really nice, in a way this is your Penny Lane

Cool Track…. 🌍☮︎👍🐞🍀2024

Macca's back in da house and hes always the most welcome of guests. That chorus is so frigging beautiful. The vocals full of melancholic emotion. One day we shall have to get our tascams working together with us in tow. Who knows, they could be related. Fantastic matey.

You music always has a great mood to it.  what a great listen for me --love it !!!

You've shared something that feels very personal but it makes me so welcome as if I'm almost a resident too. Impeccably beautiful and charged with emotion. Thanks for sharing Dag

simple, straight forward and very, very beautiful!

A moving chord progression …….. a beautifully crafted song with affecting lyrics ……

Long time ago in the Scottish Highlands. A tribe that lives in a rough and harsh surrounding, strengthened over generations by the unfriendly environment. The borders of the tribes territory are not exactly known. In particular, in the North, the saying goes that vast areas of unoccupied lands will belong to those that first dare to claim it. So a small troup of currageous military men sets foot to the Northern Frontier ...

Composition-wise: The piece explores the change of atmosphere when the same motive is played with different accompaniments. The same theme can be found for instance @ 0:00 ff,  0:23 ff and 1:05 ff. The accompaniment increases in intensity and rhythm for these three instances, ranging from a meditative intro over a – to my ears – tribal dance or chant towards a first  climax of the piece which might make a good soundtrack for a battle in the Scottish Highlands. The track then settles down to the second theme @ 1:33 which again is repeated with much more agitated accompaniment @ 1:55 ff. 

While the track is in general in 4/4, it raises the tension by sometimes breaking the metrum into more unconventional rhythmic structures. This holds in particular for @ 0:46 ff where the metrum changes to a succession of ¾, 4/4, ¾, 6/4, 6/4, 4/4, ¾, 4/4, ¾, ¾, ¾ and then reverts to the original 4/4. Also @ 2:09  there is in insert of a ¾ bar and at the very end @ 2:30, there is a 2/4 break just before the final chord. 

I did some Youtube Shorts in Case with more details on some composition tweaks that I used in this track:
Varying the Accompaniment: https://youtube.com/shorts/7HAWSz2Mg14?feature=share
Breaking the metric structure: https://youtube.com/shorts/tUvaq8D6nUo?feature=share
Ligature Bows: https://youtube.com/shorts/-WBf6Du040g?feature=share
Keeping the attention until the end: https://youtube.com/shorts/qnJl5BQ4yxU?feature=share


The track has been recorded on a Roland FP-90 and mastered in Cubase by adding  reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion. 

The track can also be found at 
Youtube (including the scores): https://youtu.be/FIQZc7JakvQ
Spotify: spotify:album:5YG7dpoBElKImcbmX7eWTU

The Northern Frontier

The Northern Frontier (Solo Piano)

Man-below

Cast of characters:
The Mysterious Decibel -- @themysteriousdecibel – MD – First vocals and lyrics 
Tea R. Sea @tea_are_sea  -- Terry – Synthesizers, beats, composition, production, and mix
Llanpsych– @llanpsych  –Tez–Electric guitar
TexMex Shaman– @texmex-shaman  –Stephen– Electric guitar, mix, and production 
K2 and the Three [and the Four]-- @k2andthe3,  @k2-kara –Ken–drums, lyrics, and vocals at the end
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass

This song began with Terry sharing an intriguing Eastern sounding synth and minimal beat with Ken, who added a really solid beat to bring out the strong rhythm of the song. Once they had a solid foundation and skeleton, they shared it with the rest of the Eclectic Collective. Josh added his four string fretless bass in a dubby line that was inspired by Tez's hot skank part.  Stephen came up with the floating ambient guitar throughout and the shocking dynamic lift towards the end, and Tez piled on to light it up. Then MD got a hold of it and wrote and sang some of his trademark, fun lyrics and vocals in the first part of the song. Ken, not to be left out of the melodic experience, added the vocals at the end. 
  After we all had everything in the can, the Texas Tea combo of Stephen and Terry produced and mixed the whole thing down. This wasn't their first rodeo mixing a project together, and it really shows in the end quality. They also have several duo projects up on both of their pages that are worth checking out.  
  We think the end result is reminiscent of Massive Attack and Thievery Corporation, two big influences on a few of us. We all hope you enjoy listening to this song as much as we enjoyed creating it.

Lyrics by MD:
Time again and on, and on, and on, we fall in slumber
Dreams never wait
Ashes to ashes we all fall down 
Ooooo Circles break
Ashes to ashes we all fall down
When we wake
When we wake
Is this a new Simulation?
When I wake
When I wake

Lyrics by Ken:
Feed the fire or the fire flames out

Coherent Fire  - (Eclectic Collective) w/ Tea R. Sea

an unexpected leap to Sapporo, at 140 bpm

more images here:
 https://www.instagram.com/p/CpU80y7r-gG/?img_index=3

and a video here:
https://www.instagram.com/p/C3Altd5NlzN/
https://www.tiktok.com/@rollocarpenter/video/7332497680737799457
https://youtu.be/2sEpdzhEB4o

Sapporo

This is a song for my Mary, but it is applicable to all Mary's. 

This is my first attempt at recording new material since last summer, I've been writing and playing a lot, but I just haven't had the time lately to get my ideas on tape. So it's nice to get this one out, and hopefully, it'll not be as long a wait for my next. 

Thanks for all the listens and support, it's greatly appreciated as always. cheers!

lyrics

don't let the world dictate to you
be your own girl
in a world that's you

don't always swim against the tide
time won't always be on your side
so don't go wasting all your time 

don't let the world
loose from your grasp
come up for air
whenever you get the chance 

don't always swim against the tide
time won't always be on your side
so don't go wasting all your 
wasting all your
wasting all your
wasting all your
wasting all your
wasting all your time

you always think there's somebody 
better off than you
don't listen to the boys 
they all screaming that it's true

you always think there's somebody 
better off than you
but there's nobody out there
can do you as good as you

so don't let the world
edit out your past
look back with pride 
and don't
catapult so fast

don't always swim against the tide
time won't always be on your side
so don't go wasting all your
wasting all your
wasting all your 
wasting all your 
wasting all your time

Time, For Mary

Lyrics:

On the floor
Patiently waiting
For something more
I wrecked my soul into you

I fall in love to fast
Save me from aching
My god, the lights
Turn off, I seek in the dark

Softly glow
Naked and Shameful
The world below
Turns into deep indigo

I feel to much
Won't you
Please let me be
Just a light you touch
Burning too close to the sun

On The Floor

Après avoir découvert cette voix atypique sur ce site, DelhyA ( @user-945711181 ) a accepté de partager cette aventure musicale avec enthousiasme et gentillesse. Le concept que je vous propose d'écouter ici, vous permettra d'entrevoir toutes ses particularités vocales et de parolière. N'hésitez pas à parcourir sa page musicale, où vous découvrirez son talent éclectique. Une prévision de moments d'écoute agréable.

Échos d'Automne

"Si l’automne vient surprendre les amants que juillet a laissés « naufragés »
C est le temps des regrets, le temps dépassé: celui de tout donner, il faut abandonner.
(All summer can bring may just leave in autumn with a breeze)
Le temps d’une larme,le temps d’un regard, il est déjà trop tard…
Le temps des silences, de l’indifférence, puis de l’évidence que le Doré vire au Noir…
C’est le mois des “mais”, le mois des “mais “, plus de mois de mai…du mois d’aimer!
Le temps de l’automne, le temps où tout détonne, le temps désormais se conjugue au passé
Le temps des tourmentes, le temps de ne plus prétendre,
Le temps le temps qui court et qui s arrête et puis…
Le temps,qui s en va, qui s en va, qui s en va, tout se fane!
Le temps de s’entendre, le temps de se comprendre, le temps d’apprendre, le temps dépassé, le temps des regrets, de tout donner!" ....

*******************************************************************************************************
Echoes of Autumn ....

After discovering this atypical voice on this site, DelhyA ( @user-945711181 ) agreed to share this musical adventure with enthusiasm and kindness. The concept I'm offering you to listen to here will give you a glimpse of all her vocal and lyricist particularities. Don't hesitate to browse through her music page, where you'll discover her eclectic talent. A forecast of pleasant listening moments.

"If autumn comes to surprise lovers that July left "shipwrecked"
It is the time of regrets, the time exceeded: that of giving everything, we must give up.
(All summer can bring may just leave in autumn with a breeze)
The time of a tear, the time of a look, it's already too late
The time of silences, indifference, then evidence that gold turns dark
It is the month of "buts", the month of "buts", no more months of May... the month of love!
The time of autumn, the time when everything stands out, time is now combined with the past
The time of torments, the time to no longer pretend,
Time the time that runs and stops and then
Time, who goes, who goes, who goes, everything fades!
The time to wait, the time to understand each other, the time to learn, the time exceeded, the time of regrets, to give everything!" ....

Échos d'Automne .... With DelhyA

Living Here Is Good

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Just You And Me

Just You and me

Lyrics by Tony Harris that inspired Mike listed below.
Vocals, Music and Mix by Mike Fox UK 

IT WAS A SAD DAY TODAY
IN OUR SMALL TOWN
THE RADIO STATION
IT CLOSED DOWN

FOUNDED IN NINETEEN FIFTY
AND A LOCAL LANDMARK
PLAYED ALL KINDS OF MUSIC
WAS SPECIAL TO OUR HEART

(CHORUS)
THE MUSIC DIED TODAY
IN OUR HOME TOWN
THEY FLIPPED THE SWITCH
AND IT FADED AWAY
YOU CAN BLAME IT ON THIS
YOU CAN BLAME IT ON THAT
WHAT MORE CAN YOU SAY
THE MUSIC DIED TODAY

THE DEJAY'S WERE THE BEST
ALWAYS TAKING REQUEST
THE SONGS WERE ALWAYS PLAYIN'
AND VERY SATISFYIN'

TEARS FLOWED FREELY THAT DAY
AS AMERICAN PIE WAS PLAYED
AFTER SIXTY SEVEN YEARS
WHY WAS THAT CALL MADE

(REPEAT CHORUS)

THE RED BRICK BUILDIN'
NO LONGER STANDS
THE RECORDS WERE SOLD
THEY WASHED THEIR HANDS

(REPEAT CHORUS 2 times)

2017 © Lyrics by Tony Harris (revised 2024 BMI)

The Music Died Today - Collaboration by Tony and Mike Fox - Original with Lyrics

A piano cover I did of my favorite song! I hope you enjoy it <3

Living Here Is Good

Dag Olav Hermundstad

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