Pittsburgh's all-night homo rager – usually first Saturdays @ Hot Mass https://www.facebook.com/honchopgh

Tracklist:
Nick Nikolov “Come Down”
Aden “Whip (Jimmy Edgar Remix)”
Adonis “No Way Back (Greg Wilson Re-Edit)”
Hercules & Love Affair “My House (Derrick Carter's BHQ Voodoo Remix)”
Adeva “In And Out Of My Life (Citizen Remix)”
Donna Summer “Our Love (Peter Zohdy & JTs Chicago Rework) “
MATRiXXMAN “Protocol”
Sharif Laffrey “Turn It Up”
Cabaret Nocturne “Astro Tango (The Deadstock 33s Remix)”
Mad Mike feat. Davina “Don't You Want It (Extended Mix)”

d'Adhemar | Honcho | April 5, 2014 | Part 2

PASKAL

JAKES ROOM

PLENTY OF TIME

PLENTY OF TIME (Garage Mix)

PLENTY OF TIME (to have another line)

A long overdue mix from the recent R$N Recs cohort and all-around excellent person, Bleaching Agent.

Full interview here: https://www.theransomnote.com/music/mixes/bleaching-agent-the-altered-currents-mix/

@bleaching-agent

READ INTERVIEW

Bleaching Agent: The 'Altered Currents' Mix

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Back at the Lot! 

https://www.instagram.com/roman_fluegel 

x

Roman Flügel @ The Lot Radio 08-15-2025

Broom & Board 7.27.25

US artist Danny Daze, out of Miami, has long been affiliated with the more electronic side of dance music. From the early days in the electro scene and more abstract forms of techno, the Omnidisc boss has covered a lot of musical ground since then. Helping to reimagine the underground landscape, Danny was pivotal in the early 2010s club sound with releases on Hot Creations, Ellum Audio, and Kompakt. He soon turned his attention back to the obscure side of the dancefloor and IDM. As much a music lover and dancer as he is an artist, he knows exactly what works on the dancefloor and his recent album “::BLUE::” on his own Omnidisc imprint exemplifies this ethos. [continue reading at...https://trommelmusic.com/music/trommel-226-danny-daze/]

Trommel.226 - Danny Daze

This week's mix is by @bian_ca, a DJ based in Rio De Janeiro, a dedicated vinyl collector and resident at Nervosa, one of Rio’s key underground parties! His sets weave the sweat spot between techno and house, and he keeps it timeless and unexpected. 

The 100-minute mix is a journey where the tension stays exactly where it's supposed to be, shifting in genres and moods, and guides you to a grand finale, leaving you mesmerized. 

Track highlight:
‘’This selection is very special to me, as many of these tracks have been with me for a long time. It includes music from close friends I greatly admire, like Muta’s Poem by Capetini and Black Jesus by Vaskular (feat. Valesuchi). However, the track I’d like to highlight is In Sara, Mencken, Christ and Beethoven There Were Men and Women by Robert Ashley. I still remember hearing it for the first time, and it’s hard to believe it was produced in the ’70s. This was the first time I’ve had the chance to play it in a set, and I fall in love with it all over again every time.’’

Thanks Caio<3

d'Adhemar | Honcho | April 5, 2014 | Part 2

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