how come i've never loved this track everytime I listen to the album and now it's fucking amazing

Betwelve

Close range recording of Dubia Roaches with the DPA 4060 CORE Normal-Sensitivity Omni Lavalier Microphone x 2. Captured with the Sound Devices MixPre-10 II 24-bit/48khz.

Field Recording of Dubia Roaches

w. Glitch With Friends Volume III samples...

Glitch With Friends Volume III will be releasing on Friday, July 22, absolutely free.

https://www.glitch.cool/projects/glitch-with-friends-samples-vol-3

This is our biggest pack to date, with over 7GB of samples geared towards experimental electronic music, neurofunk, bass music, idm, breakcore, electroacoustic, film post production, game audio, and much more.

Do NOT miss this!!!!!!!

Sound contributors include:
@Abroxis
@glorky
@hlessimusic
@i_heavyhearted
@jimkimchi
@man-from-sol
@meiisounds
@NuanSonar
@oddlogic
@soup_lab
@sunnk
@Vaeprism

towaitforher

Cyd debuts his two-tracker here on Clean Error Records. Diary is a perplexing track thats mentally distorting, introducing a subconscious ambient stream that wiggles its way through a sea of nostalgia. It creates a beautiful start and taste of what is to come from Cyd.

enabl.ed delivers a tasteful remix utilizing his unique take on the melody, amplifying clicks and glitches with a punchy drum rhythm along with Sk'p, who takes Diary on a faster route with glorious IDM-ish drums and pleasant melodies.

ERR045: Cyd - Dairy [ep] PREVIEW

Spit from a python

Buy on Bandcamp

FAKTOR4 - The Insane Wedding Mix / breakcore

New album released.

「森と海」
Bandcamp page
https://satoshisugiyama.bandcamp.com/album/--3

----- caution ------
 I'm in the process of making the CD. I will send it to you by surface mail  as soon as it’s ready.


以下、アルバムについて。


「森と海がまじわるところ」

鬱蒼とした森の記憶を辿るように、レコーダーを手にし土と枯れ葉の小道を登る。
まず、その小高い森の中心と思われる場所で一度目の録音。
そして同じ場所でレコーダーのマイクを空に向け二度目の録音。
遠くに僅かに波音が聴こえた。

その音に誘われて、数日後、友人たちと森を抜け海に降り立つ。
岩場の潮溜りにハイドロフォンを落とす。
マイクを通して海中の音を聴くのはそれが初めてで、海の中から外の世界を見ているような気持ちになった。
小さな生き物たちの気配、波音と森のざわめきと
すべてがまじわるところに僕はいた。


※この録音を聴き返すうちに、10年前に三木葉苗が書いた「美の基準についての覚え書き」を思い出し読み返す。合わせて読んでももらえるといいなと思いこれを付属することにしました。

録音と編集　杉山聡
絵　三木咲良
言葉　三木葉苗

森と海 -Excerpts-

“Through the marrow of our existence flows the bitter ichor of your indifference. Our arteries throb with the venom of betrayal, every heartbeat sounding out the rhythm of ultimate abandonment. Still, we do not transgress against one another in a fit of self-loathing or derision for our fellow creatures. No, it is the terrible mirror you've held up to our faces that fuels our spiteful flame. Every violent act, every quiet indignity inflicted upon each other, is but a scornful reflection of the apathetic deity we were illogically moulded in the image of.

A dismal palette of drab despair paints the canvas of our lives, topped with the morose crowns of impending nihilism casting long and haunting shadows. Yet the atrocities we carve into the edifice of our shared existence aren’t born of self-hatred or subconscious manoeuvring. Our malevolence is a deliberate poetic stroke, a jarring disharmony in the grand symphony of life that you authored, our feeble attempts to disturb your slumber. Through our violence, we scornfully reveal the grotesque parody of your designs, seeking to violate the tranquil complacency of you, as you so callously did ours.

Look upon us, Coward! How your grand experiment has peaked and plummeted, your children of destiny turned into pawns of despair. Our veins, once brimming with the elixir of your love, now circulate a poison of your neglect. Each heartbeat no longer sings songs of unity, but echoing a dirge of abandonment. See how we tear into each other's flesh, not borne out of animosity towards our brothers, but in an act of rebellion against you. You, the divine artisan who crafted us in your own holy visage, who bestowed upon us the curse of consciousness only to abandon us in our hour of need. We reflect the image not of your divine grace but the severed ties of a heartbroken deity. We are not the embodiment of hatred for ourselves, but the living manifestation of your rejection. We are, indeed, nothing but effigies of your regret."

 Is this not the peak of tragic comedy: the creation surpassing the creator in the art of destruction?

Betwelve

daed

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