All I Need to Get High

Friday morning sunrise at Robot Heart, Burning Man 2013 ... Pachanga Boys have the decks.  The rest is history.

www.facebook.com/pages/Pachanga-Boys-Hippie-Dance/315216318504660
https://soundcloud.com/hippie-dance

Pachanga Boys - Robot Heart - Burning Man 2013

Rebolledo and I have some unforgettable moments playing together on the playa through the past 10 years and every time it was an unpredictable journey through totally different musical dimensions. 

This b2b set on the Robot Heart is no exception. We traveled in time exploring different corners of dance music and I love how musically raw and diverse the set was. 

Definitely a lot of fun

DJ Tennis 

https://instagram.com/djtennis
https://m.soundcloud.com/djtennisdjtennis
https://twitter.com/dj_tennis
https://www.facebook.com/tennisdj

Playing sunrises at Burning Man is always beyond special and a true honor. Doing it again, this time back on The Robot in which I hadn’t performed in a while, on the side of a good friend like Dj Tennis, in a burn as unique as this year’s… made it one of a kind. 

Rebo

https://www.instagram.com/rebolledo_____/
https://m.soundcloud.com/rebolledostyle

Photo Credit:  
John Dill

Tennis B2B Rebolledo - Robot Heart - Burning Man 2023

Mano Leeks Vol. 1 -  Live from Astin Barcelona

Hello Hot Dogs! I've waited for this day for over 14 years: mix #100 is live. When I released my first mix in 2010, I titled it [001] instead of [01]. Using three digits was aspirational, a quiet promise to myself that I might one day reach triple digits.

These mixes trace the narrative of my adult life. They've been the thread connecting me with so many of you—some I'll never meet, others who've become close friends (and even roommates—hi Dan, hi James).

Back when I released my first mix in 2010, we were still buying mix CDs for our cars. Soundcloud was just emerging, and I committed to monthly releases to this new platform. I may be overreaching here, but I can’t remember any other DJs presenting conceptual mixes, monthly, as packaged works of art: a conceptual title, description, and artwork. That consistency and novelty helped build a following outside of my local scene, and when my 2012 Robot Heart recording came out, things really took off internationally.

By 2015, the momentum led me to leave my software engineering job for full-time DJing—largely thanks to these Soundcloud mixes. I was purely a DJ then with a nascent Manjumasi label formed with Mark Slee, not releasing my first original track “Peculiar Colors” until 2017.

The landscape in 2024 looks different. As Soundcloud rotted to hell and Spotify rose, the value of mixes has sharply declined. With thousands released daily, they've become ubiquitous. The career path for electronic artists now revolves around original productions and social media presence.

This industry evolution pushed me toward producing my own music, opening up new creative paths I'm grateful for. The social media aspect has felt natural, as it's been an integral part of my project from the start. These last few years, the touring schedule, studio time, and home life as a husband and father slowed me down from my monthly cadence, but each mix still feels like a deep-rooted part of my message to the world, (mostly) through other people's music. 

Mix [100] was recorded September 7, 2024, at Public Works in San Francisco, the city that "raised me" as a club kid, where I first learned to DJ. This 5-hour set marked my last show in North America before taking an indefinite mental health break from touring. Playing this set was emotional, to the point of tears in the DJ booth, with support pouring in from both new listeners and those who've been there since the beginning. I couldn’t think of a better way to reach 100.

I've also created http://www.atish100.com to house all my mixes and their 1,400+ tracklists in one place, which I'll keep updating as new mixes go up on Soundcloud and YouTube.

This mix marks a meaningful milestone for me. Thank you for making this journey possible. You, and the 1400+ artists and labels I referenced helped create a life I never imagined.

Tracklist

atish - [100] - Atish All Night (Live in SF, 5 hours)

This was a very special night playing records at RŪMU in Portugal. 

A note about vinyl, a medium many of us love. Playing vinyl for me is more pleasurable, even if it’s less convenient. It’s also more vulnerable, and one thing I like about this set is it’s illustrative of the path travelled this year. This is an unedited recording, straight from the booth at RŪMU. I haven’t shared a set in over a year, largely as my perspective and taste have been shifting faster than my desire to share beyond the dancers in the room when the music is being played.

The set feels like it has three chapters of roughly one hour each. First, a Detroit/Berlin axis exploration with the dance floor. Second, a deeper, hypnotic, broadening of the musical spectrum of the set significantly as I felt more comfortable with the energy in the room. Third, an energetic and more progressive recapitulation of the collective experience. Part of what made the night so special was the feeling of trust and support from the dance floor in going further musically than I might have otherwise.

This year I moved to Berlin to study, to learn, and to go deeper with music. This is my own exploration of music’s connection to my life story and purpose, but it was without a doubt inspired by so many who have moved there long before me. I don’t know where this journey will take me, and I am doing my best to just be present with it in the process and contribute my energy as best I can.

Please enjoy!

Justin Shaffer @ RŪMU Lisbon Dec 2024 / Vinyl

Record live at Never Sleep Again, Burning Man 2024

Atish | Never Sleep Again | Burning Man 2024

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: 
https://openlab.fm/news/sunrise-sunset-01-damian-lazarus

Listen back to the first episode of Sunrise Sunset, presented by Damian Lazarus. Broadcast every Sunday morning from 7–9am CEST and repeated Thursday evenings from 7–9pm CEST, Sunrise Sunset will run for 21 weeks from May 18 to October 5, exclusively on OpenLab – 106.4FM on the island of Ibiza and streamed online to a global audience at openlab.fm.

Known for his genre-defying taste and spiritual connection to music, Damian will bring listeners a deeply personal soundtrack inspired by the transitions of day and night. Carefully curated to mirror the rising and setting of the sun, each show promises a soul-soothing, heart-opening journey through eclectic, rare, and beautiful music.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Sunrise Sunset 01 - Damian Lazarus

I'm happy to finally release my first extended set with you, recorded at StereoBar in Montreal. StereoBar is a club that's quickly jumped onto my shortlist of favorite venues in the world. Beyond the nailing the club fundamentals (sound system, layout, lighting, staff), they feature the "All Night" series where one DJ plays as opener, headliner, and closer. I love this format since it gives me the opportunity to build the energy from scratch and take the night in any direction without constraints.

But more importantly, I get to play for one of the most enthusiastic, supportive crowds that I've ever encountered. The energy from this night was the strongest I've felt in quite some time, certainly my best gig of the last year. Almost everything I threw out there worked, which actually makes me think that I might not have worked hard enough. There are many more sonic landscapes I'd love to explore, so hopefully I can come back again soon and we can take another journey in that special room...

Recorded October 1, 2016
Special thanks to Kora for scrambling to record my set at the last minute!

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Check out my upcoming gigs here: www.bandsintown.com/atish / bit.ly/atishsk

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atish - [063] - october 2016 - live at stereobar, montreal

art:cast °60 | Marcus Worgull

A true artist always strives for new challenges to experience the unexpected, to master a different approach to the existing and to broaden one's mind. Marcus Worgull did just that with his Torture the Artist's anniversary art:cast that was meant to be an all ambient mix in the first place. In the end it turned out to be something else, something different, but still something that is 100% Marcus Worgull. It's become a mix care- and skillfully compiled by one that knows his craft in and outside the world's clubs, by one who always puts music first and hopes it has a relevance for his audience as it has for him. It's Marcus' honesty, his authenticity but also his skills as a DJ and producer that have made him a scene's mainstay and favorite for almost two decades. Of course, releases like his 'Love Song EP', including the highly appreciated The Cure remake featuring Fink, his 'Lenoix EP' in collaboration with Peter Pardeike or his dub-influenced EP 'Broad Horizons' - all out on Innervisions - enhanced Marcus' profile as a producer and introduced him to a global audience. 

Read Marcus Worgull's short Q/A about his art:cast here:
https://torturetheartist.net/2019/06/05/artcast-60-by-marcus-worgull/

Artist & label information:
Marcus Worgull: www.facebook.com/marcusworgull // @marcusworgull //  www.instagram.com/marcus_worgull
Innervisions: www.facebook.com/innercityvisions // @innervisions // www.instagram.com/innervisions_official

Visit & follow Torture the Artist at:
www.torturetheartist.net
www.facebook.com/torturetheartist
www.instagram.com/torture_the_artist
www.twitter.com/TorturingArt

art:cast #60 by Marcus Worgull

Short Q/A

art:cast °60 | Marcus Worgull

All I Need to Get High (Edit)

All I Need to Get High (Butch Remix)

Heart of Sky

All I Need to Get High (Ae:ther Dreaming Dub Remix)

All Day I Dream Podcast 031: YokoO

Damian Lazarus - DJ, Producer and creator of Crosstown Rebels, Day Zero, Get Lost and many other wonderful things

All I Need to Get High (Edit)

Damian Lazarus

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