Milwaukee had that shit LIT 🔥🔥🔥🔥 mycity

super cute and charming lyrics and vocals

🔥🔥🔥🔥🔥🔥🔥🔥 pressure pack

R u thinking of me as Iam doin when I'm listening to this song...

❤Just love it. A love, peacef. And freed. Melody ❤

I Love It So Much 💖💖💖💖💖💖💖

🥰🥰😇💖💖💖❤️‍🔥❤️‍🔥

Living N Dis World.mp3

Shook Ones Freestyle

Remix on up coming album with @fellpeepz #PerfectBlend

FellPeepz & Obi Slab - You Get on My Nerves

Neoteric

Bandcamp

Airwalk

🥏a DJ FAVORITE🥏 https://www.bosshunting.com.au/sport/nba/wilt-chamberlain-sleep-with-20000-women-sex-claim/ &™️ horse sounds https://youtu.be/ZlbfON3M0Dc

Cavalier Breakbeat D.NEW 240 casting Beauty reMix

Unpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant NoiseUnpleasant Noise

Unpleasant Noise - Instrumental

TPC #261

Swish

I LET THE CHANGES OF ANGLES
ON STAIRS
ALLOW MY LEGS TO DEFECT
LET THE RAIL SUPPORT
ALLOW MY HANDS TO SUSPEND
THE BODY IN MID FALL
FROZE
 STOP A BROKE NECK
UP STEPS I CRAWL
IT'S JUST THE FORM
OF 
STEADY PROGRESS
IN A PROCESS
SO SLOW.....
LOOKS LIKE NECROSIS
 HAS SET IN
LIKE MY BODY'S BEEN BEATEN
TWO MONTHS AGO
FINALLY FOUND THE CORPSE
UNDER A PILE OF ENEVELOPES
I SLIPPED WHEN STOPPING
TO OPEN DOORS
TO HOPE
AND PROMISE
TO SOMETHING DIFFERENT
ALWAYS BEEN THE SAME
CAN'T COMPLAIN
CAUSE I FIND IT HARD
TO FRAME IT
SO THERE WILL BE NO 
CASUAL PERUSING
WITH WINE AND BISCUITS
DISCUSSING THE VISTAS
PAINTED 
AND HOW THE LIGHT PLAYS
 BUT IT'S SLIGHTLY BETTER
THOUGHT YOU'D HATE IT
AT LEAST IT'S SOMETHING TO DO
WITH YOUR TIME #ON A TUESDAY
I SPIT ON PALLETTES OF DRIED PAINT
TURN PALLETS ON SIDES
TO REACH
THOSE HIGHER POINTS
WHERE THE UNCHALLENGED
WOULD JUST FEINT
FROM LACK OXYGEN
SAFE IN THERE BOXES
FACTORY STACKED
GETTING IT PUMPED IN
ALLOWING THE WALLS
TO STOP ASSUMPTIONS
THAT IT'S NOT THE NORM
AND  THAT THE PROBLEM
IS YOU
BY YOURSELF
NOT ALL ABOARD
WITH THE MASSES
THERE'S A SPACE RIGHT HERE
SO FIT IN
CAUSE IT MAKES ROOM
FOR THE NEXT 
PERSON
STOOD THERE
TO BE
CONSUMED
YOU'RE NOT SOME BORING FOOD
TO FEED THE BEAST
AT LEAST
PUT SOME WORK IN
TO GET HIM WORKIN
TO BURN BELLY OFF
YOU'RE A DELICACY 
A ONE OFF
MAYBE YA SLIGHLTY SALTED
SALVATING MAKING AWKWARD
MOVES FORWARD
SALAD BAITING WITH HOT SAUCE
SORT OF TYPE OF PERSON
FLIRTING UNKNOWING IN  SHOWING
THE PATH TO OPEN APPROACHING
ENCROCHING THE MOMENT
THE MISSING COMPONENT
THE POTENT POTION
ON THE FLOOR FROM THE SHELF
LEFT BROKEN
EVAPOURATING AROMA'S
WAKING ALL THAT COME
CLOSE FROM COMAS OF SELF
WAIT WHAT
MY HEART BEAT 
I JUST FELT
CIRCLED COMPLETE
AND VELCROED
THE LINES HARD TO SEE
THEY KEPT IT NEAT





BUT IT'S BEEN A LONG TIME
ALL THOSE THAT GOT THERE
LEFT ME TOO CLIMB
I LET TRIALS AT SEA
VIOLENTLY BE
STANDING ON THE SHORE
BACK TURNED
NOT WANTING MORE
SO I DIGRESS ACROSS SAND
CARRYING THOUGHTS LIKE CARGO
OR SOULS OF FLIP FLOPS
GRIPPED BETWEEN THE NEXT AND BIG TOE
THIS EPISODE
SCENE STEALING
OLD LIKE I'VE BEEN FEELING
DRESSING LIKE I'M YOUNG CHEATING
DROPPING YEARS LIKE PENNIES
OUT OF HOLES IN POCKETS
MY ONLY MASS APPEAL
IS LEFT BY TANGERINES I'M PEELING
NO LONGER LIKE THE ROCKET
BUT I NEED THE STICK
FIXED FLOOR TO CEILING
TO HELP PROP
this crooked prophet
THE KIND THAST PROFITS FROM BAGGY POCKETS
LIFTING WALLETS IN A COPPICE
JUST METAPHORS
FOR HOW
IT'S SO EASY
AND YOU SHOULD TAKE MORE
 CARE
CAUSE YA LEMON SQUEEZY

TO BE CONSUMED

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

A special thank you to https://soundcloud.com/hunatahayo  for mixing/mastering this track...he put a lot of blood, sweat, and tears in to organizing this project.

vocals- https://soundcloud.com/hunatahayo, https://soundcloud.com/lyndon-penticost , https://soundcloud.com/stl-ninja, FDX, Gee Ice, https://soundcloud.com/user-807204521, https://soundcloud.com/feroesghost, https://soundcloud.com/user-390727873, and  https://soundcloud.com/tripdout
produced by Jay Fehrman
mixed/mastered by https://soundcloud.com/hunatahayo

HUNA feat. Yung Pent,STL NiNjA,FDX,Gee Ice,SMJ,Feroe,Blasko,Trip – Methodical(Prod. By Jay Fehrman)

Astoria-Bred

Singer | Songwriter | Rapper | Producer

Shook Ones Freestyle

Daiyan

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