s most bombastic.

Connect with Rheinzand:
FB: www.facebook.com/Rheinzand/
SC: @rheinzand
IG: www.instagram.com/rheinzand/?hl=da

Descartes Delusion

D-Pulse

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