1. Tele-relámpago
2. Apego 
3. Fallas 
4. Fatal a diario 
5. Al río 
6. El sol debe darme siempre a mí 
7. Capitán de las sardinas 
8. Cartones 
9. Rara (Strange) 
10. Trueno 

He borra el proyecto así que me tengo que quedar con el final de la demo :_(

737 (demo)

Polymath James Leyland Kirby must surely have one of the most confounding CV’s in the business: he spent years taking the piss out of the music industry with anthems rallying against the (VV)MCPS, he notoriously fell out with various well known record labels for reasons you’ll just have to google, goaded Aphex Twin with a series of ‘tributes’ and channelled his love of everything from Falco (Rock Me Amadeus), Chris De Burgh, Frankie Goes to Hollywood and Stockport karaoke nights into a stream of increasingly bizzare 7”s back in the early noughties.
But at the same time he was responsible for releasing some of the very earliest material from Boards of Canada (Hell Interface: 1997), made a ruck of frankly groundbreaking industrial electronic records, brought New Beat to the world’s attention and, in 1999, made his first album as The Caretaker, a project that would go on to release some of the most loved Ambient/ Lynchian albums of recent times. SInce then he’s also produced an incredible suite of releases under his own name, scored various film projects and released three EP’s under the ‘Intrigue & Stuff’ banner which are, for our money, so ahead of their time they might just start sinking in properly by the end of the decade.
All of which brings us to ‘Watching Dead Empires in Decay’, a new album recorded under another of Kirby’s pseudonyms ‘The Stranger’ and released on Modern Love, a label that has been close to Kirby through these last eventful 15 years. It’s a dream album for the label: perhaps the most ambitious of Kirby’s career so far. It’s complex, singular, enigmatic, percussive, dark, and you just can’t work out how it was constructed. Gone are the sampled 78’s of The Caretaker, but it also doesnt exactly sound electronic - you just can’t quite fathom how any of it was put together: Field Recordings? Found Sounds? Sheets of metal scraped and hammered? Drum machines re-wired? It’s stark and unsettling, haunted, even troubling - but often just beautiful.
It starts with the sharp clang of opener ‘We Are Enemies But Not Here’ before the woozy percussive crawl ‘So Pale It Shone In The Night’ sucks you into a bare landscape: somewhere between Eraserhead and Fumio Hayasaka’s music for Akira Kurosawa. And then there are moments that break through the tension with clarity and familiarity, nostalgia even: ‘Where Are Our Monsters Now, Where Are Our Friends?’ could have been made by Boards of Canada if they had taken a turn into more noxious terrain back in 1998, while ‘Spiral Of Decline’ offsets the drum programming you’d most likely associate with a Powell record with an oblique sense of timing and space. It all ends with ‘About To Enter A Strange New Period’, an unusual, vaporous coda that offers no resolution - it just shuts proceedings down with nothing settled.

Where Are Our Monsters Now, Where Are Our Friends

Buy @ Cascine: http://bit.ly/yz-ep-vinyl

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Yumi Zouma & Cascine unveil a deluxe 12" that bundles both of the band's celebrated EPs together on one record, along with a previously unreleased outtake and their popular cover of Air France's "It Feels Good To Be Around You". Side A of the record features EP I, the outtake and AF cover. Side B features EP II. Original pressings of both EPs are sold out.

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Yumi Zouma @ FB: on.fb.me/1kVlRpg 
Cascine @ FB: on.fb.me/1eR1MsE

Buy the EP

Yumi Zouma - The Brae

Children Of The Tomb

Guest Mix: The Garment District - Waiting for the Gift of Sound and Vision

L∞b∞

"Navy" physical 12" available now for pre-order
http://blueridermusic.tumblr.com/

And digitally on iTunes 
http://itunes.apple.com/album/navy-single/id559739955

Navy (prod. The Internet)

El primer disco que hice como Gran aparato eléctrico, en 2010. 

Todas las canciones compuestas*, interpretadas y grabadas en 4 pistas analógico por Cristina Plaza.
*(a excepción de "Rara", que es una versión libre de "Strange" de Galaxie 500) 

En "Fatal a diario" canta conmigo Javier Sánchez (AMA, La buena vida).

La portada es obra de Labores Modernas.



"Rayos, truenos y relámpagos" (G.A.E.)

recorded winter 2011 in Echo Park  (performer running with recorder: Mark So)

Fast Chariot and Wounded Footsoldier

Moon Wiring Club's post-rave/ambient techno mix for ThisIsNightvision.com. 

Download here: http://www.sendspace.com/file/w45czs

Moon Wiring Club interview with Nightvision here: http://thisisnightvision.com/post/40620557444/conversations-moon-wiring-club

Moon Wiring Club's intricate mix description here: http://thisisnightvision.com/post/40620219420/mixbehavior-moon-wiring-clubs-midnight-in

01. Eo. A.D. 2600
02. Beaumont Hannant. SYm-phon5
03. Reload. Le Soleil Et La Mer (Black Dog Productions Remix)
04. Ecstasy of Saint Theresa. Sooper Kosmos
05. Celia Green. Lucidity
06. Panasonic. Urania
07. LFO. Goodnight Vienna
08. Robert Leiner. Autopia
09. Claude Young. Multiplicity of Zeros and Ones
10. Jeff Mills. Man From Tomorrow
11. LFO. Tied Up Electro
12. FSOL. Everyone in the World is Doing Something Without Me
13. Microglobe. Trust
14. Slowdive. In Mind Bandulu Remix (Out Mind)
15. Soft Ballet. Ride (Global Communication Dub Mix)
16. FSOL. Antique Toy
17. Woob. Amoeba
18. Luke Slater's 7th Plane. Shades Amaze
19. Biosphere. Novelty Waves (Arctic Mix)
20. Speedy J. The Fun Equations
21. Octagon Man. Klunk
22. Beautyon. Rustless
23. Autocreation. Snatch
24. Baby Ford. Dead Eye
25. Anthony Manning. Concision
26. Saint Etienne. Like a Motorway (Skin up, you're already Dead by Autechre)
27. Bradley Strider. Bradley's Robot
28. Mira Calix. Khala (assisted by Gescom)
29. David Holmes. Johnny Favourite (exploding plastic ambience mix)
30. Bola. Vespers
31. Bandulu. Phaze In (Remix)

Moon Wiring Club - 'Midnight in Europe' Nightvision Mix

MIA - MATANGI Mix for Kenzo

Desde 2006 grabo mis melodías en cintas de casete y en un 4-pistas analógico.
Utilizo, básicamente; caja de ritmos, diferentes teclados, omnichord, glockenspiel, piano, y pedales variados.
Antes me llamaba Gran aparato eléctrico y saqué dos discos: "Rayos, truenos y relámpagos" (2010) y "Espejo, espejito" (2012).

"Rayos, truenos y relámpagos" (G.A.E.)

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