Hella dope flow and vibe you came wit that beat go crazy too

Awesom vocal style...Just adore this track

Thank you all for coming thru to vibe and show support!!💪🏿💯

i'm messing with this bro. i like the vibes. this slaps.

YOU'VE COME THIS FAR! PLEASE TAKE A MOMENT TO FOLLOW US ON SPOTIFY!
https://open.spotify.com/track/0QZMzHI8jXiW4PpokWDpoa?si=a6325f7b06864416

In The Distance

Apple & iTunes

In The Distance (Now streaming on Spotify)

Fight The Feeling

MIK's Tape

World Of Thirds

I am a choir director and with the covid, I lost my job
I am also a primary school teacher

https://sites.google.com/view/music-wins-our-fear-saves-us/musica-e-covid

The activities listed here are part of the weekly musical program of the musical hour realized in these two years of the pandemic.
The project was carried out as part of the weekly music lessons that took place during school hours to free creativity
and to find new ways of expression and to seek ways and new ways, to improve interpersonal relationships
communication and mediate the exchange of thoughts, sharing their experiences, thoughts, and hopes of others
with a powerful, rich, and irreplaceable medium like music.

https://sites.google.com/view/music-wins-our-fear-saves-us/musica-e-covid

SCUOLA) We Dream Of Higher Skies - World Travel 7- Far East

(SCUOLA) We Dream Of Higher Skies - World Travel 7-  Far East

follow - https://ullip-percussion-artist.bandcamp.com/track/lemurian-dragons

Ullip - Single : Lemurian Dragon
EAN : 4061707377327
Release : 07.06.2020

1.Lemurian Dragon 9:32 min       
ISRC : DEAR42075767
﻿Gema reposted ©
Recording , mix and Master by Ullip at Bergtonstudio Andalusien.
music by Ullip ©
Cover : Katulli Artwork ©
"The melody of rhythm" - "Percussion drives emotions": this is a musical arc of tension that goes far beyond the boundaries of the usual. The percussionist Ullip is on the one hand inspired by diverse influences such as world music and jazz, classical and experimental, but always seeks and finds his own way to express moods in tempos and feelings in the specific sound of the percussion instruments

Lemurian Dragon

A jam with XAW on guitar and SA on silver flute and simultaneous percussion.

Nest

Determined to lose your foe, you head for the woods; it begins to rain.

Pursued Through Wood And Rain

Gone 'Til Midnight

Hands Off Farrakhan-B.O.M.B Bandana produced by GTPro Squad

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - IV. Effects Pedal

#Lofi #Lofimusic #Lofibeats #Lofisoul #Lofihiphop #Lofirap #beast #Music #Neosoul #Soul #samples #boombap #hiphop #rap #chillhop

Hands Off Farrakhan-B.O.M.B Bandana produced by GTPro Squad

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