Love how it drifts along in wonderful psychedelic fashion.

After reading your profile, I dig the slightly disconnected rhythms here. cool.

Beautiful cool sound very well realized !

Your bio was very illuminating about yourself! I do agree that science and music can be intertwined like you mentioned. Much like the discovery in this composition.

we often compare music with a journey/travel; but seldom we get such a guide offered with the track

Ladies and gentlemen, gather 'round the sonic hearth, for we're about to embark on a musical expedition that will tantalize your auditory senses and transport you to a realm where sound becomes a time machine. This is more than just a track; it's a sonic journey through the ages, a gastronomic feast for the ears.

Our melody is a guitar-based masterpiece, a siren's call that beckons you into the unknown. Picture not one, but two guitars, their parts doubling and intertwining like old lovers meeting after a long separation. It's a dance of strings that paints intricate patterns across your mind.

But here's where it gets truly mesmerizing – angular harmonic ideas that twist and turn like a serpent through the musical landscape. The harmonies defy convention, leading you down a labyrinthine path of sonic exploration. Your ears won't believe what they're hearing.

And then, the deep bass arrives, a rumbling undercurrent that resonates within your very core. It's the heartbeat of this composition, a primal force that anchors you to the ancient soil of the Sierra Norte here in Mexico.

Ah, but we're not done yet. The piano steps in, its keys a portal to nostalgia. It weaves a melancholic tale that tugs at your heartstrings, like the echoes of a long-lost memory.

Now, let's talk about the feel of the ancients. This isn't just music; it's a spiritual journey. It's as if the ghosts of the Sierra Norte have found a way to communicate through sound. Close your eyes, and you can almost see them, the indigenous people who once roamed these lands, leaving their indelible mark on the very air we breathe.

As the notes swirl and dance, you'll find yourself ensnared in elusions of psychedelic experiences, like a shamanic ritual conducted by ancient gods, their names long forgotten but their presence still lingering in the hidden corners of our minds.

But don't be fooled, for there's a hint of the creepy, a shadowy figure that lurks just out of sight. It's the yin to the composition's yang, a reminder that even in the most awe-inspiring moments, there is a touch of darkness.

This composition is a testament to the Sierra Norte, a place where every tree tells a story, and every rock whispers the secrets of time. It's inspired by the walks in these woods, the people who call this place home, and the ancient souls who once walked this hallowed ground.

So, my friends, prepare to be transported to a world where music becomes a portal to history, where the past and present collide in a symphony of emotions. It's a feast for the ears, a journey for the soul, and an experience you won't soon forget. Bon appétit, or should I say, buen provecho! 🎸🌲🎶 

#SonicExpedition #SierraNorteSoundscapes #MusicalFeast #AncientWhispers

Ancient Harmonic Sueño

The axolotl called Julio Cortazar watches the aquarium observers (including that one who resembles Julio Cortazar). The previous draft here (I tried now to improve the central part): https://soundcloud.com/michele-ansani/this-is-them-final-draft. 
The sister tracks: https://soundcloud.com/michele-ansani/this-is-us and https://soundcloud.com/michele-ansani/is-this-you
Here the short backgroundstory: https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html
Picture is from Pietro Corrao.

------

Composed by Michele Ansani (2022-2024)
Posted on SoundCloud: 2024, November 19

This is them (final version) *

The song is about perseverance through repetitive tasks by escaping deep into the mind's imagination. Back to the grind, I guess. Here is a video accompaniment with some old school animation. 

https://www.youtube.com/watch?v=8TJg8QihRsM

Lyrics
When you were searchin like an Urchin you were movin
On the sea floor
 With the tides you collide while dodging all the mine
Fields close to shore
Missing all the green hoping genes give the means from the fiends
For many more
Times like these you hope for the shoulder 
Of many of us
Pushin up the boulder for days and in ways but it sways
As it must     
But crashing back down to the ground
Like  Sisyphus

Never had the change on the range by the quarter that was drawn
 in early dawn

And you sit curled in your room with  clouded doom
Metamorphosis

Grinding the Stone

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ
Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass
This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by mistermark:
Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…
I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 
Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me
I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say
The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams
I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say
I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day 

Caveman (The Eclectic Collective)

Relaxing slow funky (slunky ;-)) song with duets of trombone with sax, guitar and trumpet.

slunky

Once again @enigmacurry turns around something amazing based on a short little beat I sent his way. Initially he made a 7.5 minute version that sounded completely different (which I'll post at another point), then he requested the stems, went back to the drawing board and produced this epic 9.5-minute beast of a remix. It really sparked my imagination - hope it works for you too!

Alterations (B) - w/ Enigma  Curry

Just a song I dig!! Couldn’t ever do it justice, but I tried! Happy 2025 to all!!!🙏🙏🙏… and yes, aware that the first line says @ did, on original😎

Rock On- David Essex Cover

Live Reflexion #025

Promise in the Rain

Relax, everything is fine.

Instrumental.

Relax

Battle Cry

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). Some say I’ve got a “touch” of inattentive ADHD. Me? I call it an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove.

Yeah, I am a Ph.D. trained evolutionary biologist, and...   that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right...  Err..  its not....)



°°°°°°°°°°°°°°°°°°°°°°°°°°español°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°


Relajándome en los bosques nublados de las montañas de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Algunos dicen que tengo un "toque" de TDAH inatento. ¿Yo? Lo llamo un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto.

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Ancient Harmonic Sueño

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