As nice as the others tracks, great works, waitinf for a long time for another album

so damn good. haven't heard this one in too long. 

As long as I can remember listening to such acid tracks: for me this is THE MOST BEAUTIFUL pattern EVER tweaked on the 303. Danke Oli, Danke Ramon! Grüße nach D-Dorf

Modular techno obsessive and dark pop connoisseur: Julia Bondar’s fourth studio album Bonding sounds like nothing else you’ll hear this year.     

Julia Bondar is a Ukrainian born, Barcelona based electronic music artist, singer, and songwriter. Her journey as a musician started when she was making demos for Endorphin.es modular synthesizers to help her partner, Andreas Zhukovsky, to promote and develop freshly engineered modules for his Endorphine.es brand.  Bondar soon became a co-founder of the brand and moved the company from Kiev, to Barcelona, where her obsession with modular synthesis truly took root. 

Prior to Bonding, Bondar has released three albums, the latest of which was 2020’s Industrial Symphony LP which demonstrated her innate ability to extract orchestral sounds from synthetic equipment. A blend of techno rhythms and dark pop, it paid tribute to Bondar’s idea of a modern industrial symphony, employing the powerful and unique characteristics of analog machines while also being harmoniously linked to the pleasant, danceable, and hypnotic atmosphere of industrial rhythms: themes that are explored further on this new album. 

Across nine distinct and engrossing tracks on Bonding, Bondar blends and plays with genre, from industrial, techno, electro, avant-garde pop, dark wave and more. Danceable and melodic, often moody and sinister, sometimes euphorically melancholic, she puts a unique stamp on every track she produces, giving the album a traceable through-line despite its myriad and often disparate influences and tones.  

Album opener Ruby Red sets the tone in dynamic fashion: a pummelling techno thumper that gives way to two further full on industrial techno bangers in Pleasure & Pain and Flamboyant – visceral, no-holds-barred cuts that see Bondar fully cut lose with her driving, highly energetic modular programming.  

From there the album drifts into perhaps its most self-reflective moment, with the intro to La neige et ses messes noires. This arresting track was made as a love-letter to French electro in collaboration with Maman Küsters, a French duo formed by Gaël Loison and Cyril Pansal, with Pansal penning the lyrics to Bondar’s music and Loison producing. This love of dark French electro is further explored on Obey: a haunting, mid-tempo slice of crushing electronica that simply demands your attention. 

The title track offers a brief respite from the intensity of the previous tracks, offering a space to move your body in a tribal, hypnotic dance. Antisocial is about embrace your true self, explored by a broken beat pattern and sidewinding synth lines that ebbd and flows between crushed drums and ethereal pads, and the broken beat structure is continued on the closing track In Flame: a gorgeous, expansive redemption offering the listener space to reflect. 

An arresting, beguiling listen from start to finish, Bonding is a call for emotional transformation, with Bondar evoking different states and feelings: starting from superficial but reaching to the deepest corner of your mind. This album is designed as a conversation between Bondar and her audience through the music and track names, a call for reflection and conscious approach to listening.

PREMIERE : Julia Bondar feat. Maman Kusters - La Neige Et Ses Messes Noires

Electronic Rhythm Number Twelve

Продовження серії міксів у якій @denyayurchak проводить слухача поміж заворожуючих саундскейпів та гуркоту щільного танцювального ритму.
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Continuation of the series of mixes in which @denyayurchak leads the listener between mesmerizing soundscapes and the roar of a dense dance rhythm.
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GASOLINE SERIES: ŸDV #05 13/10/2022

Borysevich - 13

All tracks written, recorded and produced by SYNTH ALIEN
Mastered by Alden Tyrell
Artwork by Plástica

© 2016 Last Known Trajectory

TRAJECTORY 1015

A2 Night that Lights the Day

READ > inverted-audio.com/premiere-ikpathua-oboo-machine-woman-art-rework

'Machine Woman Art Rework' is the ambient version of Oboo in juxtaposition with the rhythmic glitches of the 'Machine Woman Remix'. A vaporous melody wraps the track with a pearly-dreamy feeling, lacquered with binding stripped down bass synths and Anastasia's voice murmuring Russian spells.

Oboo EP

Ikpathua – Oboo (Machine Woman Art Rework) [Noorden]

Ether

Album: Storato ( DE034)
Artist: Altone 
Format: digital release 
Available: Bandcamp
Release: november 8th 2018
Label: Deep Electronics

Buy on Bandcamp

Snow Clouds

Pirosmoney - Meoradi

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

Industrial Raze

DADAMNPHREAKNOIZPHUNK

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