So We Went Electric

Left Blank return from a long hiatus with their first and only release of 2014, from Portland's Best Available Technology.

Kevin Palmer is someone the label has been in touch with and an admirer of for a long time now, and after acclaimed releases for Opal Tapes and Astro:Dynamics amongst others, we're thrilled to finally be able to put out some of his most uncompromising music yet. Headed up by the relentless metallic post punk of title track 'Neon Razer Chain', this EP moves effortlessly through experiments in billowing ambience, dubbed out machine jams and buzz saw techno, to make one of his most diverse releases to date. 

Released on vinyl & digital 17th November 2015.

LB009: Best Available Technology - Neon Razor Chain

Real

Drew McDowall "Hypnotic Congress"
from the debut LP "Collapse" on Dais Records
Out September 25, 2015
daisrecords.com

Drew McDowall "Hypnotic Congress"

Brannten Schnüre  - Die Milchlinse. Taken from the album "Muschelsammlung" released on Enfant Terrible / Vrystaete  (Vrystaete06 / 2017).

More information and sound previews here: http://www.enfant-terrible.nl/releases/brannten-schnure-muschelsammlung/

Brannten Schnüre - Die Milchlinse

samples Roberto De Simone - II° Coro Delle Lavandaie
artwork: bambi

praczki

This is an extract from DOGTAPE VOL.3 by Panoptique.
You get all the tracks mixed together on the tape + separated tracks in digital format.
ORDER it now !
>> https://lostdogsentertainment.bandcamp.com/album/dogtape-vol-3

LDE 009 - Leon13 - I Won't Cry For U

Marching Men

@beliawinnewisser is returning to Präsens Editionen with her debut album as a solo artist. Radikale Akzeptanz is her second release on the “the curious label arm of Lucerne’s zweikommasieben magazine” (as Boomkat put it) after PE-010, an esoteric split tape with Berlin’s @leozylberberg that sold out pretty much the instant it hit the street.

Radikale Akzeptanz, a furious amalgamation of (synth-)pop references and more abstract sounds, combines long running traits from Winnewisser’s practice in various band projects (including Evje and α=f/m) with rather new interests from her studies in sound art at Hochschule der Künste Bern. A bittersweet off-pop-hymn like “The View” with its bubble-y melodies can be found next to an austere piece like “WAHDWTH,” that is examining a dry motif, transforming it into a squawking kick eventually. The record is not about those two poles however, but rather the in-between. Radikale Akzeptanz is coined by an overall quality equally relaying on pop-sensibilities and brutal sound design, as perfectly exemplified in tracks like “III” or “Ataraxie.” Add a good amount of time spent in clubs and you get the Skull Disco-esque banger “Albasty”—the closing track on this gutsy album.

The title Radikale Akzeptanz (or radical acceptance, as the term would translate from German) stems from a concept in evidence-based psychotherapy. Its basis is the notion that only an uncompromising acceptance of your situation can lead to a reduction of your suffering. Thus, radical acceptance doesn’t mean satisfaction—rather it’s supposed to be a taking on, an acknowledgement. Even more than the concept as such though, it’s the expression’s mere sound that is of interest to Winnewisser: [ʀadiˈkaːlə akʦɛpˈtanʦ]. Homey and adventurous, gentle and challenging, at ease with itself and full of tension(s)—as if coming to terms with the materiality of our life as such.

—

The record was mastered by @rolflaureijs (of Wavering Hands, @edipo-re etc.) and features an enigmatic artwork including a booklet full of drawings by Vinzenz Meyner. After successive LPs by @gondwana_andreataeggi and @wishniak it’s the third audio release on Präsens Editionen in 2018.

Belia Winnewisser – Ataraxie

From "Ses Kondi" cassette album.
Released on ORILA records, summer 2019.
https://soundcloud.com/orila
orilarecords.bandcamp.com/album/ses-kondi

Ses Kondi

Lord

EYE is back. Metamujer marks the third installment on the Knekelhuis label and we’re extremely happy to release this document of another chapter in Laurène Exposito’s life. Recorded on various locations ranging from the Swiss mountains to the chalky coasts of Brittany, Metamujer is an 8-track ode to salty love and closeness to nature, a tribute to a modest lifestyle à la Henry David Thoreau. Far from being praise for self-sufficiency, this new LP is deeply influenced by Laurène’s environment. We can hear Korg MS-10 created synthetic waves (Sanatorium) and birds (Luscinia), but one can also catch her singing in Italian, one of 3 languages spoken in her native Switzerland. Still minimalist and yet more aesthetically diverse, her new sounds are on the edge of EBM and synth pop, between classic minimal wave tunes and rustic ballads on acid.

@eye22

Drew McDowall "Hypnotic Congress"

Dais Records

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