Diffuse Reality Records

Artist: Dagshenma
Title: Chile
Format: CD, Data
Catalogue: TE0028
Artwork: Schenini

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https://audilesnow.bandcamp.com/album/sk-adnia

Bezwonny utwór o wymiarach 41x29 m

An excerpt from my live performance at SpazioX a self-organized space inside the Django social center in Treviso.

Music and visuals performed by Francesco Corvi using generative and live coding systems.

You can follow the space at t.me/xspazioxspaziox

Dataquake Live At SpazioX 23/09/2022

The sun shone brightly on the garden, casting its warm embrace on the verdant foliage, where the flowers swayed in a rhythmic dance. The wind whispered gently, as if it were singing an undulating melody, guiding the observer towards a peculiar sense of familiarity, an odd déjà vu, as it delicately cradled the leaves in its intangible arms. Amidst this idyllic scene, one couldn't help but notice the curious coalescence of shadows, converging into a harmoniously illogical pattern, wrapping themselves around the trees' trunks in an uncanny embrace.

The air was permeated by a peculiar fragrance, a scent that seemed at once sweet and daunting, a curious blend of petrichor and ephemeral dissonance. As the observer walked further into the garden, the overgrown path began to twist and contort, beckoning the traveler to venture deeper into an enigmatic labyrinth of verdure. The rustling leaves seemed to chant a cryptic incantation, spiraling into an ever-growing symphony of incohesive harmonics.

A strange sensation enveloped the observer, the boundaries between reality and imagination blurring in a disconcerting amalgamation. The vibrant colors of the blossoms began to bleed into one another, creating a swirling array of chromatic aberrations. The beauty of the garden seemed to transcend the confines of reason, morphing into a living, breathing canvas of distorted wonder.

The observer found themselves entranced by the garden's ethereal nature, each step revealing a myriad of inexplicable details. Suddenly, the ground beneath their feet began to undulate, like a restless ocean of verdant waves, urging them to cast away their preconceived notions and surrender to the enigmatic embrace of the surreal landscape.

As the observer succumbed to the hypnotic pull of the garden, words and phrases took on new, unanticipated meanings, their familiar cadences reshaped into bewildering constructs of sound and syntax. The flowers whispered in cryptic riddles, their petals unfurling to reveal unsettling truths hidden within their intricate folds. The unspoken promise of the garden, once so alluring and inviting, now swirled into an enigmatic whirlpool of uncertainty, its pull irresistible, its depths unfathomable. With each breath, the observer became further entwined in the garden's enigmatic embrace, the line between reality and illusion slipping away, like grains of sand through the fingers of time.

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Music by https://soundcloud.com/martin-rutley, https://soundcloud.com/arco5, https://soundcloud.com/veelargo, https://soundcloud.com/und-sidedly, https://soundcloud.com/firnwald, https://soundcloud.com/collagist, https://soundcloud.com/d-fried, https://soundcloud.com/mar-ric, https://soundcloud.com/nikitexa, https://soundcloud.com/user-137870698, https://soundcloud.com/samplequence, https://soundcloud.com/flipforgarth, https://soundcloud.com/atom_ant-1, https://soundcloud.com/ksoptionica, https://soundcloud.com/mutellat, https://soundcloud.com/sedatic, https://soundcloud.com/kilmarth, https://soundcloud.com/nearfield-1, https://soundcloud.com/sobrio

Sixteenth Listen

[PCLVA 016] Various Artists - Sixteenth Listen (2023) teaser

The intricate sonic activity behind 'Live at default' testifies to Francesco Corvi's recent post-acousmatic practice. Intense multi-layered textures and rich synthetic soundscapes are fused with micro-sounds. Highly detailed digital noise is made warm and enchanting by the live performance and ambience recordings, and reaches its best character on magnetic tape.

"In my practice software is not conceived as an instrument, neither as a virtual agent, but rather as a dynamic network of interconnected components that exhibit emergent properties by monitoring their own behavior, adapt to changes and alter their own structure. Immersed in this ecosystem of sonic processes, I shape the unfolding of the performance by modifying the software on stage and responding to its behavior. This peculiar form of improvisation possesses a unique performative idiom that cannot be reduced to bodily gestures or human intentions, as the sonic activity itself becomes the medium for conveying the liveness of the performance. This release focuses on how such a feeling of liveness might be translated into a record, placing particular attention on the capturing of the acoustic space of the concert hall and the additional layer of meaning it creates."

Francesco Corvi (aka nesso) is a performer, composer, and multimedia artist. He works with custom digital technologies including live coding environments, adaptive systems, and spatial audio engines,
creating shows at the intersection of computer music, new media art, and deconstructed club. He released music on Superpang, Kaer'Uiks, Genot Centre, HEEL.ZONE, Mossa records, Riforma.

released December 15, 2023

Music composed and performed by Francesco Corvi, live recorded 16.03.2023 at default #3 in Den Haag
Mastered by Francesco Corvi
Artwork by Ran
Cover silkprinted at Papier Gâchette, Strasbourg

Live at default

Live at default (excerpt)

As you well know, electronic music is so amazing because it is capable of merging with any musical style. Apart from this, you are not subject to particular instruments, so it is not very complicated to evolve and open new paths. Among all the musical fusions and derivations that we have been able to hear in all these years there has always been one (I don't know if I should call it a genre) for which I have had a special weakness, Braindance. Anyone who is influenced by more acidic sounds, syncopated bass, funk drums and nostalgic pads will be deliciously grateful for this new album from FLUCTUOSA _ VODOR L ZECK. In my opinion they are masters in this style. While Fluctuosa honors a very original and refined composition that becomes addictive, Vodor makes use of the iconic 808/606/303 combo to develop delicious funky (sometimes Jazzy) tracks that transport us to the golden era of electronic music

Here we have 80 amazing minutes that we hope you all enjoy.
Remember that when everything turns gray and boring, Braindance has always saved the day.

Fluctuosa - Dotty Fawn

terrace

"Time debris" was performed by Francesco Corvi on the 9th of February 2022 as part of his master research project at Den Haag’s Institute of Sonology. The work is loosely inspired by "The Order of Time," the influential text written by physicist and philosopher Carlo Rovelli.

Time Debris (excerpt)

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new release,
please check→ https://dagshenma.bandcamp.com/album/

contact: dagshenma(at)gmail.com

https://paypal.me/dagshenma?country.x=JP&locale.x=ja_JP

https://linktr.ee/dagshenma

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