د يعني تسيحي في دمك في مستشفي عام

Ready For Nothing

Postdrone - Qaha

Retiring to pursue a new project, Al-Mutreb (The Singer, aka The Human Oyster, aka Ja7eem Hafezz) leaves us with the very best and last of what has jeopardized his health, sanity and a number of friendships.

An almost ten-year long journey traces some tracks like Ladyyyyy 2020 (produced by Amjad Shahrour [2017-2020] and appearing on HIZZ’s ‘Kombile 002’) morphing from a dreampop song to an apprehensive doom and gloom track overlaid with the sound of a hospital ventilator. Another track that fell under Al-Mutreb’s incessant urge to butcher is nar el ghera (fire of jealousy, produced by 1800s Internet [2020-2021] and appearing on a fundraiser comp for Gaza on Avon Terror Corps). Starting out with a song about a love ruined by jealousy, to then be devoured by Abul-Loul and 1800s Internet and spat out, mutilated beyond recognition, nar el ghera is inspired by an almost palpable hatred and a desire to self-destruct if it means taking down the enemy.

Al-Mutreb’s voice shapeshifts throughout the album; from self-indulgent romance (Sorry Habibti, produced by 1800s Internet, and appearing first on Bokeh Versions’ NTS show [April/2021]), to intimidation (nar el ghera), to provocation (Al-Mutreb [The Singer], the result of a chance encounter with Amaury [Ulan Bator,Faust] in Napoli, recorded Live at the Hermann Nitsch Museo [Sep/2021]) all the way to a slurred recitement (Uhrob Min El Hob, produced by jinjin [2022]) from two spotty livers in a cloud of tobacco smoke.

Following a long tradition of plagiarists, from Abdel Wahab and Fairouz to Serge Gainsbourg and Nick Cave, Al-Mutreb, borrowing the Mutreb status from the formers and the devil-may-care attitude from the latters, steals proudly, changing the language, context, music and -in most of them- the words to the point where if you were not reading it here you wouldn’t know.

Al Mutreb also repurposes some of his personal field recordings throughout the album; one of which in particular is the little girl we hear in the prelude, which, upon the Mutreb’s request back in 2012, sings about fear in a captivating performance following the humdrum attempts of her colleagues and mentors to do so.

The project of Al-Mutreb Abul-Loul (Abul-Loul, a nickname that translates to The Father/The King of Pearls) culminates in a bodily manifestation of a very real and very rare pearl; a case with hardly any medical literature; the development of a scrotal pearl, removed under general anesthesia, adding to the series of the many unfortunate and absurd occurrings that describe Abul-Loul’s life, and calling for the abortion of this project to make room for a new undertaking. 

Mastered by jinjin
Lyric reinterpretations by Shereen Amarin and Laith Demashqieh

The Very Best and Last of Al-Mutreb (2012 - 2022) Retirement LP

Al-Mutreb Abul-Loul - MARAD Prelude ft. 1800s Internet

Sakin Qass

By melting about 500 cuts from TV and radio archives, found footage, commercials, forgotten songs, movies, pop trends, internet culture, and other sources of sound that whisper or shout in listeners’ ears, “Melting” engages with the romanticized consumerist vision of the past as portrayed by big corporations, capitalist entities, and authoritarian regimes.

Melting was submitted as part of Rami Abadir's master’s thesis in “Digital Media” at the University of Arts Bremen. For more info check the website designed by Iulia Radu: abadir-melting.netlify.app/

ABADIR (Rami Abadir) is a music producer, sound designer, DJ and music critic born in Cairo, Egypt and based in Berlin, Germany.

Produced by Rami Abadir
Mastered by Rashad Becker
Artwork by Don Elektro

Special thanks to Amira Elmasry

Drowned By Locals 2023
DBL17CT

MELTING

ABADIR - sideA

In 2022 during the great plaque, work began compiling ‘Weld’ a 17 track chef-d'œuvre featuring 16 brand new MC and collaborators, a worldwide vocalist arsenal celebrating Kinlaw’s scope as a producer and a bedrock for multilingual messaging.

“Global noise-rap punktronics from a global guest cast of MCs and vocalists from Bristol to Togo, Uganda to Palestine - steeped in the mystery and folklore of a small town in Dorset, England. Weld is the defining statement of the Kinlaw universe“

Weld was assembled with 30 dubs, chats at the pub and a few emails. Some artist like Operation Egodeath, Robin Stewart (of Giant Swan infame), Dali de Saint Paul, Kelan, D Ham are confirmed members of the shadowy Avon Terror Corps shadowy, Ceramics alumni or Bristol underground friends like Birthmark or Danny Nedelko (of Heavy Lungs / IDLES infamy). At its core Weld is a celebration of this strong local scene - in Kinlaw’s world, local is global - through internet or psychic projection, we are all one. The link-up with Jordan’s premiere avant garde outlet Drowned By Locals is an important expression of this no-borders attitude - with them providing a jumping point to a wealth of vocal talent from the Middle East and beyond. 

Opening with Abdel Ja7eem Hafeth wrenching cover of Johnny Thunders -Society Makes me sad, sung in arabic. After the dust settles, things begin as they intend to go on with the belter Zazuka featuring Ugandan MC, Activist and Nyege Nyege hero Ecko Bazz. Effected Signaller features Togolese No Corner / Rwdfwd vocalist Yao Bobby. In the second part of WELD, Tunisian Toxic Club soldiers Flow Tha Key and Dryveins bring their respective mellow and doom performances in Kinchasa and Too Many Signals; followed later by Palestinian MC MrF13’s Strategically Demorphed, staving off total collapse in an isolated vault which is falling apart; a Sisyphean journey to madness. In ملوك الشغب , Kafr El Dauwar singer, composer and songwriter Ibrahim X brings the mixtape’s energy to an unexpected turn with his famous full blown Egyptian wedding aesthetics, only to be grounded towards the end by Elvin Brandhi’s Speech Plasticity.

Accompanying the album are a collection of cards, the origins, motive & gameplay is still unknown. Story has it they were originally discovered in the flooded basement of Castlemeadesque, Barclays House in Poole, Dorset. Described by one google user as “Mirroring Corfe Castle in Modern Brutalist style.” and also home to peregrine falcons.  The offices were abandoned two years ago, and the cards, in 3 sets of five, were recovered by one of the bank employees. Masterley restored for Weld by Winchester Picture Corps.

WELD

Kinlaw - Mujtama3ku Be7azzinni ft Abdel Ja7eem Hafeth

KOMBILE 003

Centum - KHART

Qow - ElMosameh Serine 
@hiqow

Every question is a track & all the tracks are samples of Sherine

"El Mosameh Sherine is built on unanswered immersive loops that repeat until they collapse and vanish in silence. It is entirely composed of samples and rearrangements of musical phrases taken from Sherine Abdel-Wahab. Sherine’s ability to musically and lyrically translate heartbreak was utilised on this album to emotionally investigate a specific state of strength that one gains from (un)forgiving a loved one.
This album is dedicated to my mom and I perceive it as a second-hand heartbreak experience."


Produced by Omar El Sadek
Harp on Track #8 by Mariana Jouzová
Mastering by Oliver Torr
Typography by Germine Walid
Artwork by Omar El Sadek

Limited Edition of 52 tapes.

ElMosameh Sherine

Qow - Menak Lelah

Jessika Khazrik - Ra2i7a رائحة لا تذهب

From the album Under The Ground, available: mediteranos.bandcamp.com/album/under-the-ground

Written, produced - @00970 
تحت الأرض - under the ground 00 (samples credits including by @stormtrap)

Release date:
15 June 2020

انت مش بعيد انت بردو مشترك

DAHB

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