s_suite è una composizione musicale per voce e live electronics basata su tre poesie di Simona Polvani (http://simonapolvani.wordpress.com), piccole_forme, intitolate periplo, la parola e fuga. Dalla parola nuda, al limite dell'astrattismo, o dalla pastosità materica, raccontano di un'intimità incessante, in cui il corpo sensuale è fibra mentale e la sensibilità è occhio rapace. La composizione si sviluppa seguendo, assecondando e contrapponendosi ai testi poetici. Intrecciando materiali predeterminati ed elementi improvvisati si costruisce un percorso sonoro sempre diverso che abbina alla voce recitata, ma non recitante, e alle sue elaborazioni anche elementi sonori concreti e materiali elettronici, per creare diverse prospettive percettive che possano far concentrare su percorsi meramente sensoriali o personali.

s_suite live version (2013)

A first homage track to Naples and its music. From the new project CHAOS SINFONICO.
A production for the Edoardo Pisano exhibition "Chaos, da Napoli a Napoli" (Castel Nuovo, Naples - 7 May 2014).

Néa-polis (2014)

A second homage track to Naples and its music. From the new project CHAOS SINFONICO.
A production for the Edoardo Pisano exhibition "Chaos, da Napoli a Napoli" (Castel Nuovo, Naples - 7 May 2014).

Naples feel Naples (2014)

estmprn #1 is the first track of a live improvised solo project realised using electronic instruments combined with processed acoustic resonant tube.
The track is the recording of a "one shot" improvised session.

estmprn #1

A short Sound postcard from Château Éphémère realized during the first artistic residence period for the project Passi / Errare è umano with Simona Polvani (17 April 2016).
http://www.damianomeacci.net/projects/passi-errare-e-umano/

Chateau Ephemere - Postcard#1(2016)

D.Meacci-Burglary 3.0 (2012)

D.Meacci-Burglary 1.5 (2011)

D.Meacci-in/ma/tra (2010)

Promenade (2013)

Discordante (2013)

Musician, composer, researcher and live electronics expert, he fulfilled his studies at the Music Conservatory of Florence and Bologna (Italy). Since 1996 he collaborates with Tempo Reale as a member of the production staff; in this context he worked on the production of Berio’s last works with electronics at Teatro alla Scala on Milan, Châtelet Theatre in Paris, Queen Elisabeth Hall in London, Ravenna Festival, Carnegie Hall in New York, Kioi Hall in Tokyo and Auditorium in Rome. Still within his cooperation with Tempo Reale he worked on the production of big sound installations and musical events of various nature. He has also collaborated with great national and foreign artists like Battistelli, Jim Black, Caine, Guarnieri, Van Hoecke, Daniele Lombardi, David Moss, Pier’alli, Pousseur and Ronconi and he supervised the performance of works from the greatest composers from the 20th century.
 His artistic production is oriented to soundscape composition for tape music and to live performance. Since 2007 he is teacher of Electronic Music at the Music Conservatory of Avellino.

DamianoMeacci