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quiet body

First prize Grand prix Russolo 2017
First prize Fundation Destellos 2018
Laureats GRM Multiphonies, 2017
First prize Competition international citta di udine 2018
First prize  Fondo nacional de las artes  2017
Prix Exhibitronic à Strasbourg 2017

La obra pone en manifiesto el periplo de una maquina incógnita concebida como un multi-objeto. Lo curioso es que el viaje de esta maquina sucede atraves de diferentes capas pertenecientes a una estratigrafía imaginaria, es decir que va perforando y explorando los recovecos ocultos de la imaginación. La maquina funciona como un leitmotiv que articula las distintas secciones . La estructura de la obra esta sujeta al periplo anteriormente mencionado. Desde el comienzo hasta el minuto 5  ́ 25  ́ ́ se transita por cuatro estratos, y es a partir de aquí , que emerge el quinto y ultimo estadio, como un ensueño al que se le reserva la mayor profundidad en el espacio interno de toda la obra, en analogía a la zona de mayor profundidad de nuestra imaginación. Luego de esta sección, un rallentando anuncia el retorno a la realidad. El motor de la maquina se detiene en el final de la obra.

La machinerie d'un imaginaire

Mosaicing (2016) for flute and electronics
Total Duration 7:40' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Mosaicing [fl elec]

Damián Gorandi (Argentinean, born in 1991). He has finished his master in composition at the Conservatoire National Supérieur de Musique et de Danse de Paris in the class of Stefano Gervasoni. He attended the CURSUS IRCAM  in Composition and in Computer Music in Paris. 


Also, he has finished his higher studies of composition at the Haute école des arts du Rhin Strasbourg. He studied electroacoustic music at the Hochschule für Musik Franz Liszt Weimar, Germany. In Argentina he obtained the superior title of professor in composition at the Alberto Ginastera Conservatory. 


He has worked with instrumental ensembles such as Ensemble Intercontemporain, Klangforum Wien, Moscow Contemporary Music Ensemble, Accroche Note, Ensemble Next, Ensemble L'Imaginaire, Ensemble Platyplus, Ensemble Names, the Untref string quartet, the Barcelona Modern Ensemble, Ensemble Fractals, Ensemble Synaesthesis, Ensemble Intercolor,  Ensemble arthaus, among others.


His music is frequently programmed in Europe, North and South America and Asia in festivals as Manifeste (Paris), Festival Présence (Paris), Festival Musica (Strasbourg), Festival Impuls (Vienne/Graz),National Philharmonic of Moscow, Next generation at the ZKM (Germany), the Festival Nycemf in New York, the Festival Crossroads Mozarteum (Vienne), Samplers Series (L’auditori, Barcelona), in the CCK (Buenos Aires), Seoul International Computer Music Festiva (Korea), Le festival Arsmondo organized by L'Opéra national du Rhin, Among, others.


He has followed the teachings of Stefano Gervasoni, Luis Naon, Yan Maresz, Daniel D'Adamo, Tom Mays, Jorge Sad, Elsa Justel, Robin Minard, Joao Pedro Oliveira, Thierry de Mey.


He has won many international prizes, some of them like the international impuls composition competition, Ina-GRM - Concours Banc d'Essai, 1st Prix Internationale Sommerakademie Universität für Musik und darstellende Kunst Wien 2018, 1 ̊ Prize Taukay Edizioni Musicali international composition competition, the 1 ̊  Prize Russolo,  Prix foundation Salabert, International prix Ibermusicas. 1 ̊ prize of the Fundation Destellos, 1 ̊ prize KLANG! International Composition, 1 ̊ prize in the international competitions of the University of Music FRANZ LISZT Weimar, 2 ̊ prize in the international competition Via nova contemporary music Thüringen, among others. From Argentina he won the 1 ̊ Sadaic prize,    1 ̊ Trinac prize (2016 and 2017), The prix "Juan carlos Paz", 1 ̊ Triarg Prize, among others. 


He has been invited as judge in several international competitions such as the competition of Fundation Destellos or the Iannis Xenakis International Electronic Music Competition (Aristotle University of Thessaloniki). As professor has been invited by the Haute école des arts de Berne to give courses and lessons in composition. 


He received the support of Gisela Timmermann grant from the Mozarteum Argentino, from Ibermusicas, from the Conservatoire de Strasbourg after winning the Notoriety scholarship from fondation de France, and also from Cité internationale universitaire de Paris.


Professor of computer music at the conservatory  of Beauvais (France).
Member of the Destellos foundation.

La machinerie d'un imaginaire

Damian Gorandi

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