i was working on a game in 2021 and 2022 and this was the main battle theme

forest battle

A song I made with my Casiotone MT-205, a keyboard from the late 80s

Sun in the sky [Casiotone MT-205]

Karaoke Live at 20230416 Let's Play With Impbox

Obligatory summer tune. Took me about 4 hours to throw this together yesterday... I used a new technique in order to compose using my microsampler's ability to change keys... was fun : )

Stay cool B^)

230604 01 - emmanuelle on the beach

I don't have a good local DAW setup yet, so I started making a track in the Audiotool web app, and then I actually finished it.  For a free web app, it's pretty nice!

Ready to Run

09182023

themnotyou - city

A remix I made of the Radica: Sega Genesis menu theme. :)

YM3438 (OPN2C), No PSG
Made in Furnace

VGM Download: https://www.dropbox.com/scl/fi/r2jdmxejycseufvnbkuhv/radica.vgm?rlkey=16u3soszse2v3ifqf5cu7v173&dl=0

Radica, Dude!

written in one day (12/3/23) for BotB Advent Calendar 2023, 32kb module format https://battleofthebits.com/arena/Entry/emergent.it/63751/

artwork by @blower5 https://blower.neocities.org/

buy/dl on bandcamp

emergent.it [32kb module]

Music video version: https://youtu.be/M-R-Ck8kTMs

quest into you [2025]

"Starts off quiet, like the telly on mute while the kettle boils—just a pad and three layers of FX, stacked like damp newspapers in the hallway. Then the bass creeps in around bar 17, doubled with a sub so thick it rattles the radiators. It’s not in a rush, mind you—just lumbers along at 122 BPM like a bloke dragging a bin down a cobbled street.

The break loop’s half-time, proper slow and deliberate, none of that double-time nonsense. It’s like someone trying to dance with a limp. Then around bar 33, filtered synths start whispering through the cracks, like ghosts in a laundrette. They hang about till bar 65, then everything drops back to the pad—like the track’s taken a deep breath and remembered it left the oven on.

A new half-time break rolls in at bar 73, and the bass returns at 89, like an old mate who never knocks. From there it’s just layers shifting and muttering till the end, fading out with FX and that break loop still trudging along like it’s got nowhere better to be.

And the harmony? Don’t get me started. Starts with Cm7, then C#m7, like two neighbours arguing over who left the bins out. Then it shifts into a Ddim7—proper unsettling, like a kettle that whistles in a minor key. It don’t resolve, it just hangs there, like damp washing on a foggy Tuesday. The whole thing’s built on tension and mood, not on happy endings. That’s music for you—sometimes it just stares out the window and sighs."

Wild Pat's seaside deck chair

⚡glitch composer & experimentalist - vgm, chiptune, digital fusion
🌱 open for work! portfolio + contact: https://samplemance.rs

emergent.it [32kb module]

Hunter Van Brocklin

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