Damjan Jovičin - Southeastern Europe

Harfe: Gorana Ćurgus, Iva Dimitrijević i Marija Zoroja

Audio tim: smer za Muzičku režiju FMU

Producent: Matija Anđelković
Snimatelji: Matija Anđelković, Predrag Milošević
Asistent na snimanju: Jovana Lazarević
Mix i Mastering: Matija Anđelković

Izvedeno u Atrijumu Narodnog Muzeja u okviru koncerta kompozitora učesnika projekta Opera: Past, Present, Perfect! Koncert je priređen od strane Muzičko opersko teatarske organizacije(MOTO)

Hársfa

Performed by women's choir  Carré Chanté in Mannheim, Germany
Conductor: Janette Schmid

Ej, uhnjem (2019)

Performed by Orkest de Ereprijs
Conductor: Gregory Charette

Sopranos: Vanessa Guinadi, Kristina Archer
Mezzo-soprano: Gunda Leine
Alto: Hella Termeulen

Cirkelloop, poem by Albert Verwey

Ik ben een vonk die doelloos, richtingloos,
Geworpen in 't heelal mijn vaart begon,
Toen bond me aldra aan zich een andre zon
En wentlend leef ik ongemeten poos,

Een kern van leven, in zichzelve voos,
Vol van de kracht die in en rond mij spon.
O dat ik zonder weten eeuwig kon
Wentlen in de onbegrepen stralenroos.

Oneindge wereld, onvoltooid heelal
En onbegonnen, maar waarin elk deel
Beeld van het heel is en een lichtgespeel

Langs de eeuwge banen, zeg, zal eenmaal, zal
Ooit zijn het eind van uw gestage brand,
Gij diamant in 't holle van een hand?


Cycle

I am a spark without goal, without direction,
Thrown into the universe as my journey began,
Before long another sun bound itself to me
And turning I lived for an unmeasured while,

A kernel of life, empty in itself,
Full of the energy that around me spun.
O that I could without knowing for centuries
Turn within the ungrasped radiating rose.

Endless world, unfinished universe
And without beginning, but where each part
Image is of the whole and a lightshow

Along the eternal ways, tell me, shall once, shall
Ever there be an end to your steady fire,
You, a diamond in the hollow of a hand?

Cirkelloop

Performed by Belgrade Youth Orchestra
Conductor: Vuk Wolkov-Popović

Melodija

Chaconne

The piece gains its conceptual quality from a poem ''L'homme approximatiff'' by Tristan Tzara. It deals with perceptions of approximation in terms of time and musical parameters, as well as its compositional structure.

Sopranos: Aleksandra Jovanović, Milena Damnjanović, Mina Gligorić
Flute: Danica Ilić
Basoon: Dušan Simić
Horn: Kristina Nađ
Trumpet: Boško Ivančević
Violoncello: Aleksandra Đorđević
Double bass: Lefkothea Harmana
Piano: Damjan Jovičin

Conductor: Aleksandar Jovanović

Composer: Damjan Jovičin

Sound engineer: Đorđe Petrović

Približni Čovek

Damjan Jovičin - Approximate Man (Približni Čovek)

The piece is an emotional reflection of a poem ''Psalm'' written by Paul Celan.

Soprano: Milena Damnjanović

Damjan Jovičin - Psalm

Damjan Jovičin - Strune II

Srđan Paunović - sax

Damjan Jovičin - piano

(D)ah! - Damjan Jovičin

Damjan Jovičin - Variations

I - Greeting

II - The Future is now

III - Beatrice

Lyrics and Vocals: Der Kosmonaut

Flutes: Miloš Miketić, Tijana Radović

Tenor Sax: Rastko Uzunović

Tom toms: Uroš Kiš

Vibraphone: Emili Mišić

Marimba: Irene Bianco

Drums: Relja Derbogosijan

Piano: Ana Marković

Classical guitar: Amalia Miler

Semi-acoustic guitar: Igor Mišković

Electric guitar: Mladen Pecović

Electric bass: Vukan Potežica

Violin: Isidora Dramićanin

Jew's harp: Nikola Radeka

Conductor: Aleksandar Jovanović

Composer: Damjan Jovičin

Damjan Jovicin

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