он как плитка в ванной, заставляет задуматься

Enkolia

Your Meal Tray Is In The Arm Of Your Seat

a new, spectral outdoors
blurred headspace
nervous, metallic pleasure

Mistareez - Trainer Thought

Quadrøcoptae

35yq622

solace is coping

Ruhail Qaisar - Fatima
Cat. Nr: DN019
Format: DL + 48 page photography & text publication (Urdu / English)
Release Date: January 27, 2023
Buy / stream: dansenoire.ffm.to/fatima

Ruhail Qaisar’s Fatima is a requiem for a dead future. The debut album release by the self-taught artist and producer screams with the trauma and decay of life in his hometown of Leh—a high-altitude plateau region in the contested Ladakh area, extending from the Himalayan to the Kunlun Ranges. Qaisar absorbs this external condition of perpetual conflict between nation states into his internal life and resulting compositions, crossing sound art, noise music and experimental filmmaking. Hauntological drones, power electronics and convulsive post-industrial dissonance create an unnerving sense of fear, anger, and alienation. A broken transistor with a knob tuned to the abyss is bombarded with the cries and bitter laughter of a city’s inhabitants tyrannized, not only by military occupation but the soft-power subjugation of the tourism industry.

Following 2016’s Ltalam EP—released under Qaisar’s now-defunct Sister moniker—Fatima serves to transmit memories carried through the events, local mythos and personal recollections of growing up between the remote agrarian villages of Ladakh and the urban center of its joint capital—Leh. The album was mixed between that area, and a DIY home studio in New Delhi, where the artist amalgamates his collected found sounds and field recordings into unrecognizable hybrids. Discordant pads and atmospherics on the dark ambient of “Daily Hunger” is disrupted by a crashing, pounding reverb, while contributor Elvin Brandhi shrieks towards its horrifying conclusion in the squelching, scratching sound of something soft being chewed.

An anti-lingual conjuring of metaphysical totems in music, Fatima is a seething chronicle of experience through the dynamics of riots, violence, colonization, unemployment, PTSD, and self-abuse. The cycling tumult of “Namgang” hosts a menacing whisper that echoes the hissing fury of something like Einstürzende Neubauten and Lydia Lunch’s “Thirsty Animal,” while a trouncing distorted bass line on “Fatima’s Poplar” circles a voice that barks, "The Western Civilization Show has been discontinued."

The Bunker, New Delhi
Choglamsar Village, Ladakh

Mastering by Rashad Becker
Mixing by Julien Racine
Photography by Rana Ghose
Design by Niels Wehrspann

Fatima

buy / stream

Ruhail Qaisar - Sachu Melung

Scene XVIII - 10/08/2023

Release date : 28th October 2023, at Brasseries Illegaal, in Brussels.
A double-release party will celebrate the new TTT40 & TTT41 tapes during an all-night event, in which will perform: 2Mo, Abysmo, Bobé van Jézu, Debmaster, Exoterrism, Jihem Rita (feat. Èl G.), Lucie Simone, NMT, and Wash Club.

Wash Club is a new project (as of december 2022) that has quickly been adopted by the label Third Type Tapes. It is composed of Gábor Kovács (playing solo as Új Bála / @j-b-la-1) and Daniel Dariel (Csocsó / @csocso, drummer of Umarell & Zdaura among other projects and numerous collaborations). With a large room given for improvisation, Wash Club plays in a post-club translation of noise, with desynchronized machines and form-writings that differentiate within each concert.

Shenzen Trillion Suspicious Lights was performed in:

Vekks, Vienna
Lahmacun Radio, Budapest
Központ, Budapest
AKC Garaže, Vrbovec

between the 4th and 12th of May 2023.
Edited in Brussels, June 2023.

_side A: poster often / sometimes puzzle
_side B: i'm all sorts of / passport homework

Gábor Kovács : Korg SQ-1, DSI Evolver, Waldorf Pulse 2
Daniel Dariel : Sonicware Liven XFM, Elektron Monomachine
Both : Boss DD7 Delay, Mackie 1202 VLZ Pro

https://washclub.bandcamp.com/

Mastered by: Fabien Meunier
Artwork by CCCPu.

https://thirdtypetapes.com/

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